quotes to write in every essay

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Blog • Perfecting your Craft

Posted on Mar 29, 2019

170 Writing Quotes by Famous Authors for Every Occasion

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery". 

When you're feeling stuck on your novel, an important thing to remember is that we've all been there in the past. That's right — even the J.K Rowling's and Ernest Hemingway's of this world. Which is why it's always a great idea to turn to your most famous peers (and their writing quotes) for inspiration.

Without further ado, here are 170 writing quotes  to guide you through every stage of writing. ( Yes! We've added more since we first published this post! )

The number one piece of advice that most authors have for other authors is to read, read, read. Here’s why.

1. “If you don't have time to read, you don't have the time ( or the tools ) to write. Simple as that.” — Stephen King

2. “You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.” — Annie Proulx

3. “Indeed, learning to write may be part of learning to read. For all I know, writing comes out of a superior devotion to reading.” — Eudora Welty

4. “Read, read, read. Read everything  —  trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.” — William Faulkner

5. “I kept always two books in my pocket: one to read, one to write in.” — Robert Louis Stevenson

6. “The Six Golden Rules of Writing: Read, read, read, and write, write, write.” — Ernest Gaines

7. “The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library to make one book.” — Samuel Johnson

8. “Read a thousand books, and your words will flow like a river.” ― Lisa See

9. “One sure window into a person’s soul is his reading list.” — Mary B. W. Tabor

The well of inspiration, we’re afraid, often does run dry. Here are the writing quotes to replenish it and, hopefully, remind you that there might be a story idea waiting for you just around the corner of life.

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10. "If there's a book that you want to read, but it hasn't been written yet, then you must write it." — Toni Morrison

11. “Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.” — Orson Scott

12. “Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, not your games with language, which will be the most compelling and seductive element in your style.” — Stephen King

13. “Most writers regard the truth as their most valuable possession, and therefore are most economical in its use.” — Mark Twain

14. “When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.” — George Orwell

15. “Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.” — Natalie Goldberg

16. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeleine L'Engle

17. “How vain it is to sit down to write when you have not stood up to live.” — Henry David Thoreau

18. “Cheat your landlord if you can and must, but do not try to shortchange the Muse. It cannot be done. You can’t fake quality any more than you can fake a good meal.” — William S. Burroughs

19. “Write what should not be forgotten.” — Isabel Allende

20. “The story must strike a nerve in me. My heart should start pounding when I hear the first line in my head. I start trembling at the risk.” — Susan Sontag

21. “Sometimes the ideas just come to me. Other times I have to sweat and almost bleed to make ideas come. It’s a mysterious process, but I hope I never find out exactly how it works. I like a mystery, as you may have noticed.” — J.K. Rowling

22. “As for ‘Write what you know,’ I was regularly told this as a beginner. I think it’s a very good rule and have always obeyed it. I write about imaginary countries, alien societies on other planets, dragons, wizards, the Napa Valley in 22002. I know these things. I know them better than anybody else possibly could, so it’s my duty to testify about them.” — Ursula K. Le Guin

23. “I’m very lucky in that I don’t understand the world yet. If I understood the world, it would be harder for me to write these books.” — Mo Willems

24. “Ideas are cheap. It’s the execution that is all important.” — George R.R. Martin

25. “If you wait for inspiration to write you’re not a writer, you’re a waiter.” — Dan Poynter

Now, finding your "voice" is not as simple as entering a nationally-televised competition on NBC ( nyuk nyuk! ). Yet your voice will define you as a writer, and these famous writers have plenty of tips and writing quotes for you when it comes to finding it.

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26. “To gain your own voice, you have to forget about having it heard.” — Allen Ginsberg

27. “One day I will find the right words, and they will be simple.” — Jack Kerouac

28. “No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” —Robert Frost

29. “It is only by writing, not dreaming about it, that we develop our own style.” — P.D. James

30. “Voice is not just the result of a single sentence or paragraph or page. It’s not even the sum total of a whole story. It’s all your work laid out across the table like the bones and fossils of an unidentified carcass.” — Chuck Wendig

31. “If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.” — Elmore Leonard

32. “Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.” — Meg Rosoff

33. “I don’t want just words. If that’s all you have for me, you’d better go.” — F. Scott Fitzgerald

34. “Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.” — Virginia Woolf

35. “Everywhere I go, I’m asked if the universities stifle writers. My opinion is that they don’t stifle enough of them.” — Flannery O’Connor

36. “There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn’t because the book is not there and worth being written — it is only because the right form of the story does not present itself. There is only one right form for a story and, if you fail to find that form, the story will not tell itself.” — Mark Twain

37. “Start writing, no matter what. The water does not flow until the faucet is turned on.” — Louis L’Amour

38. “First, find out what your hero wants, then just follow him.” — Ray Bradbury

39. “All you have to do is write one true sentence. Write the truest sentence that you know.” — Ernest Hemingway

40. “Focus more on your desire than on your doubt, and the dream will take care of itself.” — Mark Twain

41. “Being a writer is a very peculiar sort of job: It’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.” — Neil Gaiman

42. “It’s none of their business that you have to learn to write. Let them think you were born that way.” — Ernest Hemingway

43. “It doesn’t matter how many book ideas you have if you can’t finish writing your book.” — Joe Bunting

44. “If I waited for perfection, I would never write a word.” — Margaret Atwood

45. “A blank piece of paper is God's way of telling us how hard it is to be God.” — Sidney Sheldon

46. “I am not at all in a humor for writing; I must write on until I am.” — Jane Austen

47. "Get it down. Take chances. It may be bad, but it's the only way you can do anything really good." — William Faulkner

48. “One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing — writing and tearing up five pages would leave me no further behind than if I took the day off.” — Lawrence Block

49. “Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.” — John Steinbeck

50. “You can fix anything but a blank page.” — Nora Roberts

51. “I don’t wait for moods. You accomplish nothing if you do that. Your mind must know it has got to get down to work.” — Pearl S. Buck

52. “There is nothing to writing. All you do is sit down at the typewriter and bleed.” — Ernest Hemingway

Don’t get discouraged if you get this far and you’re thinking that your first draft is rather poor. These writing quotes are reminders that it’s just part of the process.

53. “The first draft is just you telling yourself the story.” — Terry Pratchett

54. “Get through a draft as quickly as possible.” — Joshua Wolf Shenk

55. “I love deadlines. I like the whooshing sound they make as they fly by.” — Douglas Adams

56. “The first draft of everything is shit.” — Ernest Hemingway

57. “There is no real ending. It’s just the place where you stop the story.” — Frank Herbert

58. “I would advise any beginning writer to write the first drafts as if no one else will ever read them — without a thought about publication — and only in the last draft to consider how the work will look from the outside.” — Anne Tyler

59. “I just give myself permission to suck. I delete about 90 percent of my first drafts, so it doesn’t really matter much if on a particular day I write beautiful and brilliant prose that will stick in the minds of my readers forever, because there’s a 90 percent chance I’m just going to delete whatever I write anyway. I find this hugely liberating.” — John Green

60. “Be willing to write really badly.” — Jennifer Egan

61. “On first drafts: It is completely raw, the sort of thing I feel free to do with the door shut — it’s the story undressed, standing up in nothing but its socks and undershorts.” — Stephen King

62. “I do not over-intellectualise the production process. I try to keep it simple: Tell the damned story.” — Tom Clancy

63. “Anyone who says writing is easy isn’t doing it right.” — Amy Joy

64. “You fail only if you stop writing.” — Ray Bradbury

65. “If my doctor told me I had only six minutes to live, I wouldn't brood. I'd type a little faster.” — Isaac Asimov

66. “Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.” — Ray Bradbury

67. “You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.” ― Octavia E. Butler

68. “I believe myself that a good writer doesn’t really need to be told anything except to keep at it.” — Chinua Achebe

69. “The secret to being a writer is that you have to write. It’s not enough to think about writing or to study literature or plan a future life as an author. You really have to lock yourself away, alone, and get to work.” — Augusten Burroughs

70. “It is by sitting down to write every morning that one becomes a writer.” — Gerald Brenan

71. “Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.” — James Baldwin

72. “You just have to go on when it is worst and most helpless — there is only one thing to do with a novel and that is go straight on through to the end of the damn thing.” — Ernest Hemingway

73. “We have to continually be jumping off cliffs and developing our wings on the way down.” — Kurt Vonnegut

74. “The nearest I have to a rule is a Post-it on the wall in front of my desk saying ‘Faire et se taire’ from Flaubert. Which I translate for myself as ‘Shut up and get on with it.’” — Helen Simpson

75. “I’ve been writing since I was six. It is a compulsion, so I can’t really say where the desire came from; I’ve always had it. My breakthrough with the first book came through persistence, because a lot of publishers turned it down.” — J.K. Rowling

76. “Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as a writer.” — Ray Bradbury

77. “It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.” — Virginia Woolf

78. “A professional writer is an amateur who didn’t quit.” — Richard Bach

“Write drunk, edit sober” might be one of the most famous writing quotes about editing, but we can’t all outdrink Ernest Hemingway. Which is why these other words of wisdom and writing quotes exist!

79. “You can always edit a bad page. You can’t edit a blank page.” ― Jodi Picoult

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80. “When your story is ready for a rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.” — Stephen King

81. “The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.” — Dominick Dunne

82. “Editing might be a bloody trade, but knives aren’t the exclusive property of butchers. Surgeons use them too.” — Blake Morrison

83. “The main thing I try to do is write as clearly as I can. I rewrite a good deal to make it clear.” — E.B. White

84. “You write to communicate to the hearts and minds of others what's burning inside you, and we edit to let the fire show through the smoke.” — Arthur Plotnik

85. “Half my life is an act of revision.” — John Irving

86. “I'm all for the scissors. I believe more in the scissors than I do in the pencil.” — Truman Capote

87. “It is perfectly okay to write garbage — as long as you edit brilliantly.” — C. J. Cherryh

88. “I've found the best way to revise your own work is to pretend that somebody else wrote it and then to rip the living shit out of it.” ― Don Roff

89. “Only kings, presidents, editors, and people with tapeworms have the right to use the editorial 'we'.” — Mark Twain

90. “So the writer who breeds more words than he needs, is making a chore for the reader who reads.” ― Dr. Seuss

91. “Not that the story need be long, but it will take a long while to make it short.” — Henry David Thoreau

92. “I would write a book, or a short story, at least three times — once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say. Somewhere I put it this way: first drafts are for learning what one's fiction wants him to say. Revision works with that knowledge to enlarge and enhance an idea, to reform it. Revision is one of the exquisite pleasures of writing.” — Bernard Malamud

93. “No author dislikes to be edited as much as he dislikes not to be published.” — Russell Lynes

94. “Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.” — Annie Dillard

95. “No passion in the world is equal to the passion to alter someone else's draft.” — H.G. Wells

96. “A writer is a world trapped in a person.” — Victor Hugo

97. “A writer is someone for whom writing is more difficult than it is for other people.” — Thomas Mann

98. “People say, ‘What advice do you have for people who want to be writers?’ I say, they don’t really need advice, they know they want to be writers, and they’re gonna do it. Those people who know that they really want to do this and are cut out for it, they know it.” — R.L. Stine

99. “As a writer, you should not judge, you should understand.” ― Ernest Hemingway

100. “I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.” — Gustave Flaubert

101. “Let me live, love, and say it well in good sentences.” — Sylvia Plath

102. “I go out to my little office, where I’ve got a manuscript, and the last page I was happy with is on top. I read that, and it’s like getting on a taxiway. I’m able to go through and revise it and put myself — click — back into that world.” — Stephen King

103. “I think all writing is a disease. You can’t stop it.” — William Carlos Williams

104. “Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. I have 10 or so, and that’s a lot. As you get older, you become more skillful at casting them.” — Gore Vidal

105. “For your born writer, nothing is so healing as the realization that he has come upon the right word.” — Catherine Drinker Bowen

106. “The task of a writer consists of being able to make something out of an idea.” — Thomas Mann

107. “Some editors are failed writers, but so are most writers.” — T.S. Eliot

108. “Many people hear voices when no one is there. Some of them are called mad and are shut up in rooms where they stare at the walls all day. Others are called writers and they do pretty much the same thing.” — Margaret Chittenden

109. “A writer never has a vacation. For a writer life consists of either writing or thinking about writing.” — Eugene Ionesco

110. “Either write something worth reading or do something worth writing.” — Benjamin Franklin

111. “A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.” — Roald Dahl

112. “Writing is the only thing that, when I do it, I don’t feel I should be doing something else.” — Gloria Steinem

From cavemen to our modern day in the 21st-century, we have written our joys and sorrows throughout history. What compels us to write? Here’s what some of the most beloved writers we know have to say.

113. “I can shake off everything as I write; my sorrows disappear, my courage is reborn.” — Anne Frank

114. “We write to taste life twice, in the moment and in retrospect.” — Anais Nin

115. “There is no greater agony than bearing an untold story inside you.” ― Maya Angelou

116. “The very reason I write is so that I might not sleepwalk through my entire life.” — Zadie Smith

117. “The good writing of any age has always been the product of someone’s neurosis.” — William Styron

118. “No matter what people tell you, words and ideas can change the world.” — Robin Williams

119. “Words can be like X-rays if you use them properly — they'll go through anything. You read and you're pierced.” — Aldous Huxley

120. “You can make anything by writing.” — C.S. Lewis

121. “Writers live twice.” —  Natalie Goldberg

122. “History will be kind to me for I intend to write it.” — Winston Churchill

123. “Anybody can make history. Only a great man can write it.” — Oscar Wilde

124. “You must stay drunk on writing so reality cannot destroy you.” — Ray Bradbury

125. “Don’t tell me the moon is shining; show me the glint of light on broken glass .” ― Anton Chekhov

126. “My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.” — Anton Chekhov

127. “There are three rules for writing a novel. Unfortunately, no one knows what they are.” — Somerset Maugham

128. “Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.” — Stephen King

129. “Substitute 'damn' every time you're inclined to write 'very;' your editor will delete it and the writing will be just as it should be.” — Mark Twain

130. “Find your best time of the day for writing and write. Don’t let anything else interfere. Afterwards it won’t matter to you that the kitchen is a mess.” — Esther Freud

131. “Here is a lesson in creative writing. First rule: Do not use semicolons. [...] All they do is show you've been to college.” — Kurt Vonnegut

132. “To produce a mighty book, you must choose a mighty theme.” — Herman Melville

133. “Write drunk, edit sober.” — Ernest Hemingway

134. “The difference between the almost right word and the right word is the difference between the lightning bug and the lightning.” — Mark Twain

135. “The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.” — Neil Gaiman

136. “Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.” — Jane Yolen

137. “Style means the right word. The rest matters little.” — Jules Renard

138. “My aim in constructing sentences is to make the sentence utterly easy to understand, writing what I call transparent prose. I’ve failed dreadfully if you have to read a sentence twice to figure out what I meant.” — Ken Follett

139. “And one of [the things you learn as you get older] is, you really need less… My model for this is late Beethoven. He moves so strangely and quite suddenly sometimes from place to place in his music, in the late quartets. He knows where he’s going and he just doesn’t want to waste all that time getting there… One is aware of this as one gets older. You can’t waste time.” — Ursula K. Le Guin

140. “ Part 1. I notice that you use plain, simple language, short words and brief sentences. That is the way to write English — it is the modern way and the best way. Stick to it; don’t let fluff and flowers and verbosity creep in . Part 2. When you catch an adjective, kill it. No, I don’t mean utterly, but kill most of them – then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. Part 3. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.” — Mark Twain

“You miss 100% of the shots that you never take — Wayne Gretsky,” as Michael Scott once said. In tribute to this sentiment, these writing quotes help show why it’s important not to let failure or rejection get you down.

141. “You can’t let praise or criticism get to you. It’s a weakness to get caught up in either one.” — John Wooden

142. “Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil — but there is no way around them.” — Isaac Asimov

143. “Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” — Jennifer Salaiz

144. “I love my rejection slips. They show me I try.” — Sylvia Plath

145. “I would advise anyone who aspires to a writing career that before developing his talent, he would be wise to develop a thick hide.” — Harper Lee

147. “I used to save all my rejection slips because I told myself, one day I’m going to autograph these and auction them. And then I lost the box.” — James Lee Burke

148. “This manuscript of yours that has just come back from another editor is a precious package. Don’t consider it rejected. Consider that you’ve addressed it ‘to the editor who can appreciate my work’ and it has simply come back stamped ‘Not at this address’. Just keep looking for the right address.” — Barbara Kingsolver

149. “To ward off a feeling of failure, she joked that she could wallpaper her bathroom with rejection slips, which she chose not to see as messages to stop, but rather as tickets to the game.” — Anita Shreve

150. “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” — Neil Gaiman

151. “The artist doesn’t have time to listen to the critics. The ones who want to be writers read the reviews, the ones who want to write don’t have the time to read reviews.” — William Faulkner

152. “I think that you have to believe in your destiny; that you will succeed, you will meet a lot of rejection and it is not always a straight path, there will be detours — so enjoy the view.” — Michael York

153. “I went for years not finishing anything. Because, of course, when you finish something you can be judged.” — Erica Jong

154. “I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.” — Anita Diamant

155. “I could write an entertaining novel about rejection slips, but I fear it would be overly long.” — Louise Brown

156. “I had immediate success in the sense that I sold something right off the bat. I thought it was going to be a piece of cake and it really wasn’t. I have drawers full of — or I did have — drawers full of rejection slips.” — Fred Saberhagen

157. “An absolutely necessary part of a writer’s equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.” — Irwin Shaw

158. “Failures are finger posts on the road to achievement.” — C. S. Lewis

Why does writing matter? If there’s anyone who might know the answer, it’s the people who write — and continue to write, despite adverse circumstances. Here are a few pennies for their thoughts.

159. “Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” — Virginia Woolf

160. “If the book is true, it will find an audience that is meant to read it.” — Wally Lamb

161. “A word after a word after a word is power.” — Margaret Atwood

162. “If you want to change the world, pick up your pen and write.” — Martin Luther

163. “The purpose of a writer is to keep civilization from destroying itself.” — Albert Camus

164. “Good fiction’s job is to comfort the disturbed and disturb the comfortable.” — David Foster Wallace

165. “After nourishment, shelter and companionship, stories are the thing we need most in the world.” — Philip Pullman

166. “All stories have to at least try to explain some small portion of the meaning of life.” — Gene Weingarten

167. “If a nation loses its storytellers, it loses its childhood.” — Peter Handke

168. “The difference between fiction and reality? Fiction has to make sense.” — Tom Clancy

169. “If I had to give young writers advice, I would say don’t listen to writers talking about writing or themselves.” — Lillian Hellman

170. “Don’t take anyone’s writing advice too seriously.” — Lev Grossman

Of course, writing quotes by themselves won't write the book for you — you alone have that power. However, we hope that this post has helped inspire you in some way! If you're looking for more in-depth resources, you can check out these guides:

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2 responses

Brian Welte says:

08/05/2019 – 12:28

Here's a quote I absolutely adore: "The author, in his work, must be like God in the Universe, present everywhere and visible nowhere" [Quote from Gustave Flaubert]

Comments are currently closed.

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It’s never been a better time to be a writer  –or aspire to become one.

Platforms like LinkedIn , Medium, and WordPress have placed millions of dollars of technology, and the power that once only belonged to major publishing and media firms, into the hands of millions of writers  – entirely for free.

But technology can take a writer only so far. Writing is an art and a craft that needs to be developed through deliberate practice and study over a long period of time. Fortunately, some of the world’s greatest writers, the ones who mastered the craft and whose names have been passed down to us through time, gifted us not only with their stories. Many of them took time between the creation of their novels and short stories and poems to codify their writing philosophies, their writing strategies, and their writing habits.

Some of these authors recorded their thoughts on writing in books, some as essays, and some as letters to their friends, lovers, and editors.

