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The Whale ending explained: Brendan Fraser breaks down Charlie and Ellie's final scene

Fraser explains his interpretation of what the last exchange between Charlie and Ellie (Sadie Sink) means for both characters: "He's liberated."

Warning: This article contains spoilers for The Whale .

It's easy to get swept up in the emotions of Darren Aronofsky 's searing drama The Whale , which follows Brendan Fraser as Charlie, a reclusive, 600-pound literature professor struggling, in the last days of his life, to reconnect with the teenage daughter, Ellie ( Sadie Sink ), whom he abandoned years prior. The film's conclusion, however, might be more difficult for some viewers to read, so we asked Fraser and screenwriter Samuel D. Hunter to break down what the final scene means for Charlie's journey.

The film slowly builds to a key moment for the father-daughter pair, after Charlie spends most of the movie defending Ellie's sporadic outbursts and prickly, wounded disposition — particularly to his longtime caregiver and friend, Liz ( Hong Chau ). Charlie maintains that Ellie, like most people, has an innate capacity for empathy, and regularly heralds one of her blunt, years-old school essays criticizing the classic novel Moby Dick . He see it as a signifier of her purity, honesty, and unbridled passion. Still, Ellie remains skeptical of Charlie during most of the film's running time.

"Ellie torments him, when she cases him out the fist time she sees him," Fraser observes, noting a specific piece of blocking. "You notice that she stands behind him. She knows he can't look over his shoulder. She's torturing him a little bit. She's cross, she's angry for the sadness she feels, and that's how this 17-year-old brilliant kid comports herself. She goads him into taking to his feet, knowing well that he likely can't and that it would make him very uncomfortable to do that without even having the assistance of his walker — but she takes it from him anyway and makes him prove himself, and he can't."

That scene, Fraser says, is key to understanding the film's conclusion, which brings Ellie and Charlie together for a genuine connection, as she reads the essay aloud. Again, Charlie attempts to rise up and walk toward her. That's where things get fantastical, as Fraser calls the final sequence an act of "contrition" for Charlie, in which he's "liberated" after finally breaking through her defensive armor, reaffirming to Ellie that he sees her for the person she is — and always was.

"It's important because it's a Herculean effort that he makes to even get to his feet," Fraser says. "For him to finally break through to her, humble himself before her, and let her know that he made a mistake and is sorry for it. While his life has not physically ended in that moment, I think that he knows he doesn't need to live any longer, which is why he takes off his breather, he's got her reading the essay, and he does take to his feet like three Olympic dead-lifters, takes his baby steps to his baby, and in that beautiful two-shot, a great white light appears, and they look skyward. Depending on your belief system, spiritually or otherwise, we see that Charlie — with a touch of magic realism — finally does fly."

Screenwriter Hunter calls the run-up a "hero journey where he gets the elixir."

"He's struggling this entire film to put a mirror up to his daughter to say, 'This is who you are,' and in those final moments, that mirror is this essay," Hunter explains. "When she looks at it, she can't deny turning it in and getting a D, but then, here's her father, all these years later, being like, 'This is the best essay I've ever read.' At long last, he's the only person who sees her, and she knows it."

As for whether Hunter feels Charlie is actually walking in the final shot, he says it's open for interpretation.

"I think it's an apotheosis — you can take it how you want it," he says. "In the play, the way I wrote it is that you hear a sound of waves and they slowly intensify through that scene, so, there's a way to read it both ways. It wants to be miraculous, either literally or figuratively, and I think you can watch it either way."

You can watch and interpret for yourself: The Whale is now in theaters nationwide via A24 . See Fraser explain the movie's ending in the video above.

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The Whale writer didn't know about the ending change from the play

"I had no idea until I saw the rough cut."

The Whale writer Samuel D Hunter has opened up about how he had no idea that the film’s ending had changed from the play.

In an interview with Digital Spy , the writer talked about the original ending and how the different ending was perfect for the film.

"The way the play ends is, Ellie has the last line of the essay: 'It made me feel glad for my…' And she's cut off by the stage direction – 'a sharp intake of breath'. 'Charlie looks up, and has a sharp intake of breath. End of play.' I actually didn't know about the beach scenes until I saw a rough cut. It was just kind of an incredible surprise," he said.

preview for The Whale | Official Trailer | (A24)

Related: The Whale ending explained

"I had no idea until I saw the rough cut, and I was so intensely moved by it. I was just like, 'Oh my God, that's perfect.' Because of the play, when there's that first flashback in the Mary scene, when you see him on the… Right? Is that the Mary scene?

"In the play, it's the one moment that I script as he’s giving that monologue about the Oregon coast that the sound of waves comes in. In the play, it’s heightened, and expands a little bit. I think Darren [Aronofsky, director] took that idea, and kind of ran with it, in this gorgeous way," he said.

The film’s star, Brendan Fraser, who scored a Best Actor Oscar nomination for his portrayal, recently opened up about how he wasn’t scared to take on the role.

Related: Brendan Fraser on not being scared of The Whale role

"I didn't feel scared. I felt – I don't know – energised. I felt enthusiastic. I felt like: 'That's going to be a good challenge. That's new. I haven't seen that before.' I felt really inspired," he explained.

"I also felt like it was something I wanted to do so bad, I could feel it in my bones. And the feeling of also having had that many times before in my life – in my career – and seeing that ship sail enough times," he added.

The Whale is out now in UK cinemas.

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Shivani Dubey is a freelance writer covering entertainment, culture, social trends and lifestyle. She has been published in Vice, Vogue India, Refinery29, Mashable, i-D, Little White Lies, HuffPost and The Daily Beast among other titles. You can find her on Twitter .

Freelance film & TV writer, Digital Spy Critic and writer Jo Berry has been writing about TV and movies since she began her career at Time Out aged 18. A regular on BBC Radio, Jo has written for titles including Empire, Maxim, Radio Times , OK! , The Guardian and Grazia , is the author of books including Chick Flicks and The Parents’ Guide to Kids’ Movies .

She is also the editor of website Movies4Kids . In her career, Jo has interviewed well-known names including Beyonce, Steven Spielberg, Tom Hanks, Kiefer Sutherland, Tom Cruise and all the Avengers, spent many an hour crushed in the press areas of award show red carpets. Jo is also a self-proclaimed expert on Outlander and Brassic , and completely agrees that Die Hard is a Christmas movie .