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If you’re ever in need of inspiration or just want a few quick tips to help keep your words flowing onto the screen, just dip into the wisdom of these great authors. Here are 50 nuggets of writing wisdom from some of the greatest authors of all time:

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” –Madeleine L’Engle

“If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” –Stephen King

“We write to taste life twice, in the moment and in retrospect.” –Anaïs Nin

“Substitute ‘damn’ every time you’re inclined to write ‘very’; your editor will delete it and the writing will be just as it should be.” –Mark Twain

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” –Toni Morrison

“One day I will find the right words, and they will be simple.” –Jack Kerouac, T he Dharma Bums

“Either write something worth reading or do something worth writing.” –Benjamin Franklin

“You never have to change anything you got up in the middle of the night to write.” –Saul Bellow

“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” –Robert Frost

“Read, read, read. Read everything – trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it’s good, you’ll find out. If it’s not, throw it out of the window.” –William Faulkner

“You must stay drunk on writing so reality cannot destroy you.” –Ray Bradbury, Zen in the Art of Writing

“Words can be like X-rays if you use them properly – they’ll go through anything. You read and you’re pierced.” –Aldous Huxley, Brave New World

“How vain it is to sit down to write when you have not stood up to live.” –Henry David Thoreau

“I can shake off everything as I write; my sorrows disappear, my courage is reborn.” –Anne Frank

“A writer is someone for whom writing is more difficult than it is for other people.” –Thomas Mann, Essays of Three Decades

“Let me live, love, and say it well in good sentences.” –Sylvia Plath, The Unabridged Journals of Sylvia Plath

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” –Kurt Vonnegut Jr., A Man Without a Country

“Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.” –Franz Kafka

“I kept always two books in my pocket, one to read, one to write in.” –Robert Louis Stevenson

“You can make anything by writing.” –C.S. Lewis

“A word after a word after a word is power.” –Margaret Atwood

“Tears are words that need to be written.” –Paulo Coelho

“You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.” –Annie Proulx

“Writing is like sex. First you do it for love, then you do it for your friends, and then you do it for money.” –Virginia Woolf

“To survive, you must tell stories.” –Umberto Eco, The Island of the Day Before

“Always be a poet, even in prose.” –Charles Baudelaire

“If my doctor told me I had only six minutes to live, I wouldn’t brood. I’d type a little faster.” –Isaac Asimov

“The purpose of a writer is to keep civilization from destroying itself.” –Albert Camus

“I write to discover what I know.” –Flannery O’Connor

“Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.” — John Steinbeck

“A book is made from a tree. It is an assemblage of flat, flexible parts (still called ‘leaves’) imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time–proof that humans can work magic.” — Carl Sagan

“Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish.” — Hermann Hesse

“Writing books is the closest men ever come to childbearing.” — Norman Mailer

“Find out the reason that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself you would have to die if you were forbidden to write.” — Rainer Maria Rilke

“As a writer, you should not judge, you should understand.” — Ernest Hemingway

“A good writer possesses not only his own spirit but also the spirit of his friends.” — Friedrich Nietzsche

“The most valuable of all talents is that of never using two words when one will do.” –Thomas Jefferson

“If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can’t allow what we learned in English composition to disrupt the sound and rhythm of the narrative.”  –  Elmore Leonard

“Writers live twice.”  –  Natalie Goldberg

“To produce a mighty book, you must choose a mighty theme.” — Herman Melville

“Words are a lens to focus one’s mind.” — Ayn Rand

“I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.” — Gustave Flaubert

“Writing is its own reward.” — Henry Miller

“A blank piece of paper is God’s way of telling us how hard it is to be God.” — Sidney Sheldon

“I went for years not finishing anything. Because, of course, when you finish something you can be judged.” — Erica Jong

“I love deadlines. I like the whooshing sound they make as they fly by.” — Douglas Adams

“Half my life is an act of revision.” — John Irving

“Get it down. Take chances. It may be bad, but it’s the only way you can do anything really good.” — William Faulkner

“Almost anyone can be an author; the business is to collect money and fame from this state of being.” — A. A. Milne

“When you make music or write or create, it’s really your job to have mind-blowing, irresponsible, condomless sex with whatever idea it is you’re writing about at the time.” –Lady Gaga

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Renowned authors and imaginative minds have long been a fountain of encouragement and wisdom for those of us undertaking creative pursuits. When we’re craving a spark of motivation or a nugget of wisdom, a compelling quote can often light the way.

The masters of the written word have a unique way of distilling their vast experiences and profound insights into succinct, impactful statements. So, we've curated a collection of quotes that encapsulate the essence of inspiration, creativity, and the art of writing itself.

Whether you're in search of the perfect quote to share with a fellow writer or seeking inspirational words to boost your own creative journey, this collection is designed to ignite your passion for storytelling and spark your imagination.

Quotes about writing

• Writing, to me, is simply thinking through my fingers — Isaac Asimov
• Home is the cats, my books, and my work never done — Patti Smith
• There is nothing at all to writing. All you do is sit down at a typewriter and bleed — Ernest Hemingway
• The only way to write is to write — John Steinbeck
• I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of — Joss Whedon
• It’s terribly dangerous for an artist to fulfil other people’s expectations — David Bowie
• The aim of art is to represent not the outward appearance of things, but their inward significance — Aristotle
• Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand — George Orwell

Quotes on being a writer

• If you're writing, you're a writer — Neil Gaiman
• The terrible thing about being a writer is that you don’t decide to become one, you discover that you are one — James Baldwin
• The purpose of a writer is to keep civilization from destroying itself — Albert Camus
• I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear — Joan Didion
• The role of a writer is not to say all we can say, but what we are unable to say — Anaïs Nin
• The writer's job is to tell the truth — Ernest Hemingway
• One role of the writer today is to sound the alarm. The environment is disintegrating, the hour is late, and not much is being done — E.B White
• To name something truly is to lay bare what may be brutal or corrupt (or important or possible) and key to the work of changing the world is changing the story — Rebecca Solnit
• You don't write because you want to say something, you write because you have something to say — F. Scott Fitzgerald
• A writer is someone for whom writing is more difficult than it is for other people — Thomas Mann
• Writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, it is separate from themselves, it is not real but it is really there — Gertrude Stein
• Writers do not merely reflect and interpret life, they inform and shape life — E.B. White
• A writer is someone who has taught his mind to misbehave — Oscar Wilde

Famous quotes about creativity

• Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes and having fun — Mary Lou Cook
• Creativity is intelligence having fun — Albert Einstein
• Be regular and orderly in your life so that you may be violent and original in your work — Gustave Flaubert
• The purpose of art is not the release of a momentary ejection of adrenalin but is, rather, the gradual, lifelong construction of a state of wonder and serenity — Glenn Gould
• Creativity is the combination of discipline and a childlike spirit — Robert Greene
• An essential aspect of creativity is not being afraid to fail — Dr Edwin Land
• Creativity takes courage — Henri Matisse
• I tell you: one must have chaos in oneself to give birth to a dancing star — From Thus Spoke Zarathustra by Friedrich Nietzsche
• The worst enemy to creativity is self-doubt — Sylvia Plath

Famous quotes on writing a book

• There is no greater agony than bearing an untold story inside you — Maya Angelou
• There is something compelling about the blank page that beckons you in to write something on it. It must be filled — Margaret Atwood
• You’ve got to be able to look at your thoughts on paper and discover what a fool you were — Ray Bradbury
• Write the kind of story you would like to read. People will give you all sorts of advice about writing, but if you are not writing something you like, no one else will like it either — Meg Cabot
• The best time for planning a book is while you're doing the dishes — Agatha Christie
• Writing is an exploration. You start from nothing and learn as you go — E.L. Doctorow
• What you cannot fix is the perfection of a blank page. What you cannot fix is that pristine, unsullied whiteness of a screen or a page with nothing on it, because there's nothing there to fix — Neil Gaiman
• You are ready. Start making stuff — Austin Kleon
• The scariest moment is always just before you start — Stephen King
• A blank page is also a door — it contains infinity, like a night sky with a supermoon really close to the Earth, with all the stars and the galaxies, where you can see very, very clearly… — David Mitchell
• Start with a phrase, a line, a quote. Questions are very helpful. Begin with a few you’re carrying right now — Naomi Shihab Nye
• I always in writing start with a name. Give me a name and it produces a story, not the other way about normally — JRR Tolkien

Inspirational writing quotes

• I love deadlines. I love the whooshing noise they make as they go by — Douglas Adams
• Be not afraid of going slowly, be afraid of standing still — Chinese Proverb
• Don't be a writer; be writing — William Faulkner
• Writing is easy: All you do is sit staring at a blank sheet of paper until drops of blood form on your forehead — Gene Fowler
• People think focus means saying yes to the thing you've got to focus on. But that's not what it means at all. It means saying no to the hundred other good ideas that there are — Steve Jobs
• It always seems impossible, until it's done — Nelson Mandela
• The depths are obscured in us when we try to force feelings; we clarify them by giving them adequate time and space and letting them come — Stephen Nachmanovich
• The first draft is just you telling yourself the story — Terry Pratchett
• Writing is an act of faith, not a trick of grammar — E.B. White
• We write to taste life twice, in the moment, and in retrospection — Anaïs Nin
• Get it down. Take chances. It may be bad, but that's the only way you can do anything really good — William Faulkner

Quotes about editing and revising a novel

• The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon — Robert Cormier
• Perfection is not when there is nothing more to add, but when there is nothing left to take away — Antoine de Saint-Exupery
• In writing, you must kill all your darlings — William Faulkner
• Write drunk; edit sober — Ernest Hemmingway
• The most valuable of all talents is that of never using two words when one will do — Thomas Jefferson
• The road to hell is paved with adverbs — Stephen King
• I'm not a very good writer, but I'm an excellent rewriter — James Michener
• The most important thing in writing is to have written. I can always fix a bad page. I can't fix a blank one — Nora Roberts
• The difference between the right word and the almost right word is the difference between lightening and a lightening bug — Mark Twain
• There's no such thing as a moral or immoral book. Books are well written, or badly written — Oscar Wilde
• Usually I compose only with great difficulty and endless rewriting — JRR Tolkien
• There are three rules for writing a novel. Unfortunately, no one knows what they are - W Somerset Maugham

Quotes about using emotion in your writing

• Learning the craft, understanding what language can do, gaining control of the language, enables one to make people weep, make them laugh… — Maya Angelou
• No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader — Robert Frost
• All romance books are about one theme: love conquers all... That journey from hole-hearted to whole-hearted is the romance arc for each character — Gwen Hayes
• Any fool with steady hands and a working set of lungs can build up a house of cards and then blow it down, but it takes a genius to make people laugh — Stephen King
• Novels ought to have hope; at least, American novels ought to have hope. French novels don't need to — Anne Lamott
• Our sense of enchantment is not triggered only by grand things... The awe-inspiring, the numinous, is all around us, all the time. It becomes valuable when we value it — Katherine May
• A work responds to the reader’s, not the author’s, questions. Once written, the work has a life of its own distinct from that of its author, a life granted by its successive readers — Octavio Paz
• The best stories don't come from ‘good vs bad’, but from ‘good vs good’ — Leo Tolstoy
• Maybe we can’t draw flesh from reverie nor retrieve a dusty spur, but we can gather the dream itself and bring it back uniquely whole — Patti Smith
• Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works — Virginia Woolf

Quotes about mastering the writing craft

• A professional writer is an amateur who didn't quit — Richard Bach
• My responsibility as a writer is to be as good as I can be at my craft — Maya Angelou
• Don't tell me the moon is shining: show me the glint of light on broken glass — Anton Chekhov
• A good writer is always a people watcher — Patricia Highsmith
• The only way to do great work is to love what you do — Steve Jobs
• If you don't have the time to read, you don't have the time (or the tools) to write — Stephen King
• If you want to be a writer, you have to write. Everyday. No excuses — Walter Mosley
• In the exposition we put a pot of water on the stove; getting the action to rise is making the water boil — George Saunders
• A scene without conflict is a scene without tension... which is to say, a scene that gives us no reason to read it — Chuck Wendig
• I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide — Harper Lee
• It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others — Brandon Sanderson

Writing motivation quotes

• Success is liking yourself, liking what you do, and liking how you do it — Maya Angelou
• I can't give you a sure fire formula for success, but I can give you a formula for failure: try to please everybody all the time — Herbert Bayard Swope
• The people who are crazy enough to think they can change the world are the ones who do — Steve Jobs
• If your compassion does not include yourself, it is incomplete — Jack Kornfield
• The best way to predict your future is to create it — Abraham Lincoln
• Care about what other people think and you will always be their prisoner — Lao Tzu
• Do one thing everyday that scares you — Eleanor Roosevelt
• And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, ‘If this isn’t nice, I don’t know what is’ — Kurt Vonnegut

Quotes about getting ideas

• Don’t worry about people stealing your ideas. If your ideas are any good, you’ll have to ram them down people’s throats — Howard Aiken
• I don't need an alarm clock. My ideas wake me — Ray Bradbury
• Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to split open — Natalie Goldberg
• Prestige is like a powerful magnet that warps even your beliefs about what you enjoy. It causes you to work not on what you like, but what you’d like to like — Paul Graham
• If there's a book that you want to read, but it hasn't been written yet, then you must write it — Toni Morrison
• A writer should concern himself with whatever absorbs his fancy, stirs his heart, and unlimbers his typewriter — E.B. White
• Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly — Franz Kafka

Learning from the greats

For us, quotes from famous writers are like beacons guiding us through the writing process. Ernest Hemingway tells us to pour our feelings out. Antoine de Saint-Exupery teaches us to keep our stories simple, taking away anything that's not needed. Stephen King warns us to use our words carefully to make our writing strong. These tips show us how to become better writers. They tell us to trust our own way of writing and to keep learning and getting better. If these writers did it, so can you!

Writing philosophy in practice

When you read a lot of advice from different writers, you'll notice they don't all agree. Hemingway's idea of writing being tough doesn't quite match Stephen King's idea of it being an adventure. Flaubert liked things orderly, but Kerouac loved just letting ideas flow freely. That's okay, though. Writing is about finding what works for you.

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115 Inspirational Writing Quotes by Famous Authors

Writing can change lives. Many authors have found peace in writing and have been quoted conveying the magic they have found in writing. We wanted to share some of the most famous writing quotes with you. Thank you to Goodreads for the quotes.

“I love writing. I love the swirl and swing of words as they tangle with human emotions.” ― James Michener

“One day I will find the right words, and they will be simple.” ― Jack Kerouac, The Dharma Bums

“let me live, love, and say it well in good sentences” ― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“We have to continually be jumping off cliffs and developing our wings on the way down.” ― Kurt Vonnegut, If This Isn’t Nice, What Is?: Advice for the Young

“I haven’t any right to criticize books, and I don’t do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can’t conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone.” ― Mark Twain

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” ― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“The true alchemists do not change lead into gold; they change the world into words.” ― William H. Gass, A Temple of Texts

“History will be kind to me for I intend to write it.” ― Winston S. Churchill

“Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well. It’s about getting up, getting well, and getting over. Getting happy, okay? Getting happy.” ― Stephen King, On Writing: A Memoir of the Craft

“Make up a story… For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don’t tell us what to believe, what to fear. Show us belief’s wide skirt and the stitch that unravels fear’s caul.” ― Toni Morrison, The Nobel Lecture In Literature, 1993

“A well-composed book is a magic carpet on which we are wafted to a world that we cannot enter in any other way.” ― Caroline Gordon

“If you want to be a writer, you must do two things above all others: read a lot and write a lot.” ― Stephen King

“Tears are words that need to be written.” ― Paulo Coelho

“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” ― Robert Frost

“Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.” ― John Steinbeck

“Description begins in the writer’s imagination, but should finish in the reader’s.” ― Stephen King, On Writing: A Memoir of the Craft

“All you have to do is write one true sentence. Write the truest sentence that you know.” ― Ernest Hemingway

“A word after a word after a word is power.” ― Margaret Atwood

“If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” ― Stephen King

“Fiction is the truth inside the lie.” ― Stephen King

“”Tomorrow may be hell, but today was a good writing day , and on the good writing days nothing else matters.”” ― Neil Gaiman

“A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.” ― G.K. Chesterton, Heretics

“You never have to change anything you got up in the middle of the night to write.” ― Saul Bellow

“I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of. ” ― Joss Whedon

“The purpose of a writer is to keep civilization from destroying itself.” ― Albert Camus

“So what? All writers are lunatics!” ― Cornelia Funke, Inkspell

“Stories may well be lies, but they are good lies that say true things, and which can sometimes pay the rent.” ― Neil Gaiman

“Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.” ― Virginia Woolf, A Room of One’s Own

“Words can be like X-rays if you use them properly — they’ll go through anything. You read and you’re pierced.” ― Aldous Huxley, Brave New World

“There is no real ending. It’s just the place where you stop the story.” ― Frank Herbert

“I write differently from what I speak, I speak differently from what I think, I think differently from the way I ought to think, and so it all proceeds into deepest darkness.” ― Franz Kafka

“The role of a writer is not to say what we can all say, but what we are unable to say.” ― Anais Nin

“There is no greater agony than bearing an untold story inside you.” ― Maya Angelou, I Know Why the Caged Bird Sings

“A short story is a different thing altogether – a short story is like a quick kiss in the dark from a stranger.” ― Stephen King, Skeleton Crew

“I love deadlines. I love the whooshing noise they make as they go by.” ― Douglas Adams, The Salmon of Doubt

“You can’t wait for inspiration. You have to go after it with a club.” ― Jack London

“Start writing, no matter what. The water does not flow until the faucet is turned on.” ― Louis L’Amour

“A short story is a love affair, a novel is a marriage. A short story is a photograph; a novel is a film.” ― Lorrie Moore

“I can shake off everything as I write; my sorrows disappear, my courage is reborn.” ― Anne Frank

“If you can’t annoy somebody, there is little point in writing.” ― Kingsley Amis, Lucky Jim

“Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it.Then write. If it’s good, you’ll find out. If it’s not, throw it out of the window.” ― William Faulkner

“Fantasy is hardly an escape from reality. It’s a way of understanding it.” ― Lloyd Alexander

“If you want to really hurt you parents, and you don’t have the nerve to be gay, the least you can do is go into the arts. I’m not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.” ― Kurt Vonnegut, A Man Without a Country

“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” ― Stephen King, On Writing: A Memoir of the Craft

“Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” ― Oscar Wilde, The Picture of Dorian Gray

“We write to taste life twice, in the moment and in retrospect.” ― Anais Nin

“you can, you should, and if you’re brave enough to start, you will.” ― Stephen King, On Writing: A Memoir of the Craft

“One always has a better book in one’s mind than one can manage to get onto paper.” ― Michael Cunningham

“Everybody does have a book in them, but in most cases that’s where it should stay.” ― Christopher Hitchens

“I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which ‘Escape’ is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?” ― J.R.R. Tolkien

“Which of us has not felt that the character we are reading in the printed page is more real than the person standing beside us?” ― Cornelia Funke

“How vain it is to sit down to write when you have not stood up to live.” ― Henry David Thoreau

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” ― Toni Morrison

“Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish.” ― Hermann Hesse

“This is how you do it: you sit down at the keyboard and you put one word after another until its done. It’s that easy, and that hard.” ― Neil Gaiman

“You know, it’s hard work to write a book. I can’t tell you how many times I really get going on an idea, then my quill breaks. Or I spill ink all over my writing tunic.” ― Ellen DeGeneres, The Funny Thing Is…

“Learn the rules like a pro, so you can break them like an artist.” ― Pablo Picasso

“”You must write every single day of your life… You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads… may you be in love every day for the next 20,000 days. And out of that love, remake a world.” ― Ray Bradbury

“The difference between the almost right word and the right word is really a large matter. ’tis the difference between the lightning bug and the lightning.” ― Mark Twain, The Wit and Wisdom of Mark Twain

“We live and breathe words. …. It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt–I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted–and then I realized that truly I just wanted you.” ― Cassandra Clare, Clockwork Prince

“Always be a poet, even in prose.” ― Charles Baudelaire

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” ― Madeleine L’Engle

“Imagination is like a muscle. I found out that the more I wrote, the bigger it got.” ― Philip José Farmer

“A little talent is a good thing to have if you want to be a writer. But the only real requirement is the ability to remember every scar.” ― Stephen King

“There are books of which the backs and covers are by far the best parts.” ― Charles Dickens, Oliver Twist

“Write what should not be forgotten.” ― Isabel Allende

“What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though.” ― J.D. Salinger, The Catcher in the Rye

“Cut out all these exclamation points. An exclamation point is like laughing at your own joke.” ― F. Scott Fitzgerald

“Write what you know. That should leave you with a lot of free time.” ― Howard Nemerov

“After nourishment, shelter and companionship, stories are the thing we need most in the world.” ― Philip Pullman

“Ordinary life is pretty complex stuff.” ― Harvey Pekar

“This is what love does: It makes you want to rewrite the world. It makes you want to choose the characters, build the scenery, guide the plot. The person you love sits across from you, and you want to do everything in your power to make it possible, endlessly possible. And when it’s just the two of you, alone in a room, you can pretend that this is how it is, this is how it will be.” ― David Levithan, Every Day

“The reason that fiction is more interesting than any other form of literature, to those who really like to study people, is that in fiction the author can really tell the truth without humiliating himself.” ― Eleanor Roosevelt

“The first draft of anything is shit.” ― Ernest Hemingway

“If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads. I wish you a wrestling match with your Creative Muse that will last a lifetime. I wish craziness and foolishness and madness upon you. May you live with hysteria, and out of it make fine stories — science fiction or otherwise. Which finally means, may you be in love every day for the next 20,000 days. And out of that love, remake a world.” ― Ray Bradbury

“There is something delicious about writing the first words of a story. You never quite know where they’ll take you.” ― Beatrix Potter

“Any word you have to hunt for in a thesaurus is the wrong word. There are no exceptions to this rule.” ― Stephen King

“The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them — words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. But it’s more than that, isn’t it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it. That’s the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.” ― Stephen King

“Fiction is art and art is the triumph over chaos… to celebrate a world that lies spread out around us like a bewildering and stupendous dream.” ― John Cheever

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” ― Anton Chekhov

“There is nothing to writing. All you do is sit down at a typewriter and bleed.” ― Ernest Hemingway

“You can make anything by writing.” ― C.S. Lewis

“Writing is like sex. First you do it for love, then you do it for your friends, and then you do it for money.” ― Virginia Woolf

“A woman knows very well that, though a wit sends her his poems, praises her judgment, solicits her criticism, and drinks her tea, this by no means signifies that he respects her opinions, admires her understanding, or will refuse, though the rapier is denied him, to run through the body with his pen.” ― Virginia Woolf, Orlando

“”You should write because you love the shape of stories and sentences and the creation of different words on a page . Writing comes from reading, and reading is the finest teacher of how to write.” ― Annie Proulx

“When you make music or write or create, it’s really your job to have mind-blowing, irresponsible, condomless sex with whatever idea it is you’re writing about at the time. ” ― Lady Gaga

“By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer’s greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry…” ― Brandon Sanderson, Alcatraz Versus the Evil Librarians

“If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don’t write, because our culture has no use for it.” ― Anais Nin

“People love a happy ending. So every episode, I will explain once again that I don’t like people. And then Mal will shoot someone. Someone we like. And their puppy.” ― Joss Whedon

“The scariest moment is always just before you start.” ― Stephen King, On Writing: A Memoir of the Craft

“The road to hell is paved with adverbs.” ― Stephen King, On Writing: A Memoir of the Craft

“Fill your paper with the breathings of your heart.” ― William Wordsworth

“A woman must have money and a room of her own if she is to write fiction.” ― Virginia Woolf, A Room of One’s Own

“Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.” ― George Orwell

“Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.” ― Kurt Vonnegut, A Man Without a Country

“”There are three rules for writing a novel . Unfortunately, no one knows what they are.” ― W. Somerset Maugham

“Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.” ― Mark Twain

“If my doctor told me I had only six minutes to live, I wouldn’t brood. I’d type a little faster.” ― Isaac Asimov

“Writing is a socially acceptable form of schizophrenia.” ― E.L. Doctorow

“That’s what fiction is for. It’s for getting at the truth when the truth isn’t sufficient for the truth.” ― Tim O’Brien

“A writer is someone for whom writing is more difficult than it is for other people.” ― Thomas Mann, Essays of Three Decades

“Being a writer is a very peculiar sort of a job: it’s always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.” ― Neil Gaiman

“Write the kind of story you would like to read. People will give you all sorts of advice about writing, but if you are not writing something you like, no one else will like it either.” ― Meg Cabot

“Everywhere I go I’m asked if I think the university stifles writers. My opinion is that they don’t stifle enough of them. There’s many a best-seller that could have been prevented by a good teacher.” ― Flannery O’Connor

“A book is made from a tree. It is an assemblage of flat, flexible parts (still called “leaves”) imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time proof that humans can work magic.” ― Carl Sagan

“You must stay drunk on writing so reality cannot destroy you.” ― Ray Bradbury, Zen in the Art of Writing

“You don’t write about the horrors of war. No. You write about a kid’s burnt socks lying in the road.” ― Richard Price

“Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.” ― Franz Kafka

“Easy reading is damn hard writing.” ― Nathaniel Hawthorne

“You always get more respect when you don’t have a happy ending.” ― Julia Quinn

“A good writer possesses not only his own spirit but also the spirit of his friends.” ― Friedrich Nietzsche

“Find out the reason that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself you would have to die if you were forbidden to write.” ― Rainer Maria Rilke

“I was a late bloomer. But anyone who blooms at all, ever, is very lucky. ” ― Sharon Olds

“Women want love to be a novel. Men, a short story.” ― Daphne du Maurier

“I hate writing, I love having written.” ― Dorothy Parker

Miscellaneous Writing Quotes

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138 Writing Quotes to Motivate, Inspire, & Kick Your Butt

by Kevin J. Duncan

on Aug 22, 2024

Who doesn’t love writing quotes?

A good quote can motivate you. It can encourage you when you feel like giving up. It can inspire you when you need a tiny lil’ spark to start writing .

In this simple, easy-to-read resource, I’ve compiled a list of inspiring, motivational quotes about writing and life that have been shared with the world by famous writers, public figures, and great literary minds, both past and present:

28 Inspirational Writing Quotes

37 quotes about writing, 24 writing quotes of encouragement.

• 49 Motivational Quotes for Writers

Let’s jump in.

1. You fail only if…

“You fail only if you stop writing.” (Click to Tweet) — Ray Bradbury

2. Type a little faster…

“If my doctor told me I had only six minutes to live, I wouldn’t brood. I’d type a little faster .” (Click to Tweet) — Isaac Asimov

3. Do it for joy…

“I’ve written because it fulfilled me. Maybe it paid off the mortgage on the house and got the kids through college, but those things were on the side — I did it for the buzz. I did it for the pure joy of the thing. And if you can do it for joy, you can do it forever.” (Click to Tweet) — Stephen King

4. You must write it…

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.” (Click to Tweet) — Toni Morrison

5. Taste life…

“We write to taste life twice, in the moment and in retrospect.” (Click to Tweet) — Anaïs Nin

6. Don’t water it down…

“Don’t bend; don’t water it down; (and) don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.” (Click to Tweet) — Franz Kafka

7. Write every day of your life…

“Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.” (Click to Tweet) — Ray Bradbury

8. Cut it to the bone…

“When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.” (Click to Tweet) — Stephen King

9. Everything in life is writable…

“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” (Click to Tweet) — Sylvia Plath

10. How vain is it…

“How vain it is to sit down to write when you have not stood up to live.” (Click to Tweet) — Henry David Thoreau

11. What is written without effort…

“What is written without effort is in general read without pleasure.” (Click to Tweet) — Samuel Johnson

12. Change more lives…

“90 percent perfect and shared with the world always changes more lives than 100 percent perfect and stuck in your head.” (Click to Tweet) — Jon Acuff

13. Don’t quit…

“You can’t fail if you don’t quit. You can’t succeed if you don’t start.” (Click to Tweet) — Michael Hyatt

14. That’s how you create art…

“Write something that’s worth fighting over. Because that’s how you change things. That’s how you create art.” (Click to Tweet) — Jeff Goins

15. Determination never does…

“Inspiration may sometimes fail to show up for work in the morning, but determination never does.” (Click to Tweet) — K.M. Weiland

16. Exercise the writing muscle…

“ Exercise the writing muscle every day , even if it is only a letter, notes, a title list, a character sketch, a journal entry . Writers are like dancers, like athletes. Without that exercise, the muscles seize up.” — Jane Yolen

17. Write what disturbs you…

“Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.” — Natalie Goldberg

18. Write what…

“Write what should not be forgotten.” — Isabel Allende

19. Lens to focus…

“Words are a lens to focus one’s mind.” — Ayn Rand

20. Breathings of your heart…

“Fill your paper with the breathings of your heart.” — William Wadsworth

21. Blank page…

“You may not always write well, but you can edit a bad page. You can’t edit a blank page.” — Jodi Picoult

22. No talent for writing…

“It took me fifteen years to discover that I had no talent for writing, but I couldn’t give it up because by that time I was too famous.” — Robert Benchley

23. The most beautiful things…

“The most beautiful things are those that madness prompts and reason writes.” — Andre Gide

24. You create them…

“Opportunities don’t happen. You create them.” — Chris Grosser

25. Write something worth reading…

“Either write something worth reading or do something worth writing.” (Click to Tweet) — Benjamin Franklin

26. Better than perfect…

“Done is better than perfect.” — Sheryl Sandberg

27. No such thing as writer’s block…

“There’s no such thing as writer’s block . That was invented by people in California who couldn’t write.” (Click to Tweet) — Terry Pratchett

28. Persistence…

“You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.” — Octavia E. Butler

1. No greater agony…

“There is no greater agony than bearing an untold story inside you.” (Click to Tweet) — Maya Angelou

2. Every secret of a writer’s soul…

“Every secret of a writer’s soul, every experience of his life, every quality of his mind, is written large in his works.” (Click to Tweet) — Virginia Woolf

3. Show me the glint of light…

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” (Click to Tweet) — Anton Chekhov

4. Surprise…

“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” — Robert Frost

5. The first draft…

“The first draft is just you telling yourself the story.” — Terry Pratchett

6. One of the exquisite pleasures of writing…

“I would write a book, or a short story, at least three times — once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say. Somewhere I put it this way: first drafts are for learning what one’s fiction wants him to say. Revision works with that knowledge to enlarge and enhance an idea, to reform it. Revision is one of the exquisite pleasures of writing.” — Bernard Malamud

7. The difference between…

“The difference between the almost right word and the right word is the difference between the lightning bug and the lightning.” (Click to Tweet) — Mark Twain

8. The whooshing sound…

“I love deadlines. I like the whooshing sound they make as they fly by.” (Click to Tweet) — Douglas Adams

9. Write as clearly as I can…

“The main thing I try to do is write as clearly as I can. I rewrite a good deal to make it clear.” — E.B. White

10. Words can be like x-rays…

“Words can be like X-rays if you use them properly — they’ll go through anything. You read and you’re pierced.” — Aldous Huxley

11. A lesson in creative writing…

“Here is a lesson in creative writing. First rule: Do not use semicolons. (…) All they do is show you’ve been to college.” — Kurt Vonnegut Jr.

12. Find the right words…

“One day I will find the right words, and they will be simple.” — Jack Kerouac

13. When I sit down to write…

“When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.” — George Orwell

14. Only a great man can write it…

“Anybody can make history. Only a great man can write it.” — Oscar Wilde

15. Leave out the parts…

“I try to leave out the parts that people skip.” — Elmore Leonard

16. My courage is reborn…

“I can shake off everything as I write; my sorrows disappear, my courage is reborn.” — Anne Frank

17. A person is a fool to become a writer…

“A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.” (Click to Tweet) — Roald Dahl

18. No one knows…

“There are three rules for writing a novel. Unfortunately, no one knows what they are.” — Somerset Maugham

19. To discover…

“I write to discover what I know.” — Flannery O’Connor

20. Wants to be written…

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” — Madeleine L’Engle

21. Writing is easy…

“Writing is easy: All you do is sit staring at a blank piece of paper until drops of blood form on your forehead.” (Click to Tweet) — Gene Fowler

22. Never have to change…

“You never have to change anything you got up in the middle of the night to write.” — Saul Bellow

23. No shortcuts…

“Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.” — Larry L. King

24. Irritated by my own writing…

“I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.” — Gustave Flaubert

25. Mighty book, mighty theme…

“To produce a mighty book, you must choose a mighty theme.” — Herman Melville

26. Good writing…

“Good writing is rewriting.” — Truman Capote

27. Writing advice…

“Don’t take anyone’s writing advice too seriously.” — Lev Grossman

28. The Muse…

“Cheat your landlord if you can and must, but do not try to shortchange the Muse. It cannot be done. You can’t fake quality any more than you can fake a good meal.” — William S. Burroughs

29. Using two words…

“The most valuable of all talents is that of never using two words when one will do.” — Thomas Jefferson

30. Greatest part of a writer…

“The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library to make one book.” — Samuel Johnson

31. Great writer…

“Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as writer.” — Ray Bradbury

32. Do not hoard…

“Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.” — Annie Dillard

33. You can make anything…

“You can make anything by writing.” — C.S. Lewis

34. Have something to say…

“You don’t write because you want to say something, you write because you have something to say.” — F. Scott Fitzgerald

35. Failed writers…

“Some editors are failed writers, but so are most writers.” — T.S. Eliot

36. Wake up…

“I wake up in the morning and my mind starts making sentences, and I have to get rid of them fast — talk them or write them down.” — Ernest Hemingway

37. Adverbs…

“Empty your knapsack of all adjectives, adverbs and clauses that slow your stride and weaken your pace. Travel light.” — Bill Moyers

1. Waited for perfection…

“If I waited for perfection, I would never write a word.” (Click to Tweet) — Margaret Atwood

2. The good writers…

“Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don’t see any.” (Click to Tweet) — Orson Scott Card

3. Start writing…

“Start writing, no matter what. The water does not flow until the faucet is turned on.” (Click to Tweet) — Louis L’Amour

4. A writer needs three things…

“A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.” — William Faulkner

5. Didn’t quit…

“A professional writer is an amateur who didn’t quit.” — Richard Bach

6. One true sentence…

“All you have to do is write one true sentence. Write the truest sentence that you know.” — Ernest Hemingway

7. Part of the learning process…

“You have to resign yourself to wasting lots of trees before you write anything really good. That’s just how it is. It’s like learning an instrument. You’ve got to be prepared for hitting wrong notes occasionally, or quite a lot. That’s just part of the learning process.” (Click to Tweet) — J.K. Rowling

8. Road to achievement…

“Failures are finger posts on the road to achievement.” — C. S. Lewis

9. Writing is more difficult…

“A writer is someone for whom writing is more difficult than it is for other people.” — Thomas Mann

10. Tell it as best you can…

“(…) write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.” (Click to Tweet) — Neil Gaiman

11. What you have to say…

“Don’t try to figure out what other people want to hear from you; figure out what you have to say. It’s the one and only thing you have to offer.” — Barbara Kingsolver

12. Pouring yourself into your work…

“When you are pouring yourself into your work and bringing your unique perspective and skills to the table, then you are adding value that only you are capable of contributing.” (Click to Tweet) — Todd Henry

13. Like driving a car at night…

“Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.” — E. L. Doctorow

14. Be brave…

“We were born to be brave.” (Click to Tweet) — Bob Goff

15. Start somewhere…

“Almost all good writing begins with terrible first efforts. You need to start somewhere.” (Click to Tweet) — Anne Lamott

16. Rejection slips…

“I could write an entertaining novel about rejection slips, but I fear it would be overly long.” — Louise Brown

17. Ideas are like rabbits…

“Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.” — John Steinbeck

18. Ideas are like rabbits…

“I went for years not finishing anything. Because, of course, when you finish something you can be judged.” — Erica Jong

19. Meant to read it…

“If the book is true, it will find an audience that is meant to read it.” — Wally Lamb

20. They know it…

“People say, ‘What advice do you have for people who want to be writers?’ I say, they don’t really need advice, they know they want to be writers, and they’re gonna do it. Those people who know that they really want to do this and are cut out for it, they know it.” — R.L. Stine

21. Writing prompts…

“Most writers draw a blank when they first start with writing prompts . Keep pushing through, because something thrilling will start to happen.” — Mel Wicks

22. None of their business…

“It’s none of their business that you have to learn to write. Let them think you were born that way.” — Ernest Hemingway

23. Keep it simple…

“I do not over-intellectualise the production process. I try to keep it simple: Tell the d*mned story.” — Tom Clancy

24. Surviving the rollercoaster…

“Being a writer is not just about typing. It’s also about surviving the rollercoaster of the creative journey.” (Click to Tweet) — Joanna Penn

49 Motivational Quotes for Writers (or Anyone Who Needs Motivating Thoughts, Really)

1. Success is no accident…

“Success is no accident. It is hard work, perseverance, learning, studying, sacrifice and most of all, love of what you are doing or learning to do.” — Pele

2. Count the days…

“Don’t count the days, make the days count.” — Muhammad Ali

3. If my determination…

“Failure will never overtake me if my determination to succeed is strong enough.” — Og Mandino

4. Hard work…

“Hard work beats talent when talent doesn’t work hard.” — Tim Notke

5. Live and learn…

“Live as if you were to die tomorrow. Learn as if you were to live forever.” — Mahatma Gandhi

6. Living our fears…

“Too many of us are not living our dreams because we are living our fears.” — Les Brown

7. Perseverance…

“I do not think that there is any other quality so essential to success of any kind as the quality of perseverance. It overcomes almost everything, even nature.” — John D. Rockefeller

8. Meant to be reached…

“A goal is not always meant to be reached; it often serves simply as something to aim at.” — Bruce Lee

9. Not a product of my circumstances…

“I’m not a product of my circumstances. I am a product of my decisions.” — Stephen Covey

10. Fear of failure…

“There is only one thing that makes a dream impossible to achieve, the fear of failure.” — Paulo Coelho

11. The whole secret…

“The whole secret of a successful life is to find out what is one’s destiny to do, and then do it.” — Henry Ford

12. Have to settle…

“If you are not willing to risk the usual you will have to settle for the ordinary.” — Jim Rohn

13. Perfection…

“Perfection is not attainable, but if we chase perfection we can catch excellence.” — Vince Lombardi

14. Stepping stone…

“Failure is another stepping stone to greatness.” — Oprah Winfrey

15. Self-confidence…

“The best way to gain self-confidence is to do what you are afraid to do.” — Swati Sharma

16. Great work…

“The only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle.” — Steve Jobs

17. Successful people…

“Unsuccessful people make their decisions based on their current situations. Successful people make their decisions based on where they want to be.” — Benjamin Hardy

18. Success…

“Success is going from failure to failure without losing your enthusiasm.” — Winston Churchill

19. Born to win…

“You were born to win, but to be a winner, you must plan to win, prepare to win, and expect to win.” — Zig Ziglar

20. Tried anything new…

“A person who never made a mistake never tried anything new.” — Albert Einstein

21. Learn from the mistakes…

“Learn from the mistakes of others. You can’t live long enough to make them all yourself.” — Eleanor Roosevelt

22. With all you have…

“Do what you can with all you have, wherever you are.” — Theodore Roosevelt

23. All our dreams…

“All our dreams can come true, if we have the courage to pursue them.” — Walt Disney

24. Our greatest story…

“Our greatest glory is not in never falling, but in rising every time we fall.” — Confucius

25. Enough time…

“Don’t say you don’t have enough time. You have exactly the same number of hours per day that were given to Helen Keller, Pasteur, Michelangelo, Mother Teresa, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein.” — H. Jackson Brown Jr.

26. Hustle…

“What you lack in talent can be made up with desire, hustle and giving 110% all the time.” — Don Zimmer

27. The best you can…

“Do the best you can. No one can do more than that.” — John Wooden

28. What we fear…

“What we fear of doing most is usually what we most need to do.” — Ralph Waldo Emerson

29. See opportunities…

“If you believe it’ll work out, you’ll see opportunities. If you don’t believe it’ll work out, you’ll see obstacles.” — Wayne Dyer

30. Strive to be worthy…

“Don’t worry when you are not recognized, but strive to be worthy of recognition.” — Abraham Lincoln

31. Excellence…

“We are what we repeatedly do. Excellence, then, is not an act, but a habit.” — Aristotle

32. Key to success…

“One important key to success is self-confidence. An important key to self-confidence is preparation.” — Arthur Ashe

33. Can’t lose…

“Success is a lousy teacher. It seduces smart people into thinking they can’t lose.” — Bill Gates

34. Comfort zone…

“Move out of your comfort zone. You can only grow if you are willing to feel awkward and uncomfortable when you try something new.” — Brian Tracy

35. Positive thought…

“Just one small positive thought in the morning can change your whole day.” — Dalai Lama

36. Develop success…

“Develop success from failures. Discouragement and failure are two of the surest stepping stones to success.” — Dale Carnegie

37. Expect great things…

“You must expect great things of yourself before you can do them.” — Michael Jordan

38. Do small things…

“If you cannot do great things, do small things in a great way.” — Napoleon Hill

39. The other side of fear…

“Everything you’ve ever wanted is on the other side of fear.” — George Addair

40. Path to success…

“The path to success is to take massive, determined action.” — Tony Robbins

41. Tough times…

“Tough times never last, but tough people do.” — Robert Schuller

42. Left undone…

“Only put off until tomorrow what you are willing to die having left undone.” — Pablo Picasso

43. Keep going…

“Don’t watch the clock; do what it does. Keep going.” — Sam Levenson

44. One more time…

“Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.” — Thomas Edison

45. All you’ve got…

“Give your dreams all you’ve got and you’ll be amazed at the energy that comes out of you.” — William James

46. Never gives up…

“It’s hard to beat a person who never gives up.” — Babe Ruth

47. Long perseverance…

“Failure after long perseverance is much grander than never to have a striving good enough to be called a failure.” — George Eliot

48. Seems impossible…

“It always seems impossible until it’s done.” — Nelson Mandela

49. Have not failed…

“I have not failed. I’ve just found 10,000 ways that won’t work.” — Thomas A. Edison

What are Your Favorite Writing Quotes?

These are some of the best motivational writing quotes the world has to offer, and yet we’ve merely scratched the surface — there are thousands upon thousands of great, inspirational quotes about writing.

So, I want to hear from you:

Which one is your favorite quote?

Let me know in the comments below.

Mindset , Writing

Kevin J. Duncan

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Put a Quote in an Essay

Home / Blog / How To Put A Quote In An Essay (with Examples)

Introduction

When writing an essay , it is essential to incorporate quotes from reputable sources to support your arguments and ideas. However, knowing how to use quotes effectively is crucial in maintaining the flow and clarity of your essay. This blog will discuss the proper ways to put a quote in an essay with examples.

Why Use Quotes in an Essay?

Quotes are used in an essay to support or reinforce the writer's arguments and ideas. They provide evidence for your claims and demonstrate that your argument is backed up by research and authority. Incorporating quotes also helps to provide context and depth to your writing and can add a unique perspective to your essay.

Types of Quotes

There are two types of quotes you can use in your essay: direct quotes and indirect quotes.

Direct Quotes: Direct quotes are the exact words used by the source that you are quoting. When using direct quotes, you need to use quotation marks and indicate the source.

Example: According to John Smith, "The Earth is round."

Indirect Quotes: Indirect quotes are a paraphrase of the original source. When using indirect quotes, you do not need to use quotation marks.

Example: John Smith claims that the Earth is round.

How to Put a Quote in an Essay

When using quotes in an essay, there are several rules that you need to follow to ensure that your writing is clear, accurate, and appropriate. Here are the steps to follow:

Step 1: Choose a Relevant Quote

Before you start writing your essay, identify the quotes that you want to use to support your arguments. Ensure that the quotes you select are relevant, reliable, and add value to your essay.

Step 2: Introduce the Quote

Introduce the quote by providing context and indicating who the source is. This will help the reader understand the significance of the quote and its relevance to your argument.

Example: According to Jane Doe, a renowned climate scientist, "Climate change is the biggest threat facing humanity."

Step 3: Use Quotation Marks

When using a direct quote, use quotation marks to indicate that you are using the exact words of the source.

Example: According to Jane Doe, "Climate change is the biggest threat facing humanity."

Step 4: Provide the Source

Provide the source of the quote, including the author's name, the title of the book or article, and the page number. This will help the reader find the source if they want to read it.

Example: According to Jane Doe, a renowned climate scientist, "Climate change is the biggest threat facing humanity." (Doe, The State of the Climate, p. 25)

Step 5: Punctuate Correctly

Punctuate the quote correctly by placing the comma or period inside the quotation marks, depending on whether it is a part of the quote or your sentence.

Step 6: Explain the Quote

Explain the significance of the quote in your own words. This will help the reader understand how the quote supports your argument.

Example: Jane Doe's quote highlights the urgency of addressing climate change as it poses a significant threat to human survival.

Step 7: Cite Your Sources

Ensure that you cite your sources correctly using the citation style specified by your instructor or the style guide for your discipline.

Common Mistakes to Avoid When Using Quotes in an Essay

Using quotes in an essay can be tricky, and many students make mistakes that can impact the quality of their writing. Here are some common mistakes to avoid when using quotes in an essay:

Failing to provide context: It is essentialto provide context when using a quote in an essay. Failure to do so can confuse the reader and make the quote appear out of place. Always introduce the quote and provide some background information about the source and why you are using the quote.

Overusing quotes: While quotes can add value to your essay, it is essential not to overuse them. Use quotes sparingly and only when necessary. Overusing quotes can make your writing appear lazy, and it may give the impression that you are not confident in your own ideas.

Incorrectly citing sources: Always cite your sources correctly using the citation style specified by your instructor or the style guide for your discipline. Failure to do so can lead to accusations of plagiarism , which can have serious consequences.

Misquoting or altering a quote: When using a direct quote, it is essential to use the exact words of the source. Do not alter the quote or misquote the source as this can distort the meaning and accuracy of the quote.

Failing to explain the quote: When using a quote, it is important to explain its significance and how it supports your argument. Failure to do so can make the quote appear irrelevant and disconnected from your essay.

Examples of Quotes in an Essay

Here are some examples of how to use quotes in an essay:

Example 1: Argumentative Essay

Topic: Should students be required to wear school uniforms?

Quote: "School uniforms promote a sense of unity and equality among students, and they help to reduce instances of bullying based on clothing." (Johnson, School Uniforms, p. 10)

Explanation: The quote supports the argument that school uniforms can have a positive impact on student behavior and reduce instances of bullying. It is introduced with the source and provides context for the argument.

Example 2: Persuasive Essay

Topic: The importance of recycling

Quote: "Every ton of paper that is recycled saves 17 trees, 7,000 gallons of water, and 463 gallons of oil." (Environmental Protection Agency)

Explanation: The quote provides a powerful statistic that supports the importance of recycling. It is introduced with the source, and its significance is explained in the following sentences.

Example 3: Expository Essay

Topic: The history of the American Civil War

Quote: "Four score and seven years ago, our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal." (Lincoln, Gettysburg Address)

Explanation: The quote is an iconic line from Abraham Lincoln's Gettysburg Address, which is a significant event in American history. It is introduced with the source, and its significance is explained in the following sentences.

Incorporating quotes in an essay can add depth, context, and authority to your writing. However, it is important to use quotes effectively and appropriately. Always choose relevant and reliable quotes, introduce them with context, use the correct punctuation, explain their significance, and cite your sources correctly. By following these guidelines, you can effectively use quotes in your essay and improve the quality of your writing.

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How to Use a Quote in an Essay

Table of Contents

MLA in-text citation how-to

You can take a quote from different sources of information, such as books, magazines, websites or printed journals. Using quotes in an essay serves three goals:

• Present additional evidence to support your point of view or oppose a claim or idea;
• Help a reader better understand a topic under analysis;
• Strengthen your argumentation on a topic using another writer’s eloquence.

Since quotes are mostly used in Humanities, you’ll have to follow MLA citation referencing guidelines. The Modern Language Association citation manual implies two types of quotes – short and long.

• Short quote – Is less than 4 lines of typed text and can be embedded directly into a sentence;
• Long quote – Is more than 4 lines of typed text and requires a separate content block in an essay without quotation marks.

Writing college essays, the recommendation is to use short quotes.

Parenthetical citation

Referring to the works of other authors in-text is done using a parenthetical citation . Such a method implies the author-page style of quoting. For example:

When it comes to writing, King suggests: “Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.” (5)

Given the MLA in-text citation already contains King’s last name, you shouldn’t mention it in the parenthesis. If the author’s name isn’t mentioned in-text, it has to be specified in a parenthetical citation.

When it comes to writing, there’s a quote I like the most: “Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.” (King 5)

According to MLA guidelines, at the end of the essay, there has to be the Works Cited page . It contains the full reference featuring author’s full name, the full title of the source, the volume, the issue number, the date of publishing, and the URL (if the source was found online). Here’s an example of the full referencing in the Works Cited:

King, Larry L. “The Collection of Best Works.” Oxford University Press, vol. 2, no. 3, Jan.-Feb. 2017, http://www.prowritersdigest.com/editor-blogs/inspirational-quotes/72-of-the-best-quotes-about-writing.

How to start an essay with a quote?

Starting an essay with a quote is a matter of controversy. Experts in the pro camp suggest that a quote at the beginning of an essay helps make a powerful statement right from the start. Moreover, an interesting, captivating quote grabs the reader’s attention right from the start.

Experts from the against camp suggest that when you begin an essay with a quote, you miss on the opportunity to present your own take on the subject matter. In their opinion, when writing the introduction, you have to rely only on your words. Whereas quotes are most useful in the main body, serving as an additional argumentation. In conclusion, a quote can be placed, too.

How to use quotes in the middle of an essay?

Main Body is the place you’re meant to state a quote or two, depending on the length of a paper. A standard 5-paragraph essay will imply you to use 2-3 quotes in the main body. More quotes aren’t necessary for such a short assignment. Two quotes in the main body will do just fine.

In the main body paragraph, a quote is placed in the middle of the passage . First, you introduce a focal sentence of a paragraph highlighting your point of view regarding a topic. After that, you provide the evidence data and argumentation, among which is a relevant quote. And finally, you smoothly transit to the next body paragraph or the conclusion. Here’re three examples of how to present a quote in one of the main body paragraphs.

Accurate integration of a citation in a text is key. Or the whole passage will sound off.

People who want to become a writer don’t really need any piece of advice. “Those (…) who know that they really want to do this and are cut out for it, they know it.”

College essay quotes have to be naturally embedded in a text .

People who want to become a writer don’t really need any piece of advice: “Those (…) who know that they really want to do this and are cut out for it, they know it.”

There’s also the way to write an essay with quotes in the smoothest way possible.

People who want to become a writer don’t really need any piece of advice. They simply “know that they really want to do this and are cut out for it, they know it.”

See how organically a quote is inserted in a sentence? That’s the best-case scenario of using a quote in a sentence.

How to end an essay with a quote?

Sometimes, ending an essay with a quote is better than merely restating your thesis statement. Citations can be taken from both primary and secondary sources. Good quotes to end an essay might be of your course professor’s. According to essay writing websites , quotations taken from the words of subject authorities and thought leaders will do great, too.

A quote ending an essay helps meet 5 objectives:

• Provide a solid closure to your essay;
• Fortify your point of view;
• Give one final argument in favor of your thesis statement;
• Establish your authority on a topic;
• Helps your essay stand out.

Having a quotation at the end of an essay gives a good chance to score an “A”.

15 tips for using quotations in an essay

• Look up quotes in academic sources in the first place;
• Rely on the printed matter rather than internet sources;
• Avoid citing information from Wikipedia;
• Give context to every quotation you use;
• Always use quotation marks to avoid plagiarism-related troubles;
• Explain why the quote you’re about to use in a text is important;
• Seek to integrate quotes smoothly in a sentence for the best effect;
• Each quotation has to be attributed to the original source using parenthesis;
• Gather 10-15 quotes relevant to your topic and then sift through 5 quotes that will serve you best;
• Use the exact wording, punctuation, capitalization and sentence structure as in the original;
• Watch your punctuation when using quotes in a sentence;
• Avoid misquotations, as it’s a sign of a careless attitude towards the assignment;
• Use an ellipsis (…) to withdraw a part of a quote you don’t actually need;
• Try to use short quotes rather than long;
• Avoid quoting quotes, as it’s where students make mistakes most often.

5 motivational quotes for essay writing

Inspiration is a staple in every great writer’s routine. As a student, you might find drawing inspiration a bit too difficult. Here’re a couple of inspiring essay motivation quotes to help you break through the writer’s block. Or you can buy argumentative essay if doing the task yourself isn’t an option.

“I don’t need an alarm clock. My ideas wake me.”

“It’s none of their business that you have to learn to write. Let them think you were born that way.”

“The difference between the almost right word and the right word is … the difference between the lightning bug and the lightning.”

“Making people believe the unbelievable is no trick; it’s work . … Belief and reader absorption come in the details: An overturned tricycle in the gutter of an abandoned neighborhood can stand for everything.”

“To defend what you’ve written is a sign that you are alive.”

Many times life catches us off balance. Lots of written homework. Tight schedule. Sudden illness. Personal matters. Writer’s block. An instructor returned the essay for revisions. At the moments like these, it’s always a good idea to have someone to cover your back. GradeMiners can always write you a new essay, rewrite an existing draft, perform an ending an essay with a quote, or proofread your text for mistakes, typos, as well as correct the use of quotations. Let us know if you need anything, and we’ll help you out!

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55 Motivational Writing Quotes from Famous Authors

Sometimes, the hardest part of writing is simply getting started. Whether you’re taking your first dip in the storytelling pool, or you’re opening a fresh, blank document after finishing your last project, that empty page can be a little daunting.

So, to help combat those moments of doubt, here are some quotes from professional authors and artists who have been right where you are now, and who know exactly how you feel.

First, you just have to start.

1. "Start writing, no matter what. The water does not flow until the faucet is turned on."

-  Louis L’Amour

2. "Get it down. Take chances. It may be bad, but it's the only way you can do anything really good."

-  William Faulkner

3. "The first draft is just you telling yourself the story."

-  Terry Pratchett

4. "You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it."

- Octavia E. Butler

5. "Start before you’re ready."

-  Steven Pressfield

6. "You can always edit a bad page. You can’t edit a blank page"

-  Jodi Picoult

7. "You can’t wait for inspiration. You have to go after it with a club."

-  Jack London

8. "I have never started a poem yet whose end I knew. Writing a poem is discovering."

-  Robert Frost

9. "If there's a book that you want to read, but it hasn't been written yet, then you must write it."

-  Toni Morrison

10. "I'm writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles." 

- Shannon Hale

11. "I get a lot of letters from people. They say, 'I want to be a writer. What should I do?' I tell them to stop writing to me and get on with it."

-  Ruth Rendell

Then, keep going!

12. "First, find out what your hero wants, then just follow him!"

- Ray Bradbury

13. "The greatest part of a writer’s time is spent in reading, in order to write. A man will turn over half a library to make a book."

-  Samuel Johnson

14. "Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way."

-   E. L. Doctorow

15. "To produce a mighty book, you must choose a mighty theme."

-  Herman Melville

16. "Tell the readers a story! Because without a story, you are merely using words to prove you can string them together in logical sentences." 

- Anne McCaffrey

17. "Description begins in the writer’s imagination but should finish in the reader’s."

-  Stephen King

18. "No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader."

19. "If you want to be a writer, you must do two things above all others: read a lot and write a lot."

- Stephen King

20. "Close the door. Write with no one looking over your shoulder. Don’t try to figure out what other people want to hear from you; figure out what you have to say. It’s the one and only thing you have to offer."

- Barbara Kingsolver

21. "Never write anything that does not give you great pleasure. Emotion is easily transferred from the writer to the reader."

-  Joseph Joubert

Editing is vital.

22. "My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying."

- Anton Chekhov

23. "The most valuable of all talents is that of never using two words when one will do. "

- Thomas Jefferson

24. "When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done." 

25. "It is perfectly okay to write garbage as long as you edit brilliantly."

-  C. J. Cherryh

26. "Half my life is an act of revision."

-  John Irving

27. "Writing without revising is the literary equivalent of waltzing gaily out of the house in your underwear."

-  Patricia Fuller

28. "Write your first draft with your heart. Rewrite with your head."

-  Mike Rich

29. "So the writer who breeds more words than he needs, is making a chore for the reader who reads."

-  Dr. Seuss

30. "You write to communicate to the hearts and minds of others what's burning inside you, and we edit to let the fire show through the smoke."

-  Arthur Plotnik

31. "Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress..."

-  Nick Hornby

32. "When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest." 

Don’t lose your sense of humor.

33. "It took me fifteen years to discover I had no talent for writing, but I couldn’t give it up because by that time I was too famous. "

-  Robert Benchley

34. "There’s no such thing as writer’s block. That was invented by people in California who couldn’t write."

- Terry Pratchett

35. "Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read."

-  Groucho Marx

36. "I love deadlines. I like the whooshing sound they make as they fly by."

- Douglas Adams

37. "If my doctor told me I had only six minutes to live, I wouldn't brood. I'd type a little faster."

- Isaac Asimov

Believe in yourself.

38. "If you have no critics, you’ll likely have no success."

-  Malcolm X

39. "If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn’t matter a damn how you write."

-  Somerset Maugham

40. "And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt."

-  Sylvia Plath

41. "If the book is true, it will find an audience that is meant to read it."

-  Wally Lamb

42. "I went for years not finishing anything. Because, of course, when you finish something you can be judged."

-  Erica Jong

43. "Believe in yourself! Have faith in your abilities! Without a humble but reasonable confidence in your own powers, you cannot be successful or happy."

-  Norman Vincent Peale

44. "If I waited for perfection, I would never write a word."

-  Margaret Atwood

45. "Whatever course you decide upon, there is always someone to tell you that you are wrong. There are always difficulties arising that tempt you to believe your critics are right. To map out a course of action and follow it to an end requires some of the same courage that a soldier needs. Peace has its victories, but it takes brave men and women to win them. "

- Ralph Waldo Emerson

46. "Difficulties mastered are opportunities won."

-  Winston Churchill

47. "Ignore all hatred and criticism. Live for what you create, and die protecting it."

-  Lady Gaga

Remember, being a writer is awesome.

48. "You can make anything by writing."

-  C.S. Lewis

49. "The true alchemists do not change lead into gold; they change the world into words."

-  William H. Gass

50. "Imagination is everything. It is the preview of life’s coming attractions."

-  Albert Einstein

51. "Words are our most inexhaustible source of magic."

-  J. K. Rowling

52. "A bird doesn’t sing because it has an answer; it sings because it has a song."

- Maya Angelou

53. "I must write it all out, at any cost. Writing is thinking. It is more than living, for it is being conscious of living."

-  Anne Morrow Lindbergh

54. "I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I’m afraid of."

-  Joss Whedon

55. "I can shake off everything as I write; my sorrows disappear, my courage is reborn."

-  Anne Frank

Now that you've been inspired, the next step is writing consistently! Writers who use our Freewrite distraction-free writing tools have seen their word counts double.  Could be a Freewrite be right for you!?

Learn more about the "Draft First, Edit Later" Freewrite philosophy that drives prolific output. And, check out the Freewrite Alpha for an on-the-go writing partner.

Claire Wilkins is a freelance copywriter and editor from New Zealand. After a career in financial services spanning almost three decades, Claire left the corporate world behind to start Unmistakable - her writing and editing business. She creates website copy, blogs, and newsletters for creative agencies and small businesses, and specializes in polishing existing content until it shines. In her spare time, Claire enjoys cloud-spotting, singing in the car and editing video.

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Right now, the choice for a writer to use artificial intelligence (AI) or not has been largely a personal one. Some view it as a killer of creativity, while others see it as an endless well of inspiration.

But what if, in the future, your choice had larger implications on the state of literature as a whole?

This is the question that’s being raised from a new study by the University of Exeter Business School : If you could use AI to improve your own writing, at the expense of the overall literary experience, would you?

Let’s explore some context before you answer.

The 2024 study recruited 293 writers to write an eight-sentence “micro” story. The participants were split into three groups:

• Writing by human brainpower only
• The opportunity to get one AI-generated idea to inspire their writing
• The opportunity to get up to five AI-generated ideas to inspire their writing

Then, 600 evaluators judged how creative these short stories were. The results confirmed a widely accepted idea but also offered a few surprising findings.

Prompts from AI Can Jumpstart the Creative Process

Right off the bat, the reviewers rated the AI-guided stories as being more original, better written, and more enjoyable to read. (Interesting to note that they did not find them funnier than the fully human-inspired stories.)

This actually isn’t that surprising. Most writers know the “blank page dread” at the beginning of a project. Even as I write this, I can’t help but wonder, “If I had been tasked with writing an eight-sentence story, what the heck would I have written about?”

Many writers share this sense of needing to pick the “right” story to tell. And that uniquely human concept of perfectionism can end up actually inhibiting our creative process.

A prompt, then, can help us quickly clear this mental hurdle. To test this, I’ll give you one, courtesy of ChatGPT: “Write a story about a teenager who discovers a mysterious journal that reveals hidden secrets about their town, leading them on an unexpected adventure to uncover the truth.”

Can you feel your creative juices flowing already?

Since its release, AI has been celebrated for its ability to assist in idea generation ; and this study confirms how effective using artificial intelligence in this way can be for writers — some, it seems, more than others.

AI-Generated Ideas Helped Less Creative Writers More

It doesn’t feel great to judge a writer’s creative prowess, but for this study, researchers needed to do just that. Prior to writing their short stories, the writers took a test to measure their creativity .

Researchers found that those considered less creative did substantially better when given AI-generated ideas — to the point where getting the full five ideas from AI “effectively equalizes the creativity scores across less and more creative writers.”

This isn’t the case just for writing. Another study by the National Science Foundation Graduate Research Fellowship WZ also found that AI tools most benefit employees with weaker skills.

So is AI leveling the playing field between okay and great writers? It seems it may be. But before we lament, there’s one more finding that proves using AI isn’t all perks.

AI-Aided Stories Were More Similar — And Needed to Be Credited

The researchers took a step back to look at all the AI-supported stories collectively. And what did they find?

The AI-assisted stories were more similar as a whole, compared to the fully human-written stories.

Additionally, when reviewers were told that a story was enhanced by an AI idea, they “imposed an ownership penalty of at least 25%,” even indicating that “the content creators, on which the models were based, should be compensated.”

This leads us to that all-important question about AI-assisted work: who owns the content?

According to Originality.AI , an AI and plagiarism detector, “When there’s a combination of AI and human-generated elements, the human elements may receive copyright protection if they meet the requirements.”

So right now, if a writer uses AI to generate ideas — but writes the content themselves — they retain rights to the work.

However, Originality.AI even admits that “the legal system is having a hard time keeping up” with the rapid adoption of artificial intelligence. Time will only tell what AI regulations will look like in a few years.

What Does an AI-Assisted Literary Future Look Like?

The researchers from the University of Exeter Business School study raise an interesting point about what the future landscape for writers may look like. If droves of authors begin using AI to come up with ideas, we may end up with a lot of well-written yet dime-a-dozen stories.

So will human beings choose the easier, but less diverse, path? Or will we stick to fighting through writer’s block armed with nothing but our own brain?

Or, a third option: can we somehow learn to harness AI to supercharge our writing process without sacrificing the wholly unique creativity that infuses human creation ?

That’s one question that even ChatGPT can’t answer.

Editor's Note: Artificial intelligence may have already transformed writing, but that doesn't mean you shouldn't be in control of your own words. Read Astrohaus Founder Adam Leeb's statement on AI and privacy.

While AI has capabilities that range from coding to image generation, the model that excites — and terrifies — writers is the LLM. It won’t be long before we see the world’s first blockbuster novel, written entirely by an LLM. What does this mean for art, and writers in particular? Is it all doom and gloom? The answer is, of course, more complicated than yes or no.

The lyrics of JP Saxe’s most popular songs read more like poems than Top 40 tunes.

Turns out there’s a reason for that.

This Grammy-nominated songwriter found his first community in Los Angeles at Da Poetry Lounge , where he met and befriended bonafide poets like Tonya Ingram , Alyesha Wise , Cuban Hernandez , and Edwin Bodney — names he recites with reverence.

And that community has led to a vibrant career in songwriting, including this recent milestone JP shared on Instagram: his songs have been streamed  one billion  times on Spotify.

It’s difficult to visualize that number, but his other accomplishments are a little easier to wrap your brain around:

His hit “ If the World Was Ending ,” cowritten with and featuring  Julia Michaels , was nominated for a Grammy. After a 30-stop tour opening for music legend John Mayer , JP did his own 70-stop headline tour that took him all over the world. He’s written songs with artists like Sabrina Carpenter , and " Wish You the Best ," written with Lewis Capaldi , reached number one in the UK.

So how does a poetic songwriter turn his thoughts and emotions into chart-topping hits?

The short answer: Freewriting .

Read on for the long answer as we get into the nitty gritty of JP's creative process...

ANNIE COSBY: So it’s safe to say you’re majorly inspired by poetry?

JP SAXE: Most of my favorite writers are poets. I think the secret weapon of my career has been that I've been seeking the approval of poets, not other songwriters.

Because when I aim for the perspective of poets, I just write in such a different way.

Look, I love songwriters, so I don't mean to talk shit. But as a songwriter, you can hide some bullshit in a pretty melody and people will still buy it. It can still be nice to listen to.

As a poet, you have less to hide behind. It's just you and your sincerity, and the way you articulate that sincerity. I love the simplicity of that as an art form.

My first community when I moved to Los Angeles was Da Poetry Lounge, based out of the Greenway Court Theatre. Anyone in L.A. reading this, if you're a writer, I highly recommend going.

Those poets have become family to me and really have pushed me to be a better writer. Because if I do something that is lazy or contrived, they don't care how pretty it sounds.

If I do something that is lazy or contrived, [poets] don't care how pretty it sounds.

AC: What kind of writer do you consider yourself?

JP: Professionally, I'm a songwriter. That's the only kind of writing I've ever been paid for. But creatively, I just consider myself a writer.

I find myself and I articulate to myself who I am via writing. In more ways than just songs.

AC: How did you first get started writing?

JP: Songwriting was the first place I ever learned what it meant to have a good relationship with myself. I quite disliked myself as a young person, as I think young people often do. Because when you see yourself through the lens of the society around you, there are very few versions of being a person that seem acceptable.

And it was sitting down at a piano or a guitar with a journal and writing songs where I first understood what it felt like to see myself and like it.

When you see yourself through the lens of the society around you, there are very few versions of being a person that seem acceptable. And it was sitting down at a piano or a guitar with a journal and writing songs where I first understood what it felt like to see myself and like it.

To me, the magic of songwriting and creative expression in general is, in my experience, as a tool of self-understanding. But because we are so much less unique than we think, when you look for yourself in your art, other people find themselves in it, too.

That was such a major realization for me a few years ago — that what made my writing effective for others wasn't what made me unique, it was what made me basic. And that there was such power in the expression of my basicness.

AC: Are you always writing for yourself first?

JP: Usually, the first format I'm writing in is just freewriting.

AC: You know we love to hear that!

JP: Yes. I will sit down with a journal, and I will just heart-barf onto a page.

AC: *laughs* Do you have "heart-barf" copyrighted?

JP: I should at this point. I've used that terminology in a number of different mediums, t-shirts included.

But, yes, freewriting is usually the beginning of the process. First, I just have to barf onto a page, just let words happen, and then I can go back through with an editor's mentality and figure out whether I'm writing songs or poems or whatever.

Of course, if I'm going with another artist into the studio, that's a little bit different in that it's targeted to a specific format or a specific person's perspective.

I will sit down with a journal, and I will just heart-barf onto a page.

AC: You write very deeply emotional lyrics. Do you have to be in a certain state of mind for that, or can you sit down in the middle of, like, the airport and heart-barf?

JP: Well, I have two answers to that.

Firstly, I find I am more honest before I think about anyone reading it. So that's why I try not to think about what the writing is for when I start. It allows me to be more sincere when I don't have a reader or a listener in mind.

Something I’ve been noticing recently is I am stumbling into the ideas that interest me the most after I've started writing when I didn't feel like it.

Almost as if when I feel like writing, it's because there are ideas closer to the surface. But when I don't feel like writing and I do it anyway, the ideas that I arrive at were buried a little deeper down. They didn't want to come out as badly and therefore they are more intriguing.

I am stumbling into the ideas that interest me the most after I've started writing when I didn't feel like it.

AC: That’s so interesting. Almost like when you feel like writing, your subconscious already has an agenda.

JP: Yeah, my favorite things I've written recently happened when I started writing when I didn't want to.

AC: I remember reading an interview with you where you mentioned Fleabag and a quote by Phoebe Waller-Bridge where she's like, and this is paraphrased, if it scares you, it needs to be in the final edit.

JP: Totally. I saw that interview around the time of my first album. There's a song on my first album that got kept on the track list because of that interview.

I just really related to that. You know, one, Fleabag is one of my favorite shows of all time. So great.

AC: The hot priest!

JP: Phenomenal, iconic characters. Overall, I think that being a writer is such a blessing and I'm so grateful to do it, so if I am playing it safe with my subject matter, I'm kind of doing it a disservice.

Every job comes with its professional hazards. If it's your dream to be a hockey player, you accept that you might get CTE or lose some teeth.

If you get the blessing of being a writer, you accept that people are going to see more of you than you're comfortable with sometimes.

AC: Were you always OK with that, or did you have to learn to get used to that?

JP: I think I just came to the conclusion along the way that trying to formulate my identity was far less exciting than trying to unravel it.

AC: That's interesting, especially in the context of our modern music scene, where you see a lot of created, pre-packaged personas.

JP: Well, occasionally it's a persona that is derived as a mechanism, a delivery mechanism for something that was uncovered. I think there's maybe a subtle distinction there, but one that feels really significant.

For example, one of my favorite artists right now is Chappell Roan . And obviously there's a very creative, formulated artist statement there, but it is so sincere. It feels so derived from a human experience, but they've captured it in a way that is elevating that sincerity rather than disguising it.

AC: I'm glad you made that distinction! I love Chappell Roan. Go, Missouri! We’re both from the Show-Me State. You often work with collaborators, right?

JP: I love writing as a team sport. I think often there is a mentality that there is more value to writing that is done independently, and I just don't subscribe to that.

If anything, I think co-writing really elevates the work. I think it's just as much of a craft to know how to navigate multiple creative voices in a room as it is to express your own.

I love writing as a team sport.

AC: That's amazing to hear, because that's kind of what we're trying to do here at Freewrite — elevating the idea of writing within a community. Writing is traditionally a very solitary exercise, but it doesn't have to be.

JP: There's so much about movie and television writing that I think is a couple steps ahead of songwriting.

AC: Like the writers’ room?

JP: Yeah, TV writers know this. It’s a very established concept that writers work collaboratively on a script.

AC: I would say book publishing is even farther behind songwriting in that regard. So wh at does your creative process look like? Are you always writing, always recording?

JP: I have to compartmentalize a little bit. There are three major parts of my career and it's very hard for me to do more than one of them well at a time.

Those three things are: touring and performing; writing and creating; and audience building and marketing.

Of course, all three of those things are intertwined, but in order to do any one of those things very well, I can only really prioritize one of them fully at a time.

AC: Interesting. And you’re home from tour and writing now, right?

JP: Yes, I’m very much in this right now. I have a writing week coming up, where I will be with co-writers and in the studio every day.

So I am currently using my  Traveler  every day to heart-barf, as a way to create my source material for those sessions.

I’ll just do pages and pages and pages of unedited, unrefined feelings, thoughts, explorations, stories, ideas, looking at what I've written already, trying to figure out what pieces are missing in the emotional spectrum I'm trying to capture on this album.

And then in the few days before those sessions, I'll read through all of it. If something seems interesting to me, then I'll take those pieces and further delve into them, either on my own or with co-writers in our writing sessions.

And that's how it starts to shape into something that has a form that a listener can take in.

So I am currently using my Traveler every day to heart-barf, as a way to create my source material for those [co-writing] sessions.

AC: I, not being a songwriter, had never thought of songwriting has having that same division as prose — writing or freewriting first, and then studio work as editing.

JP: I think every writer knows how different the feeling of creative brain and editing brain is. I really need to separate that process because I literally feel like a different person as an editor than I do as a creator.

I have to start by not considering who's reading it, who's hearing it, who it's for, what the melody is … I just have to put it there.

I think every writer knows how different the feeling of creative brain and editing brain is. I really need to separate that process because I literally feel like a different person as an editor than I do as a creator.

AC: So is that what drew you to Freewrite?

JP: Yes. And, I mean, I think part of the fun of being a writer is romanticizing the life of being a writer, too.

When I sit on the rooftop of a cafe in Lima, Peru, and write on Traveler, that is a different moment than being up there with an iPad — I was just in Lima on tour, and this is a real moment I'm describing.

I sat on this just spectacularly romantic gallery cafe rooftop in Barranco, this neighborhood of Lima, and as I'm sitting there and I'm writing, I start up a conversation with this group of people who look friendly sitting beside me, and they ended up being a choreographer and an artist and a dancer. And then they're like, “What's that you're writing on?” And I'm like, “It's a digital typewriter.”

And then I show them and they're like, “What are you writing?” And then I hand it over to them, and they're reading it on the rooftop. And then someone shows up with a guitar.

And there was this moment on that roof that I will never forget where there were like maybe 10 of us. And on one side, there was someone drawing a portrait of me, while I was kind of on the other side of the social dynamic, writing. And then everyone in the middle was laughing, drinking, talking. And it was just this symbiosis of both creatively representing the moment and being present in the moment.

It was life and art so intertwined on that Lima rooftop.

And if I'm painting that picture, like if I'm writing that scene in a movie, or I'm painting it to put it on a wall, an iPad is such a fucking eyesore.

AC: Are we going to get a song about that rooftop?

JP: Probably. The amount of journal entries that occurred on that rooftop is… The word-to-location ratio on that rooftop is probably higher than anywhere else in the world at this point.

AC: Last question: What's your #1 piece of advice for aspiring songwriters?

JP: Write as many bad songs as possible. If you spend a month trying to write a good song, I think you are less likely to get something that you love than if you write a bad song every day for a month.

I think bad writing is the soil in which good writing is allowed to grow. And if you don't have a pile of shit big enough, your good stuff can't grow out of it.

AC: You heard it hear first, folks: Write more shit.

Find JP's music wherever you like to listen: Spotify | Apple  | YouTube

The Comprehensive Guide to Finding and Using Quotes in Your English Essays

Quotes are key to writing a solid English essay.  But, what is a quote? And how can we use quotes in our writing?

Here’s an essential guide that breaks down all the important things you need to know about quotes, including the types of quotes out there, how to find them and how to weave them into your essay.

Let’s get started!

What is a Quote? Types of Quotes in an English Essay Why Should you Use Quotes in English Essays? When Should Quotes Be Used in an English Essay?  How to Find Quotes to Use in an English Essays How to Use Quotes in an English Essay  Common Errors When Using Quotes  Quotes Master List from Various Texts

What is a Quote?

A quote is a part of the author’s text that you take and put into your own essay .

Quotes can be long or short, depending on what its purpose is. For most of the time, you will need to place quotation marks around your quotes to tell them apart from your own writing. 

For some English assessments, you will be asked to reference your quotes . To reference, you will need to use specific guidelines to tell your marker which text you extracted your quote from . 

It is important that you reference your quotes when you are told to do so! This is because you risk receiving a mark of zero if your teachers find you committing plagiarism , otherwise known as taking someone else’s words and claiming them as your own. 

Note : Just a heads up, quotes may need to be referenced for English essay assignments , but not for in-class or exam-style tasks where you will have to write the essay on the spot.

Types of Quotes in an English Essay

There are 3 types of quotes that exist! Let us take you through each of them, including some hints on the common types of quotes that you will use in your English essay. 

We’ll use the same extract from Shakespeare’s Romeo and Juliet as an example to demonstrate how these quotes may look in writing. 

Studying Romeo and Juliet? Check out our Top 50 Romeo and Juliet Quotes with analysis of themes and techniques!

Direct Quotes

A direct quote is a long paragraph that you take from a text without adding any changes to it.

These are often used to conclude your points without any further explanation needed . Quotation marks are a must when it comes to direct quotes!

It’s good to note that direct quotes are rarely used in high school English essays .

However, in university, you may need to use direct quotes depending on what degree you are enrolled in. For example, if you’re doing a Bachelor of Arts , you will definitely be asked to use direct quotes in your assessment tasks!

For example, a direct quote can look like this: 

Shakespeare uses foreshadowing in the prologue, as demonstrated in: “…A pair of star-cross’d lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents’ strife. The fearful passage of their death-mark’d love, And the continuance of their parents’ rage, Which, but their children’s end, nought could remove, Is now the two hours’ traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.”  – Act 1, Prologue, Romeo and Juliet, William Shakespeare 

In-text Quote

Think of in-text quotes as a type of direct quotes , but shorter in length!

In-text quotes are often slipped into sentences or used to finish off a sentence . It can also be used to add an interesting flair to your writing. Like the direct quote, in-text quotes need to be framed with quotation marks . 

Though, unlike the direct quote, the use of in-text quotes is most common in English essays at a high school level. In-text quotes can be used as E for “Example” in your PEEL paragraphs. You may also use in-text quotes to help your essay flow better.

For example, an in-text quote can be written like this:  Shakespeare uses foreshadowing by casting Romeo and Juliet as “star-crossed lovers” who are destined to “take their li(ves)” to end the “ancient grudge” between their two families. 

Indirect Quote

An indirect quote is when you paraphrase what the author has said .

Note : To paraphrase means to write an extract in your own words, rather than using the exact quote from the author. 

This is used when the main idea is significant, but the quotes are too long to fit into your essay. The good news is, you don’t need to include quotation marks for indirect quotes. 

Indirect quotes can be used in English essays, but not as much as in-text quotes .

This is because indirect quotes can be challenging to feature specific examples from the text, which can make your argument appear weaker without enough evidence.

To give you an idea, an indirect quote can look like this:  Shakespeare uses foreshadowing in the prologue to reveal how Romeo and Juliet are destined to end their lives to restore peace between the two households. 

As you can tell, an in-direct quote does not provide specific references to the text, which makes it sound less strong than one with in-text quotes. 

Access our Sample English Essay Paragraph with Quotes here!

Why Should You Use Quotes in Your English Essays? 

Our teachers have always told us that quotes are super important in English essays. But why is this the case?

Here are three main reasons .

#1: To Strengthen your Argument 

In English essays, you will need to write about your argument . It is not enough to simply write what you think about the topic though, because you will need evidence to back it up too ! 

Quotes can act as evidence to strengthen your argument in your English essay. It can help to reinforce your argument as it provides a second voice that resonates with your ideas, beliefs and opinions .

Some effective quotes that can support your argument include related stories, metaphors, facts or statistics. 

Plus, you will improve your credibility, as the quote implies that there are others who agree with your argument as well!

To learn more about strengthening your argument in an English essay, check out our guide to writing a persuasive text here !

#2: To Write In-Depth Analysis 

An in-depth analysis of text examples is important when writing an amazing English essay! 

Quotes can be used to provide specific examples from the texts to allow for in-depth analysis. In other words, you can use quotes as the “E” for “Example” in PEEL paragraphs to help you break down the text.

By doing this, it helps your markers pin point where the technique and its effect is coming from.

As a result, it demonstrates your extensive knowledge in English that can knock the socks off your teachers!

#3: To Add Variety 

Is your English essay starting to sound a bit boring?  

A good way to spice it up is to use quotes! Quotes can add variety to your sentence structures and break the monotony.

They may also provide a new way of phrasing things that may get the point across more effectively too! 

At times, quotes can provide a more concise, notable way of promoting your argument. Famous quotes are a great way to capture the attention of your readers!

When Should Quotes Be Used in an English Essay? 

Quotes are a great way to write an effective English essay with a strong argument! 

However, students make the mistake of stuffing as many quotes as they can into their essays. It is important that we avoid going overboard with quotes as it may overtake your main ideas and leave your marker confused with what your main argument is. 

Instead of using quotes as mere “sentence fillers”, we want to be strategic .

Be sure to use quotes when you want to share accurate evidence from your texts to strengthen your argument. On another note, you can also use quotes when you want to reinforce how your idea is linked to your texts. 

How to Find Quotes to Use in an English Essay

Here are 2 key strategies you should know when it comes to finding quotes for your essay.

#1: Find a Quote that Supports your Idea

The main purpose of writing an English essay is to promote your point of view on the topic. 

Therefore, the first step to find quotes is to identify a quote that supports your point . It’s also a good idea to be on a lookout for a quote that also encompasses at least one technique.

This will allow you to dive into an in-depth analysis about its effect and how it links to your argument. 

For example, when writing about Shakespeare’s Romeo and Juliet, you may choose to use quotes such as “death mark’d love” with an oxymoron to argue that love has two sides to it, a rewarding one and also a lethal one. 

#2: Make Sure it is Relevant 

Secondly, you should aim for quotes that focus on the aspect of the text you are discussing, whether it be the character, setting or a particular literary technique!

If you want to make a statement about a character, you may choose to use a quote about their personality, their strengths or their flaws.

Alternatively, if you want to write about the setting, you may choose to include quotes that describe the environment, the mood or the way the characters feel in that time or place.

You can even choose quotes that feature a specific literary technique that you’d like to focus on!

How to Use Quotes in an English Essay 

In a basic English essay, we need at least 4 to 5 quotes in each paragraph .

In-text quotes are used the most often, and they need to be weaved into sentences unlike the longer direct quotes or paraphrased indirect quotes. 

For one, we should avoid writing “as seen in this quote” or “as quoted by” when introducing your quote as it disrupts the flow of your essay. So here’s the real question, how can we embed quotes into our English essay?

Here is a 3-step guide that teaches you how to embed your in-text quotes! 

#1: Write your Introduction Statement 

Before inserting your quote, the first step is to introduce where the quote is coming from .

You can choose a quote that comes from a scene or someone .  If you choose to feature a quote about a scene or action, you should identify who is engaging in the action before entering your quote. 

Example: As Romeo “def(ies)…stars”, Shakespeare…

Signal Phrases

Alternatively, if you are choosing to write about a quote that comes from someone , whether it be the author or the character, it is always good practice to use signal phrases.

Signal phrases can not only help you introduce what the person is saying, but also hints what their message is. Signal phrases could include according to, discusses , states , argues , claims , explains , demonstrates … the list goes on. 

Set-Off Quotations and Build-In Quotations

There are two strategies to write about a quote that comes from someone, which includes “set off quotations” or “build in quotations.”

For “ set off quotations ”, use a signal phrase, and then a comma before inserting the quote. Make sure that the first word of your quote is capitalised if you are using this strategy. 

Example: As Romeo claims, “ I defy you, stars!”…

For “ build in quotations ”, identify who is saying the quote, then use a signal phrase, followed by the use of the word “that” before entering your quote. 

Example: Romeo announces that “I defy you, stars!”…

#2: Insert your Quotation 

The next part is easy! You just need to write out the quotation word by word from the text.

Make sure you use quotation marks to frame the quote.  

At times, you may need to modify your quote so you can fit it into your sentence in a way that has correct grammar. One way to do this is to write the grammatically correct version in brackets , so you acknowledge that you have changed the quote.

You may also add in ellipsis to cut down irrelevant parts of they quote so it flows better. 

Example: Let’s use the original quote from Shakespeare’s Romeo and Juliet may be “I defy you, stars!” Romeo “defy you stars!”  Instead, you can write:  Romeo “def(ies)…stars” 

#3: Frame your Quote

So, what do you write after inserting your quote?

After entering your quote, you must explain why you included it and how it relates to your argument. If you are using the PEEL paragraph structure, this will be your “ Explain ” and “ Link ” part of the sentence.

This part is important as it can help support your argument to make your English essay stronger!

Example: As Romeo claims, “I defy you, stars!”, Shakespeare uses the astrological allusion in “stars” as a symbol of fate to reveal our human capacity to shape our own destinies against predetermined forces. 

Common Errors When Using Quotes 

It is good to be familiar with the common errors we make when we embed quotes into our English essays, so we know what to avoid when we write!

Here are 3 common mistakes students make when using quotes.

#1: Who Said it?

When introducing a quote that someone has said, it is important that your sentences are structured in a way that makes it clear who the quote is coming from.

In other words, a mistake is made when you state the person in the introductory phrase, but not as the subject before inserting the quote . 

Instead, you should identify the person before you enter the quote. For example,

Do not: In Shakespeare’s book about two lovers, he claims that “a pair of star crossed lovers” are doomed to “take their life. Do: In his book about two lovers, Shakespeare claims that “a pair of star crossed lovers” are doomed to “take their life.”

#2: Floating Quotes 

Another common error that most students make is using a quote to make up one whole sentence . 

Instead, a quote should not take up an entire sentence. Otherwise, it sounds incomplete and will make it difficult for your marker to understand how your quote links to your argument. For example, 

Do not: Shakespeare’s Romeo and Juliet is about two teenagers. “A pair of star-crossed lovers who take their life.” Reveal the unparalleled power of fate over individual power.  Do: Shakespeare’s Romeo and Juliet is about two “star-crossed lovers” who are destined to “take their life”, to reveal the unparalleled power of fate over individual power. 

#3: Using the Entire Quote 

Having quotes in your essay is good, but too much of a good thing can be a bad thing. 

Instead of inserting the entire quote in your essay, quotes should be succinct and straight to the point, especially if you are using an in-text quote.

For example, if you want to use a long monologue, try to cut it down to the most relevant parts. This will not only make your essay more concise, but also make memorising quotes easier as you go into the exam. 

A trick is to use ellipses to feature the main parts of the quotes and cut out the not so important parts! For example,

Do not:  As Juliet claims, “O Romeo, Romeo, wherefore art thou Romeo? Deny thy father and refuse thy name.Or if thou wilt not, be but sworn my love. And I’ll no longer be a Capulet. ‘Tis but thy name that is my enemy: Thou art thyself, though not a Montague.”, Shakespeare’s use of monologue  highlights love can necessitate the lost of one’s identity and belonging to their family.  Do: As Juliet claims, “Deny thy father and refuse thy name… I’ll no longer be a Capulet”, Shakespeare use of monologue highlights how love can necessitate the lost of one’s identity and belonging to their family. 

As you can tell, when you cut the quotes down, your points come across clearer and more straight to the point! 

Ready to embed quotes in your English essay? Find our lists for quotes from various texts below!

Prose Jane Eyre Lord of the Flies All the Light We Cannot See The Curious Incident of the Dog in the Night Time Frankenstein To Kill a Mockingbird Pride and Prejudice Past the Shallows Things Fall Apart One Flew Over the Cuckoo’s Nest 1984 Jasper Jones Burial Rites The Stranger The Book Thief The Great Gatsby Fahrenheit 451 Heart of Darkness Station Eleven Hag-Seed Never Let Me Go Like a House on Fire Ransom Rainbow’s End

Poetry Ariel by Sylvia Plath Poetry by T.S. Eliot Poetry by Emily Dickinson Poetry by Kenneth Slessor

Non-Fiction and Media Go Back To Where You Came From

Drama The Crucible King Lear Romeo and Juliet Hamlet The Tempest Macbeth Othello The Merchant of Venice A Midsummer Night’s Dream Much Ado About Nothing The 7 Stages of Grieving Photograph 51 Così

Film Jojo Rabbit Amélie A Streetcar Named Desire Billy Elliot Howl’s Moving Castle The Dressmaker Rear Window

On the hunt for other useful resources?

Check out some of the other Year 11-12 articles we’ve created below:

The Essential List of Language Features You Should Know for English

• How to Write a TEEL Paragraph for Your English Essay
• How to Elevate Your Essays in English Using the Thesis + 3 Technique
• Texts and Human Experiences: Recommended Related Texts for HSC English

For students in Years 10 and below:

• How to Study for English in Years 7 and 8
• The Essential List of High Modality Words for Persuasive Writing
• The Ultimate Guide to Writing a Feature Article
• How to Write an Extended Response in High School
• The Essential Year 7 and 8 Reading List

Are you looking for some extra help with finding and using quotes for your English essay?

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How to use Quotes in an Essay in 7 Simple Steps

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

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A quote can be an effective and powerful literary tool in an essay, but it needs to be done well. To use quotes in an essay, you need to make sure your quotes are short, backed up with explanations, and used rarely. The best essays use a maximum of 2 quotes for every 1500 words.

Rules for using quotes in essays:

• Avoid Long Quotes.
• Quotes should be less than 1 sentence long.
• Match Quotes with Explanations and Examples.
• Use Max. 2 Quotes for 1500 words.
• Use page numbers when Citing Quotes.
• Don’t Italicize Quotes.
• Avoid quotes inside quotes.

Once you have mastered these quotation writing rules you’ll be on your way to growing your marks in your next paper.

How to use Quotes in an Essay

1. avoid long quotes.

There’s a simple rule to follow here: don’t use a quote that is longer than one line. In fact,  four word quotes  are usually best.

Long quotes in essays are red flags for teachers. It doesn’t matter if it is an amazing quote. Many, many teachers don’t like long quotes, so it’s best to avoid them.

Too many students provide quotes that take up half of a paragraph. This will lose you marks – big time.

If you follow my  perfect paragraph formula , you know that most paragraphs should be about six sentences long, which comes out to about six or seven typed lines on paper. That means that your quote will be a maximum of one-sixth (1/6) of your paragraph. This leaves plenty of space for discussion in your own words.

One reason teachers don’t like long quotes is that they suck up your word count. It can start to look like you didn’t have enough to say, so you inserted quotes to pad out your essay. Even if this is only your teacher’s perception, it’s something that you need to be aware of.

Here’s an example of over-use of quotes in paragraphs:

Avoid Quotes that are Too Long

Children who grow up in poverty often end up being poor as adults. “Many adult Americans believe that hard work and drive are important factors on economic mobility. When statistics show that roughly 42% of children born into the bottom level of the income distribution will likely stay there (Isaacs, 2007), this Is a consequence of structural and social barriers.” (Mistry et al., 2016, p. 761). Therefore poverty in childhood needs to be addressed by the government.

This student made the fatal mistake of having the quote overtake the paragraph.

Simply put, don’t use a quote that is longer than one line long. Ever. It’s just too risky.

Personally, I like to use a 4-word quote in my essays. Four-word quotes are long enough to constitute an actual quote but short enough that I have to think about how I will fit that quote around my own writing. This forces me to write quotations that both show:

• I have read the original source, but also:
• I know how to paraphrase

2. Do not use a Quote to that takes up a full Sentence, Starts a Sentence, or Ends a Paragraph

These are three common but fatal mistakes.

Essay quotes that start sentences or end paragraphs make you appear passive.

If you use a quotation in an essay to start a sentence or end a paragraph, your teacher automatically thinks that your quote is replacing analysis, rather than supporting it.

You should instead start the sentence that contains the quote with your own writing. This makes it appear that you have an  active voice .

Similarly, you should end a paragraph with your own analysis, not a quote.

Let’s look at some examples of quotes that start sentences and end paragraphs. These examples are poor examples of using quotes:

Avoid Quotes that Start Sentences The theorist Louis Malaguzzi was the founder of the Reggio Emilia Approach to Education. “Children have the ability to learn through play and exploration. Play helps children to learn about their surroundings” (Malaguzzi, 1949, p. 10). Play is better than learning through repetition of drills or reading. Play is good for all children.

Avoid Quotes that End Paragraphs Before Judith Butler gender was seen as being a binary linked to sex, men were masculine and women were feminine. Butler came up with this new idea that gender is just something society has made up over time. “Gender is a fluid concept” (Butler, 1990, p. 136).

Both these quotes are from essays that were shared with me by colleagues. My colleagues marked these students down for these quotes because of the quotes:

• took up full sentences;
• started sentences; and
• were used to end paragraphs.

It didn’t appear as if the students were analyzing the quotes. Instead, the quotes were doing the talking for the students.

There are some easy strategies to use in order to make it appear that you are actively discussing and analyzing quotes.

One is that you should make sure the essay sentences with quotes in them  don’t start with the quote . Here are some examples of how we can change the quotes:

Example 1: Start Quote Sentences with an Active Voice The theorist Louis Malaguzzi was the founder of the Reggio Emilia Approach to Education. According to Malaguzzi (1949, p. 10), “children have the ability to learn through play and exploration.” Here, Malaguzzi is highlighting how to play is linked to finding things out about the world. Play is important for children to develop. Play is better than learning through repetition of drills or reading. Play is good for all children.

Here, the sentence with the quote was amended so that the student has an active voice. They start the sentence with According to Malaguzzi, ….

Similarly, in the second example, we can also insert an active voice by ensuring that our quote sentence does not start with a quote:

Example 2: Start Quote Sentences with an Active Voice In 1990, Judith Butler revolutionized Feminist understandings of gender by arguing that “gender is a fluid concept” (p. 136). Before Butler’s 1990 book  Gender Trouble , gender was seen as being a binary linked to sex. Men were masculine and women were feminine. Butler came up with this new idea that gender is just something society has made up over time.

In this example, the quote is not at the start of a sentence or end of a paragraph – tick!

How to Start Sentences containing Quotes using an Active Voice

• According to Malaguzzi (1949, p. 10), “…”
• Malaguzzi (1949, p. 10) argues that “…”
• In 1949, Malaguzzi (p. 10) highlighted that “…”
• The argument of Malaguzzi (1949, p. 10) that “…” provides compelling insight into the issue.

3. Match Quotes with Explanations and Examples

Earlier on, I stated that one key reason to use quotes in essays is so that you can analyze them.

Quotes shouldn’t stand alone as explanations. Quotes should be there to be analyzed, not to do the analysis.

Let’s look again at the quote used in Point 1:

Example: A Quote that is Too Long Children who grow up in poverty often end up being poor as adults.  “Many adult Americans believe that hard work and drive are important factors in economic mobility. When statistics show that roughly 42% of children born into the bottom level of the income distribution will likely stay there (Isaacs, 2007), this Is a consequence of structural and social barriers.”  (Mistry et al., 2016, p. 761). Therefore poverty in childhood needs to be addressed by the government.

This student has included the facts, figures, citations and key details in the quote. Essentially, this student has been lazy. They failed to paraphrase.

Instead, this student could have selected the most striking phrase from the quote and kept it. Then, the rest should be paraphrased. The most striking phrase in this quote was “[poverty] is a consequence of structural and social barriers.” (Mistry et al., 2016, p. 761).

So, take that one key phrase, then paraphrase the rest:

Example: Paraphrasing Long Quotes Children who grow up in poverty often end up being poor as adults. In their analysis, Mistry et al. (2016) highlight that there is a misconception in American society that hard work is enough to escape poverty. Instead, they argue, there is evidence that over 40% of people born in poverty remain in poverty. For Mistry et al. (2016, p. 761), this data shows that poverty is not a matter of being lazy alone, but more importantly  “a consequence of structural and social barriers.”  This implies that poverty in childhood needs to be addressed by the government.

To recap,  quotes shouldn’t do the talking for you . Provide a brief quote in your essay, and then show you understand it with surrounding explanation and analysis.

4. Know how many Quotes to use in an Essay

There’s a simple rule for how many quotes should be in an essay.

Here’s a good rule to follow: one quote for every five paragraphs. A paragraph is usually 150 words long, so you’re looking at  one quote in every 750 words, maximum .

To extrapolate that out, you’ll want a maximum of about:

• 2 quotes for a 1500-word paper;
• 3 quotes for a 2000-word paper;
• 4 quotes for a 3000-word paper.

That’s the maximum , not a target. There’s no harm in writing a paper that has absolutely zero quotes in it, so long as it’s still clear that you’ve closely read and paraphrased your readings.

The reason you don’t want to use more quotes than this in your essay is that teachers want to see you saying things in your own words. When you over-use quotes, it is a sign to your teacher that you don’t know how to paraphrase well.

5. Always use page numbers when Citing Quotes in Essays

One biggest problem with quotes are that many students don’t know how to cite quotes in essays.

Nearly every referencing format requires you to include a page number in your citation. This includes the three most common referencing formats: Harvard, APA, and MLA. All of them require you to provide page numbers with quotes.

Citing a Quote in Chicago Style – Include Page Numbers

• Incorrect: “Gender is a fluid concept” (Butler 1990).
• Correct: “Gender is a fluid concept” (Butler 1990, 136).

Citing a Quote in APA and Harvard Styles – Include Page Numbers

• Incorrect: “Gender is a fluid concept” (Butler, 1990).
• Correct: “Gender is a fluid concept” (Butler, 1990, p. 136).

Citing a Quote in MLA Style – Include Page Numbers

• Incorrect: “Gender is a fluid concept” (Butler).
• Correct: “Gender is a fluid concept” (Butler 136).

Including a page number in your quotation makes a huge difference when a marker is trying to determine how high your grade should be.

This is especially true when you’re already up in the higher marks range. These little editing points can mean the difference between placing first in the class and third. Don’t underestimate the importance of attention to detail.

6. Don’t Italicize Quotes

For some reason, students love to use italics for quotes. This is wrong in absolutely every major referencing format, yet it happens all the time.

I don’t know where this started, but please don’t do it. It looks sloppy, and teachers notice. A nice, clean, well-formatted essay should not contain these minor but not insignificant errors. If you want to be a top student, you need to pay attention to minor details.

7. Avoid quotes inside quotes

Have you ever found a great quote and thought, “I want to quote that quote!” Quoting a quote is a tempting thing to do, but not worth your while.

I’ll often see students write something like this:

Poor Quotation Example: Quotes Inside Quotes Rousseau “favored a civil religion because it would be more tolerant of diversity than Christianity. Indeed ‘no state has ever been founded without religion as its base’ (Rousseau, 1913: 180).” (Durkheim, 1947, p. 19).

Here, there are quotes on top of quotes. The student has quoted Durkheim quoting Rousseau. This quote has become a complete mess and hard to read. The minute something’s hard to read, it loses marks.

Here are two solutions:

• Cite the original source. If you really want the Rousseau quote, just cite Rousseau. Stop messing around with quotes on top of quotes.
• Learn the ‘as cited in’ method. Frankly, that method’s too complicated to discuss here. But if you google it, you’ll be able to teach yourself.

When Should I use Quotes in Essays?

1. to highlight an important statement.

One main reason to use quotes in essays is to emphasize a famous statement by a top thinker in your field.

The statement must be  important. It can’t be just any random comment.

Here are some examples of when to use quotes in essays to emphasize the words of top thinkers:

• The words of Stephen Hawking go a long way in Physics ;
• The words of JK Rowling go a long way in Creative Writing ;
• The words of Michel Foucault go a long way in Cultural Studies ;
• The words of Jean Piaget go a long way in Education Studies .

2. To analyze an Important Statement.

Another reason to use quotes in essays is when you want to analyze a statement by a specific author. This author might not be famous, but they might have said something that requires unpacking and analyzing. You can provide a quote, then unpack it by explaining your interpretation of it in the following sentences.

Quotes usually need an explanation and example. You can unpack the quote by asking:

• What did they mean,
• Why is it relevant, and
• Why did they say this?

You want to always follow up quotes by top thinkers or specific authors with discussion and analysis.

Quotes should be accompanied by:

• Explanations of the quote;
• Analysis of the ideas presented in the quote; or
• Real-world examples that show you understand what the quote means.

Remember: A quote should be a stimulus for a discussion, not a replacement for discussion.

What Bad Quotes Look Like

Many teachers I have worked with don’t like when students use quotes in essays. In fact, some teachers absolutely hate essay quotes. The teachers I have met tend to hate these sorts of quotes:

• When you use too many quotes.
• When you use the wrong citation format.
• When you don’t provide follow-up explanations of quotes.
• When you used quotes because you don’t know how to paraphrase .

Be a minimalist when it comes to using quotes. Here are the seven approaches I recommend for using quotes in essays:

• Avoid Long Quotes in Essays
• Do not use a Quote that takes up a full Sentence, Starts a Sentence, or Ends a Paragraph
• Match Quotes with Explanations and Examples
• Use a Maximum of 2 Quotes for every 1500 words
• Always use page numbers when Citing Quotes in Essays
• Don’t Italicize Quotes
• Avoid quotes inside quotes

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 10 Reasons you’re Perpetually Single
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 20 Montessori Toddler Bedrooms (Design Inspiration)
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 21 Montessori Homeschool Setups
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 101 Hidden Talents Examples

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21 Killer GRE Essay Quotes You Should Be Using Right Now

By Jitta Raghavender Rao • GRE Writing

“[A] quotation is a handy thing to have about, saving one the trouble of thinking for oneself, always a laborious business.” – A.A. Milne

Chances are you too know a few famous quotes, but you probably don’t use them. I know so, because I’m guilty of neglecting quotes on the GRE.

So, why should you use essay quotes on the GRE?  To start with, the right use of quotes in essays augments the power of your arguments and makes your essays appear more convincing. Plus, essays with quotes tend to score better than essays without them, because of the initial impact the use of quotes create on the reader, and help strengthen your point.

But we need to exercise prudence. Only use quotes as is, if you are convinced that paraphrasing would lower the impact or change the meaning of the original author’s words or when the argument could not be better expressed or said more succinctly.

Here is how you make sure you are doing it right.

How do I incorporate quotes into my essay?

At times, an essay can appear painfully discorded if the quotations are out of place or if the essay is too stuffed with quotes.

So, what should you do to avoid this?

A great quote plays one or more roles from the following:

• creates the initial impact on the essay grader
• makes your essay look more promising and interesting
• establishes credibility
• concludes the essay with a point to contemplate

If the quote doesn’t serve any of the above then you are forcing it into the essay and this could do more harm than good.

You should start writing your essay with a quote that lays foundation to the main idea behind the essay. This can have a major impact on the evaluator. You can also comment on the quotation in this introductory paragraph if you wish. Either way, to get a perfect score on the GRE essay, use a relevant quote strategically but don’t force it into the essay.

Can I alter the structure of the quotation?

Using the exact words from the original source is called quoting. You should quote when you believe that the way the original author expresses an idea is the most effective way to communicate the point you wish to make. If you want to borrow an idea from the author but don’t put the idea in their exact words, then it’s called paraphrasing. (but remember that you still have to cite the original author even when you are paraphrasing)

For example, Ronald Reagan said, “Trust, but verify.” You can alter the quotation on your own according to the passage, by saying: ‘To paraphrase Ronald Reagan’s famous quote, “It is easier to trust when you can verify.”‘ By doing this, you are not only citing the original author, but also gaining extra points for using your own version of the quote.

How many quotes should I use?

If you deploy a lot of quotations in your essay, it appears as though several people are talking about the topic apart from yourself. This would downplay your own voice and leaves little room for your own ideas. It is your essay and it should be your voice that needs to be heard, not some notable/famous person’s. Quote as infrequently as possible. So, don’t cram every quote you know into the essay. As a rule of thumb, refrain from using more than 2 quotes in any essay. (One in the introductory paragraph and the other if necessary in the conclusion)

How do I introduce the quote in my own words?

The last thing you would want is get your score cancelled on account of plagiarism. It’s highly recommended that you cite the author of the quotation. If you don’t cite, you may give the impression that you claim to be the original author and that could result in plagiarism. You should place the quote in double quotation marks. Here is an example usage citing the author:

Thomas Jefferson once said “The will of the people is the only legitimate foundation of any government, and to protect its free expression should be our first object.”

Categorization of GRE Essay Topics

The fascinating thing about the GRE essay topics is that they’re already published on the official ETS website. This may sound crazy because giving out the questions in advance is not normal. Now, use this to your advantage. You can find all the GRE essay topics on the official ETS website .

But there’s a catch! You were expecting a few, right?

Well, there are close to 200 topics in all – far too many to practice responses in advance. Also, practicing each of these topics is not advisable as it is going to take a lot of time and effort and there is no point in mugging them up. You could as well spend this time on learning some math. However, there’s a good news. Just scanning through these two lists will give you an excellent idea of the types of issues and arguments that show up on test day.

I just made things a bit easy for you, though. Most of the topics that show up on the GRE essay section can be broadly grouped into five categories.

• Government/Politics
• Sciences and Technology

So, next time when you practice writing an essay response, make sure you write at least one essay from each of these categories. And memorize a few quotes related to each one of these topics, as they will be handy.

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List of most useful essay quotes

I’ve compiled a list of easy-to-digest quotes that should help you write the perfect essay. Bookmark this page NOW for future reference.

The following quotes from great thinkers have been selected based on their relevance to common GRE essay topics and for their ease of usage.

• The only good is knowledge and the only evil is ignorance – Socrates
• A people that value its privileges above its principles soon loses both – Dwight D. Eisenhower
• In theory, there is no difference between theory and practice. But in practice, there is – Yogi Berra
• A little inaccuracy can sometimes save a ton of explanation – H.H Munro
• Any intelligent fool can make things bigger, more complex and more violent. It takes a touch of genius – and a lot of courage – to move in the opposite direction – E. F. Schumacher
• A consensus means that everyone agrees to say collectively what no one believes individually – Abba Eban
• Non-cooperation with evil is as much a duty as is cooperation with good – Mohandas Gandhi
• Whatever government is not a government of laws, is a despotism, let it be called what it may – Daniel Webster
• Good people do not need laws to tell them to act responsibly, while bad people will find a way around the laws – Plato
• Far and away the best prize that life offers is the chance to work hard at work worth doing – Theodore Roosevelt
• It is dangerous to be right, when the government is wrong – Voltaire
• The will of the people is the only legitimate foundation of any government, and to protect its free expression should be our first object – Thomas Jefferson
• No nation is fit to sit in judgment upon any other nation – Woodrow Wilson (28th U.S President)
• The artist is nothing without the gift, but the gift is nothing without work – Emile Zola
• The world is full of educated derelicts – Calvin Coolidge
• A lie gets halfway around the world before the truth has a change to get its pants on – Winston Churchill
• It’s not the size of the dog in the fight, it’s the size of the fight in the dog – Mark Twain
• Life contains but two tragedies. One is not to get your heart’s desire, the other is to get it – Socrates
• If women didn’t exist, all the money in the world would have no meaning – Aristotle Onasis
• Men are not disturbed by things, but the view they take of things – Epictetus
• As a rule, men worry more about what they can’t see than about what they can – Julius Caesar

Now, these are a handful of quotes. The goal is to memorize 5 or 6 of your favorite quotes so you’ll be able to contextually fit one into the essay on the test day. While practicing, you may look at the list of quotes found above however, if you can remember a specific quote apposite to your essay topic, try to use it – one quote for every essay.

For those avid writers, who believe the number of quotes above are too low, we have the right tool for you. Ellipsoid created a random quote generator tool that draws 5 famous quotes from Goodreads every time you reload the page. The good news is these 5 quotes are always theme based so you know where to use them.

Writing essays isn’t all about the substance. It’s the basics that many of us forget. If you are going to put in the time to practice writing essays, might as well maximize the score you could get by deploying a quote in your essays.

So, what’s your favorite quote?

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20 Comments to “21 Killer GRE Essay Quotes You Should Be Using Right Now”

i think it is difficult to remember even these 21 quotes in the exam. any tips to remember them will be helpful. thanks

Yes, it is rather difficult to remember all the 21 quotes, which is why we asked you to pick a few of your favorite ones from the list. Plus, the only way you can remember these quotes is by using them while you practice AWA essays.

Happy Studying! 🙂

I personally memorize the ones that can be useful in more than one topic, and as said learn the ones you like most.

Quote number 5… oh, Albert. You make my bricks fall off. As to you, Mr. Kaundinya, I might win a brand spankin’ new tablet thanks to your quotes. I’m sure my D.A.R.E essay will be awesome.

I found that they are advantageous,but i don’t think that i can get used of them in a short time.

thnx for these awesome quotes guys.i’m damn sure that the’ll help a looooooooot in improving my skills.

Super glad to know they helped you, Bhavya! Hope you’ll kill some essays with these quotes now. 🙂

It is really helpful

It Is Realy Inspiring $ Motivating I Am So Interested To It!

Thenks A Heap It Is Realy Inspiring And Motivating!

Yeah…awesome list

I must say you have high quality content here. Your content can go viral.

Thanks for your updates. I love your all status updates. Can you please update more for facebook . I am a big fan of you. I am waiting for your reply.

Wow! This is the fantastic technique to use quotes in essay, because this think bring something new in essay writing. I’m big fan of your after reading this article.

Very helpful

I liked those quotes

Those quotes are amazing….. I’m sure that it it will help in writting essays

Glad it helped, Merin! Feel free to message us if you have any questions! 🙂

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25 Inspiring Quotes about Writing

Writing may be one of the most rewarding – and most frustrating – activities in the history of mankind. Few other callings result in as much crumpled paper, snapped pencils, frayed nerves and all-nighters. Writing has also given us some of the most inspirational quotes imaginable. Here, we’ve collected 25 quotes to give you the motivation and inspiration you need to finish your project, even if it takes all night.

Getting Started

Every writer has dealt with writer’s block and new writers can find the process of simply starting to be difficult. Since beginning can be difficult for even seasoned writers, much advice has been given on how to take the plunge and begin telling your story.

• “There is nothing to writing. All you do is sit down at a typewriter and bleed.” (Ernest Hemingway)
• “The scariest moment is always just before you start.” (Stephen King)
• “The first draft of anything is shit.” (Ernest Hemingway)
• “The secret of getting ahead is getting started.” (Mark Twain)
• “Begin at the beginning,” the King said gravely, “and go on till you come to the end: then stop.” (Lewis Carroll)
• “You don’t have to be great to get started, but you have to get started to be great.” (Les Brown)

As we can see, the best authors in the world understand that beginning to write is as simple as it is difficult – one must simply begin.

Choosing the Right Words

Another common theme in writing is the eternal struggle to find just the right words and phrases. Many times writers throw around a number of words, searching for the one that fits like a missing puzzle piece. Rough drafts were made to be reworked and this is where a writer’s vocabulary and talent really come into play. Writing a scene requires the same dexterity and skilled hand as paining a picture, creating a sculpture or any other creative endeavor.

• “The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” (Mark Twain)
• “One day I will find the right words, and they will be simple.” (Jack Kerouac)
• “Don’t tell me the moon is shining; show me the glint of light on broken glass.” (Anton Chekhov)
• “Words can be like X-rays if you use them properly — they’ll go through anything. You read and you’re pierced.” (Aldous Huxley)
• “If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can’t allow what we learned in English composition to disrupt the sound and rhythm of the narrative.” (Elmore Leonard)
• “There is no great writing, only great rewriting.” (Justice Brandeis)

On Inspiration

Creative inspiration is perhaps one of the most ephemeral things in the world. Inspiration can come from anywhere and creativity is, at best, a fickle mistress. This interest in creativity and the creative process has been with man since the earliest times. The ancient Greeks had dozens of Muses dedicated to various forms of the arts and science. The Muses are goddesses representing different arts and sciences in Greek mythology. They are the daughters of Mnemosyne and Zeus.

• Kalliope – the muse of epic poetry
• Euterpe – the muse of music and lyric poetry
• Erato – the muse of lyric/love poetry
• Melpomene – the muse of tragedy
• Thalia – the muse of comedy

Although established Muses of the past are rarely referred to now, their spirit lives on. Today, the creative process may be seen differently, but the inspiration and frustration remain the same.

• “You never have to change anything you got up in the middle of the night to write.” (Saul Bellow)
• “Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.” (Scott Adams)
• “Inspiration is a guest that does not willingly visit the lazy.” (Pyotr Tchaikovsky)
• “Creativity is knowing how to hide your sources” (Albert Einstein)
• “Inspiration is wonderful when it happens, but the writer must develop an approach for the rest of the time.” (Leonard Bernstein)
• “Fill your paper with the breathings of your heart.” (William Wordsworth)
• “Your intuition knows what to write, so get out of the way.” (Ray Bradbury)
• “I don’t know where my ideas come from, but I know where they come to. They come to my desk, and if I’m not there, they go away again.” (Philip Pullman)

On the Writing Life

It’s often said that artists are a special breed, and writers are no different. The writing life isn’t for everyone and, for those who feel the calling, taking the journey is sometimes difficult. Writers have discussed their methods, their inspirations and their styles, but here we get a glimpse into what truly drives them to follow the writer’s life.

• “You must stay drunk on writing so reality cannot destroy you.” (Ray Bradbury)
• “I know some people might think it odd – unworthy even – for me to have written a cookbook, but I make no apologies. The U.S. poet laureate Billy Collins thought I had demeaned myself by writing poetry for Hallmark Cards, but I am the people’s poet so I write for the people.” (Maya Angelou)
• “We are all apprentices in a craft where no one ever becomes a master.” (Ernest Hemingway)
• “I write for the same reason I breathe – because if I didn’t, I would die.” (Isaac Asimov)
• “You fail only if you stop writing.” (Ray Bradbury)

Related posts

What this handout is about

Used effectively, quotations can provide important pieces of evidence and lend fresh voices and perspectives to your narrative. Used ineffectively, however, quotations can clutter your text and interrupt the flow of your argument. This handout will help you decide when and how to quote like a pro.

When should I quote?

Use quotations at strategically selected moments. You have probably been told by teachers to provide as much evidence as possible in support of your thesis. But packing your paper with quotations will not necessarily strengthen your argument. The majority of your paper should still be your original ideas in your own words (after all, it’s your paper). And quotations are only one type of evidence: well-balanced papers may also make use of paraphrases, data, and statistics. The types of evidence you use will depend in part on the conventions of the discipline or audience for which you are writing. For example, papers analyzing literature may rely heavily on direct quotations of the text, while papers in the social sciences may have more paraphrasing, data, and statistics than quotations.

Discussing specific arguments or ideas

Sometimes, in order to have a clear, accurate discussion of the ideas of others, you need to quote those ideas word for word. Suppose you want to challenge the following statement made by John Doe, a well-known historian:

“At the beginning of World War Two, almost all Americans assumed the war would end quickly.”

If it is especially important that you formulate a counterargument to this claim, then you might wish to quote the part of the statement that you find questionable and establish a dialogue between yourself and John Doe:

Historian John Doe has argued that in 1941 “almost all Americans assumed the war would end quickly” (Doe 223). Yet during the first six months of U.S. involvement, the wives and mothers of soldiers often noted in their diaries their fear that the war would drag on for years.

Giving added emphasis to a particularly authoritative source on your topic.

There will be times when you want to highlight the words of a particularly important and authoritative source on your topic. For example, suppose you were writing an essay about the differences between the lives of male and female slaves in the U.S. South. One of your most provocative sources is a narrative written by a former slave, Harriet Jacobs. It would then be appropriate to quote some of Jacobs’s words:

Harriet Jacobs, a former slave from North Carolina, published an autobiographical slave narrative in 1861. She exposed the hardships of both male and female slaves but ultimately concluded that “slavery is terrible for men; but it is far more terrible for women.”

In this particular example, Jacobs is providing a crucial first-hand perspective on slavery. Thus, her words deserve more exposure than a paraphrase could provide.

Jacobs is quoted in Harriet A. Jacobs, Incidents in the Life of a Slave Girl, ed. Jean Fagan Yellin (Cambridge: Harvard University Press, 1987).

Analyzing how others use language.

This scenario is probably most common in literature and linguistics courses, but you might also find yourself writing about the use of language in history and social science classes. If the use of language is your primary topic, then you will obviously need to quote users of that language.

Examples of topics that might require the frequent use of quotations include:

Southern colloquial expressions in William Faulkner’s Light in August

Ms. and the creation of a language of female empowerment

A comparison of three British poets and their use of rhyme

Spicing up your prose.

In order to lend variety to your prose, you may wish to quote a source with particularly vivid language. All quotations, however, must closely relate to your topic and arguments. Do not insert a quotation solely for its literary merits.

One example of a quotation that adds flair:

President Calvin Coolidge’s tendency to fall asleep became legendary. As H. L. Mencken commented in the American Mercury in 1933, “Nero fiddled, but Coolidge only snored.”

How do I set up and follow up a quotation?

Once you’ve carefully selected the quotations that you want to use, your next job is to weave those quotations into your text. The words that precede and follow a quotation are just as important as the quotation itself. You can think of each quote as the filling in a sandwich: it may be tasty on its own, but it’s messy to eat without some bread on either side of it. Your words can serve as the “bread” that helps readers digest each quote easily. Below are four guidelines for setting up and following up quotations.

In illustrating these four steps, we’ll use as our example, Franklin Roosevelt’s famous quotation, “The only thing we have to fear is fear itself.”

1. Provide context for each quotation.

Do not rely on quotations to tell your story for you. It is your responsibility to provide your reader with context for the quotation. The context should set the basic scene for when, possibly where, and under what circumstances the quotation was spoken or written. So, in providing context for our above example, you might write:

When Franklin Roosevelt gave his inaugural speech on March 4, 1933, he addressed a nation weakened and demoralized by economic depression.

2. Attribute each quotation to its source.

Tell your reader who is speaking. Here is a good test: try reading your text aloud. Could your reader determine without looking at your paper where your quotations begin? If not, you need to attribute the quote more noticeably.

Avoid getting into the “they said” attribution rut! There are many other ways to attribute quotes besides this construction. Here are a few alternative verbs, usually followed by “that”:

Different reporting verbs are preferred by different disciplines, so pay special attention to these in your disciplinary reading. If you’re unfamiliar with the meanings of any of these words or others you find in your reading, consult a dictionary before using them.

3. Explain the significance of the quotation.

Once you’ve inserted your quotation, along with its context and attribution, don’t stop! Your reader still needs your assessment of why the quotation holds significance for your paper. Using our Roosevelt example, if you were writing a paper on the first one-hundred days of FDR’s administration, you might follow the quotation by linking it to that topic:

With that message of hope and confidence, the new president set the stage for his next one-hundred days in office and helped restore the faith of the American people in their government.

4. Provide a citation for the quotation.

All quotations, just like all paraphrases, require a formal citation. For more details about particular citation formats, see the UNC Libraries citation tutorial . In general, you should remember one rule of thumb: Place the parenthetical reference or footnote/endnote number after—not within—the closed quotation mark.

Roosevelt declared, “The only thing we have to fear is fear itself” (Roosevelt, Public Papers, 11).

Roosevelt declared, “The only thing we have to fear is fear itself.”1

How do I embed a quotation into a sentence?

In general, avoid leaving quotes as sentences unto themselves. Even if you have provided some context for the quote, a quote standing alone can disrupt your flow.  Take a look at this example:

Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. “I could be bounded in a nutshell and count myself a king of infinite space” (Hamlet 2.2).

Standing by itself, the quote’s connection to the preceding sentence is unclear. There are several ways to incorporate a quote more smoothly:

Lead into the quote with a colon.

Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression: “I could be bounded in a nutshell and count myself a king of infinite space” (Hamlet 2.2).

The colon announces that a quote will follow to provide evidence for the sentence’s claim.

Introduce or conclude the quote by attributing it to the speaker. If your attribution precedes the quote, you will need to use a comma after the verb.

Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. He states, “I could be bounded in a nutshell and count myself a king of infinite space” (Hamlet 2.2).

When faced with a twelve-foot mountain troll, Ron gathers his courage, shouting, “Wingardium Leviosa!” (Rowling, p. 176).

The Pirate King sees an element of regality in their impoverished and dishonest life. “It is, it is a glorious thing/To be a pirate king,” he declares (Pirates of Penzance, 1983).

Interrupt the quote with an attribution to the speaker. Again, you will need to use a comma after the verb, as well as a comma leading into the attribution.

“There is nothing either good or bad,” Hamlet argues, “but thinking makes it so” (Hamlet 2.2).

“And death shall be no more,” Donne writes, “Death thou shalt die” (“Death, Be Not Proud,” l. 14).

Dividing the quote may highlight a particular nuance of the quote’s meaning. In the first example, the division calls attention to the two parts of Hamlet’s claim. The first phrase states that nothing is inherently good or bad; the second phrase suggests that our perspective causes things to become good or bad. In the second example, the isolation of “Death thou shalt die” at the end of the sentence draws a reader’s attention to that phrase in particular. As you decide whether or not you want to break up a quote, you should consider the shift in emphasis that the division might create.

Use the words of the quote grammatically within your own sentence.

When Hamlet tells Rosencrantz that he “could be bounded in a nutshell and count [him]self a king of infinite space” (Hamlet 2.2), he implies that thwarted ambition did not cause his depression.

Ultimately, death holds no power over Donne since in the afterlife, “death shall be no more” (“Death, Be Not Proud,” l. 14).

Note that when you use “that” after the verb that introduces the quote, you no longer need a comma.

The Pirate King argues that “it is, it is a glorious thing/to be a pirate king” (Pirates of Penzance, 1983).

How much should I quote?

As few words as possible. Remember, your paper should primarily contain your own words, so quote only the most pithy and memorable parts of sources. Here are guidelines for selecting quoted material judiciously:

Excerpt fragments.

Sometimes, you should quote short fragments, rather than whole sentences. Suppose you interviewed Jane Doe about her reaction to John F. Kennedy’s assassination. She commented:

“I couldn’t believe it. It was just unreal and so sad. It was just unbelievable. I had never experienced such denial. I don’t know why I felt so strongly. Perhaps it was because JFK was more to me than a president. He represented the hopes of young people everywhere.”

You could quote all of Jane’s comments, but her first three sentences are fairly redundant. You might instead want to quote Jane when she arrives at the ultimate reason for her strong emotions:

Jane Doe grappled with grief and disbelief. She had viewed JFK, not just as a national figurehead, but as someone who “represented the hopes of young people everywhere.”

Excerpt those fragments carefully!

Quoting the words of others carries a big responsibility. Misquoting misrepresents the ideas of others. Here’s a classic example of a misquote:

John Adams has often been quoted as having said: “This would be the best of all possible worlds if there were no religion in it.”

John Adams did, in fact, write the above words. But if you see those words in context, the meaning changes entirely. Here’s the rest of the quotation:

Twenty times, in the course of my late reading, have I been on the point of breaking out, ‘this would be the best of all possible worlds, if there were no religion in it!!!!’ But in this exclamation, I should have been as fanatical as Bryant or Cleverly. Without religion, this world would be something not fit to be mentioned in public company—I mean hell.

As you can see from this example, context matters!

This example is from Paul F. Boller, Jr. and John George, They Never Said It: A Book of Fake Quotes, Misquotes, and Misleading Attributions (Oxford University Press, 1989).

Use block quotations sparingly.

There may be times when you need to quote long passages. However, you should use block quotations only when you fear that omitting any words will destroy the integrity of the passage. If that passage exceeds four lines (some sources say five), then set it off as a block quotation.

Be sure you are handling block quotes correctly in papers for different academic disciplines–check the index of the citation style guide you are using. Here are a few general tips for setting off your block quotations:

• Set up a block quotation with your own words followed by a colon.
• Indent. You normally indent 4-5 spaces for the start of a paragraph. When setting up a block quotation, indent the entire paragraph once from the left-hand margin.
• Single space or double space within the block quotation, depending on the style guidelines of your discipline (MLA, CSE, APA, Chicago, etc.).
• Do not use quotation marks at the beginning or end of the block quote—the indentation is what indicates that it’s a quote.
• Place parenthetical citation according to your style guide (usually after the period following the last sentence of the quote).
• Follow up a block quotation with your own words.

So, using the above example from John Adams, here’s how you might include a block quotation:

After reading several doctrinally rigid tracts, John Adams recalled the zealous ranting of his former teacher, Joseph Cleverly, and minister, Lemuel Bryant. He expressed his ambivalence toward religion in an 1817 letter to Thomas Jefferson:

Adams clearly appreciated religion, even if he often questioned its promotion.

How do I combine quotation marks with other punctuation marks?

It can be confusing when you start combining quotation marks with other punctuation marks. You should consult a style manual for complicated situations, but the following two rules apply to most cases:

Keep periods and commas within quotation marks.

So, for example:

According to Professor Poe, werewolves “represent anxiety about the separation between human and animal,” and werewolf movies often “interrogate those boundaries.”

In the above example, both the comma and period were enclosed in the quotation marks. The main exception to this rule involves the use of internal citations, which always precede the last period of the sentence. For example:

According to Professor Poe, werewolves “represent anxiety about the separation between human and animal,” and werewolf movies often “interrogate those boundaries” (Poe 167).

Note, however, that the period remains inside the quotation marks when your citation style involves superscript footnotes or endnotes. For example:

According to Professor Poe, werewolves “represent anxiety about the separation between human and animal,” and werewolf movies often “interrogate those boundaries.” 2

Place all other punctuation marks (colons, semicolons, exclamation marks, question marks) outside the quotation marks, except when they were part of the original quotation.

Take a look at the following examples:

I couldn’t believe it when my friend passed me a note in the cafe saying the management “started charging $15 per hour for parking”!

The coach yelled, “Run!”

In the first example, the author placed the exclamation point outside the quotation mark because she added it herself to emphasize the outrageous nature of the parking price change. The original note had not included an exclamation mark. In the second example, the exclamation mark remains within the quotation mark because it is indicating the excited tone in which the coach yelled the command. Thus, the exclamation mark is considered to be part of the original quotation.

How do I indicate quotations within quotations?

If you are quoting a passage that contains a quotation, then you use single quotation marks for the internal quotation. Quite rarely, you quote a passage that has a quotation within a quotation. In that rare instance, you would use double quotation marks for the second internal quotation.

Here’s an example of a quotation within a quotation:

In “The Emperor’s New Clothes,” Hans Christian Andersen wrote, “‘But the Emperor has nothing on at all!’ cried a little child.”

Remember to consult your style guide to determine how to properly cite a quote within a quote.

When do I use those three dots ( . . . )?

Whenever you want to leave out material from within a quotation, you need to use an ellipsis, which is a series of three periods, each of which should be preceded and followed by a space. So, an ellipsis in this sentence would look like . . . this. There are a few rules to follow when using ellipses:

Be sure that you don’t fundamentally change the meaning of the quotation by omitting material.

Take a look at the following example:

“The Writing Center is located on the UNC campus and serves the entire UNC community.”

“The Writing Center . . . serves the entire UNC community.”

The reader’s understanding of the Writing Center’s mission to serve the UNC community is not affected by omitting the information about its location.

Do not use ellipses at the beginning or ending of quotations, unless it’s important for the reader to know that the quotation was truncated.

For example, using the above example, you would NOT need an ellipsis in either of these situations:

“The Writing Center is located on the UNC campus . . .”

The Writing Center ” . . . serves the entire UNC community.”

Use punctuation marks in combination with ellipses when removing material from the end of sentences or clauses.

For example, if you take material from the end of a sentence, keep the period in as usual.

“The boys ran to school, forgetting their lunches and books. Even though they were out of breath, they made it on time.”

“The boys ran to school. . . . Even though they were out of breath, they made it on time.”

Likewise, if you excerpt material at the end of clause that ends in a comma, retain the comma.

“The red car came to a screeching halt that was heard by nearby pedestrians, but no one was hurt.”

“The red car came to a screeching halt . . . , but no one was hurt.”

Is it ever okay to insert my own words or change words in a quotation?

Sometimes it is necessary for clarity and flow to alter a word or words within a quotation. You should make such changes rarely. In order to alert your reader to the changes you’ve made, you should always bracket the altered words. Here are a few examples of situations when you might need brackets:

Changing verb tense or pronouns in order to be consistent with the rest of the sentence.

Suppose you were quoting a woman who, when asked about her experiences immigrating to the United States, commented “nobody understood me.” You might write:

Esther Hansen felt that when she came to the United States “nobody understood [her].”

In the above example, you’ve changed “me” to “her” in order to keep the entire passage in third person. However, you could avoid the need for this change by simply rephrasing:

“Nobody understood me,” recalled Danish immigrant Esther Hansen.

Including supplemental information that your reader needs in order to understand the quotation.

For example, if you were quoting someone’s nickname, you might want to let your reader know the full name of that person in brackets.

“The principal of the school told Billy [William Smith] that his contract would be terminated.”

Similarly, if a quotation referenced an event with which the reader might be unfamiliar, you could identify that event in brackets.

“We completely revised our political strategies after the strike [of 1934].”

Indicating the use of nonstandard grammar or spelling.

In rare situations, you may quote from a text that has nonstandard grammar, spelling, or word choice. In such cases, you may want to insert [sic], which means “thus” or “so” in Latin. Using [sic] alerts your reader to the fact that this nonstandard language is not the result of a typo on your part. Always italicize “sic” and enclose it in brackets. There is no need to put a period at the end. Here’s an example of when you might use [sic]:

Twelve-year-old Betsy Smith wrote in her diary, “Father is afraid that he will be guilty of beach [sic] of contract.”

Here [sic] indicates that the original author wrote “beach of contract,” not breach of contract, which is the accepted terminology.

Do not overuse brackets!

For example, it is not necessary to bracket capitalization changes that you make at the beginning of sentences. For example, suppose you were going to use part of this quotation:

“The colors scintillated curiously over a hard carapace, and the beetle’s tiny antennae made gentle waving motions as though saying hello.”

If you wanted to begin a sentence with an excerpt from the middle of this quotation, there would be no need to bracket your capitalization changes.

“The beetle’s tiny antennae made gentle waving motions as though saying hello,” said Dr. Grace Farley, remembering a defining moment on her journey to becoming an entomologist.

Not: “[T]he beetle’s tiny antennae made gentle waving motions as though saying hello,” said Dr. Grace Farley, remembering a defining moment on her journey to becoming an entomologist.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Barzun, Jacques, and Henry F. Graff. 2012. The Modern Researcher , 6th ed. Belmont, CA: Wadsworth Cengage Learning.

Booth, Wayne C., Gregory G. Colomb, Joseph M. Williams, Joseph Bizup, and William T. FitzGerald. 2016. The Craft of Research , 4th ed. Chicago: University of Chicago Press.

Gibaldi, Joseph. 2009. MLA Handbook for Writers of Research Papers , 7th ed. New York: The Modern Language Association of America.

Turabian, Kate. 2018. A Manual for Writers of Term Papers, Theses, Dissertations , 9th ed. Chicago: University of Chicago Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to Put a Quote in an Essay

Last Updated: September 1, 2024 References

This article was co-authored by Christopher Taylor, PhD and by wikiHow staff writer, Danielle Blinka, MA, MPA . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 12 references cited in this article, which can be found at the bottom of the page. This article has been viewed 2,659,157 times.

Using a direct quote in your essay is a great way to support your ideas with concrete evidence, which you need to support your thesis. To select a good quote , look for a passage that supports your argument and is open to analysis. Then, incorporate that quote into your essay, and make sure you properly cite it based on the style guide you’re using.

Sample Quotes

Incorporating a Short Quote

• For instance, let's say this is the quote you want to use: "The brown leaves symbolize the death of their relationship, while the green buds suggest new opportunities will soon unfold."
• If you just type that sentence into your essay and put quotes around it, your reader will be disoriented. Instead, you could incorporate it into a sentence like this: "The imagery in the story mirrors what's happening in Lia's love life, as 'The brown leaves symbolize the death of their relationship, while the green buds suggest new opportunities will soon unfold.'"

• "Critic Alex Li says, 'The frequent references to the color blue are used to suggest that the family is struggling to cope with the loss of their matriarch.'"
• "According to McKinney’s research, 'Adults who do yoga at least three times a week have lower blood pressure, better sleeping patterns, and fewer everyday frustrations.'"
• "Based on several recent studies, people are more likely to sit on the park benches when they're shaded by trees."

• You still need to use quotation marks even if you're only quoting a few words.
• If you're in doubt, it's best to be cautious and use quotes.

• For example, let’s say you used the quote, “According to McKinney’s research, ‘Adults who do yoga at least three times a week have lower blood pressure, better sleeping patterns, and fewer everyday frustrations.’” Your commentary might read, “This shows that yoga can have a positive impact on people’s health, so incorporating it into the workplace can help improve employee health outcomes. Since yoga makes employees healthier, they’ll likely have reduced insurance costs.”

• When you use a paraphrase, you still need to provide commentary that links the paraphrased material back to your thesis and ideas.

Using a Long Quote

• The reader will recognize that the material is a direct quote because it's set off from the rest of the text. That's why you don't need to use quotation marks. However, you will include your citation at the bottom.

• "In The Things They Carried , the items carried by soldiers in the Vietnam war are used to both characterize them and burden the readers with the weight they are carrying: The things they carried were largely determined by necessity. Among the necessities or near-necessities were P-38 can openers, pocket knives, heat tabs, wristwatches, dog tags, mosquito repellent, chewing gum, candy cigarettes, salt tablets, packets of Kool-Aid, lighters, matches, sewing kits, Military Payment Certificates, C rations, and two or three canteens of water." (O'Brien 2)

Variation: When you're citing two or more paragraphs, you must use block quotes, even if the passage you want to quote is less than four lines long. You should indent the first line of each paragraph an extra quarter inch. Then, use ellipses (…) at the end of one paragraph to transition to the next.

• Your block quote will use the same spacing as the rest of your paper, which will likely be double-spacing.

• For example, “According to Li, “Rosa is the first sister to pick a rose because she’s the only one who’s begun to move on after their mother’s death” might become “According to Li, “Rosa is the first sister to pick a rose because she’s … begun to move on after their mother’s death.”
• Don’t eliminate words to change the meaning of the original text. For instance, it’s not appropriate to use an ellipsis to change “plants did not grow faster when exposed to poetry” to “plants did … grow faster when exposed to poetry.”

• For example, let’s say you want to use the quote, “All of them experienced a more relaxed, calmer disposition after doing yoga for 6 months.” This doesn’t tell the reader who you’re talking about. You could use brackets to say, “All of [the teachers in the study] experienced a more relaxed, calmer disposition after doing yoga for 6 months.”
• However, if you know the study is talking about teachers, you couldn’t use brackets to say, “All of [society experiences] a more relaxed, calmer disposition after doing yoga for 6 months.”

• If you don't explain your quote well, then it's not helping your ideas. You can't expect the reader to connect the quote back to your thesis for you.

• For instance, you may prefer to use a long block quote to present a passage from a literary work that demonstrates the author's style. However, let's say you were using a journal article to provide a critic's perspective on an author's work. You may not need to directly quote an entire paragraph word-for-word to get their point across. Instead, use a paraphrase.

Tip: If you’re unsure about a quote, ask yourself, “Can I paraphrase this in more concise language and not lose any support for my argument?” If the answer is yes, a quote is not necessary.

Citing Your Quote

• An MLA citation will look like this: (Lopez 24)
• For sources with multiple authors, separate their names with the word “and:” (Anderson and Smith 55-56) or (Taylor, Gomez, and Austin 89)
• If you use the author’s name in your lead-in to the quote, you just need to provide the year in parentheses: According to Luz Lopez, “the green grass symbolizes a fresh start for Lia (24).”

• An APA citation for a direct quote looks like this: (Ronan, 2019, p. 10)
• If you’re citing multiple authors, separate their names with the word “and:” (Cruz, Hanks, and Simmons, 2019, p. 85)
• If you incorporated the author’s name into your lead-in, you can just give the year and page number: Based on Ronan’s (2019, p. 10) analysis, “coffee breaks improve productivity.”

• For instance, a Chicago Style citation will look like this: (Alexander 2019, 125)
• If you’re quoting a source with multiple authors, separate them with the word “and:” (Pattinson, Stewart, and Green 2019, 175)
• If you already incorporated the author’s name into your quote, then you can just provide the year and page number: According to Alexander, “the smell of roses increases feelings of happiness” (2019, 125).

• For MLA, you'd cite an article like this: Lopez, Luz. "A Fresh Blossom: Imagery in 'Her Darkest Sunshine.'" Journal of Stories , vol. 2, no. 5, 2019, p. 15-22. [17] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source
• In APA, you'd cite an article like this: Lopez, Luz. (2019). A Fresh Blossom: Imagery in "Her Darkest Sunshine." Journal of Stories , 2(5), 15-22. [18] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source
• For Chicago Style, your article citation would look like this: Lopez, Luz. "A Fresh Blossom: Imagery in 'Her Darkest Sunshine.'" Journal of Stories 2 no. 4 (2019): 15-22. [19] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source

Selecting a Quote

Tip: Quotes are most effective when the original language of the person or text you’re quoting is worth repeating word-for-word.

• If you’re struggling to explain the quote or link it back to your argument, then it’s likely not a good idea to include it in your essay.

• Paraphrases and summaries work just like a direct quote, except that you don’t need to put quotation marks around them because you’re using your own words to restate ideas. However, you still need to cite the sources you used.

Community Q&A

• Always cite your quotes properly. If you don't, it is considered plagiarism. Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ https://www.ursinus.edu/live/files/1160-integrating-quotespdf
• ↑ https://lsa.umich.edu/sweetland/undergraduates/writing-guides/how-do-i-incorporate-quotes-.html
• ↑ https://libguides.lahc.edu/mla/intext
• ↑ https://advice.writing.utoronto.ca/using-sources/quotations/
• ↑ https://www.student.unsw.edu.au/paraphrasing-summarising-and-quoting
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_formatting_quotations.html
• ↑ https://guides.libraries.psu.edu/apaquickguide/intext
• ↑ https://www.chicagomanualofstyle.org/tools_citationguide/citation-guide-2.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_formatting_and_style_guide.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/apa_style/apa_formatting_and_style_guide/reference_list_articles_in_periodicals.html
• ↑ https://owl.purdue.edu/owl/research_and_citation/chicago_manual_17th_edition/cmos_formatting_and_style_guide/periodicals.html
• ↑ https://writingcenter.unc.edu/tips-and-tools/quotations/

About This Article

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To put a quote in an essay, incorporate it directly into a sentence if it's shorter than 4 typed lines. For example, you could write "According to researchers," and then insert the quote. If a quote is longer than 4 typed lines, set it off from the rest of the paragraph, and don't put quotes around it. After the quote, include an in-text citation so readers know where it's from. The right way to cite the quote will depend on whether you're using MLA, APA, or Chicago Style formatting. For more tips from our English co-author, like how to omit words from a quote, scroll down! Did this summary help you? Yes No

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How To Embed Quotes in Your Essay Like a Boss

October 2, 2012

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Updated 30/12/2020

• What Are Quotes?
• Why Use Quotes?
• What You Want To Quote
• How Much You Want To Quote
• How That Quote Will Fit into Your Essay
• There Are Also Other Ways of Using Quotation Marks
• Questions You Must Ask Yourself When Weaving Quotes into Sentences
• How To Find Good Quotes

1. What Are Quotes?

Quotations, better known by their abbreviation ‘quotes’, are a form of evidence used in VCE essays. Using quotations in essays helps to demonstrate your knowledge of the text, and provides solid evidence for your arguments. The discussion on quotations in this study guide can be applied to all three areas of study in the VCAA English course which have been explained in detail in our Ultimate Guide s to VCE Text Response , Comparative and  Language Analysis .

A quotation is the repetition of a group of words taken from a text by someone other than the original author. The punctuation mark used to indicate a repetition of another author’s work is presented through quotation marks. These quotation marks are illustrated by inverted commas, either single inverted commas (‘ ’) or double inverted commas (“ ”). There is no general rule in Australia regarding which type of inverted comma you must use for quotations. Single inverted commas are preferred in Australia as they follow the British standard. The American standard involves styling quotations with the double inverted comma. You can choose either style, just be consistent in your essays.

2. Why Use Quotes?

The usage of quotations in essays demonstrates:

• Your knowledge of the text
• Credibility of your argument
• An interesting and thoughtful essay
• The strength of your writing skills.

However, quotations must be used correctly, otherwise you risk (and these frequent mistakes will be discussed in detail later):

• Irrelevant quotations
• Overcrowding or overloading of quotations
• Broken sentences

How You Integrate a Quote into an Essay Depends on Three Factors:

• What you want to quote
• How much you want to quote
• How that quote will fit into your essay.

3. What You Want To Quote

As you discuss ideas in a paragraph, quotes should be added to develop these ideas further. A quote should add insight into your argument; therefore, it is imperative that the quote you choose relates intrinsically to your discussion. This is dependent on which aspect of the text you are discussing, for example:

• Description of theme or character
• Description of event or setting
• Description of a symbol or other literary technique

Never quote just for the sake of quoting. Quotations can be irrelevant  if a student merely adds in quotes as ‘sentence fillers’. Throwing in quotations just to make your essay appear more sophisticated will only be more damaging if the quotation does not adequately reinforce or expand on your contention. Conversely, an essay with no quotations will not achieve many marks either.

4. How Much You Want To Quote

A quotation should never tell the story for you. Quotations are a ‘support’ system, much like a back up for your ideas and arguments. Thus, you must be selective in how much you want to quote. Generally speaking, the absolute minimum is three quotes per paragraph but you should not  overload  your paragraphs either. Overcrowding your essay with too many quotations will lead to failure to develop your ideas, as well as your work appearing too convoluted for your assessor. Remember that the essay is  your  piece of work and should consist mainly of your own ideas and thoughts.

Single Word Quotations

The word ‘evaporates’, used to characterise money and happiness intends to instill the idea that happiness as a result of money is only temporary. (VCAA ‘Can Money Buy Happiness’ Language Analysis)

Single worded quotations can often leave the largest impression on the assessor. This is because you are able to demonstrate that you can focus on one word and develop an entire idea around it.

Phrase Quotations

Sunil Badami ‘still found it hard to tie my Indian appearance to my Australian feeling', showing that for Sunil, his culture was not Indian, but Australian due to his upbringing. ( Sticks and Stones and Such-like, Sunil Badami in Growing Up Asian in Australia )

A phrase quotation is the most common quotation length you will use in essays.

Long Quotations

The multitudes of deaths surrounding Anna began to take its toll on her, burdening her with guilt as ‘sometimes, if I walked the main street of the village in the evening, I felt the press of their ghosts. I realised then that I had begun to step small and carry myself all hunched, keeping my arms at my sides and my elbows tucked, as if to leave room for them.’ ( Year of Wonders, Geraldine Brooks )

Long quotations comprise of more than one sentence – avoid using them as evidence. Your assessor will not mark you highly if the bulk of your paragraphs consists of long quotations. You should aim to keep your quotations to less than 2 lines on an A4 writing page. If you have a long quotation you wish to use, be selective. Choose only the important phrases or key words, and remove the remaining sentence by replacing it with an ellipsis (…).

Here is the same example again, with the student using ellipsis:

The multitudes of deaths surrounding Anna began to take its toll on her, burdening her with guilt as she felt ‘the press of their ghosts…[and] begun to step small and carry myself all hunched…as if to leave room for them.’ ( Year of Wonders, Geraldine Brooks)

In this case, we have deleted: ‘sometimes, if I walked the main street of the village in the evening’ and ‘I realised then that I had’ by using an ellipsis – a part of the quotation that is not missed because it does not represent the essence of the student’s argument. You would have noticed that a square bracket ([  ]) was used. This will be discussed in detail under  Blending Quotes.

5. How That Quote Will Fit into Your Essay

You must never take the original author’s words and use them in your essay  without  inserting them in quotation marks. Failure to do so leads to ‘plagiarism’ or cheating. Plagiarism occurs when you take someone else’s work and pass it off as your own. You must make sure that you use quotation marks whenever you use evidence from your text.

The following is plagiarism:

Even a single flicker of the eyes could be mistaken for the essential crime that contained all other crimes in itself – thought crime.  (1984, George Orwell)

Using quotation marks however, avoids plagiarism:

Even ‘a single flicker of the eyes’ could be mistaken for ‘the essential crime that contained all other crimes in itself – thought crime.’  (1984, George Orwell)

There are serious consequences for plagiarism. VCAA will penalise students for plagiarism. VCAA uses statistical analysis to compare a student’s work with their General Achievement Test (GAT), and if the cross-referencing indicates that the student is achieving unexpectedly high results with their schoolwork, the student’s school will be notified and consequential actions will be taken.

Plagiarism should not be confused with:

• ‍ Paraphrasing : to reword or rephrase the author’s words
• ‍ Summarising: to give a brief statement about the author’s main points
• ‍ Quoting : to directly copy the author’s words with an indication (via quotation marks) that it is not your original work

Blending Quotations

You should always aim to interweave quotations into your sentences in order to achieve good flow and enhanced readability of your essay. Below is a good example of blending in quotations:

John Proctor deals with his own inner conflict as he is burdened with guilt and shame of his past adulterous actions. Yet during the climatic ending of the play, Proctor honours his principles as he rejects signing a false confession. This situation where Proctor is confronted to ‘sign [himself] to lies’ is a stark epiphany, for he finally acknowledges that he does have ‘some shred of goodness.’ ( The Crucible, Arthur Miller)

There are three main methods in how you can blend quotations into an essay:

1. Adding Words

Broken sentences  are a common mistake made when students aim to integrate quotations into their sentences. Below are examples of broken sentences due to poor integration of a quotation:

‘Solitary as an oyster’. Scrooge is illustrated as a person who is isolated in his own sphere. ( A Christmas Carol, Charles Dickens)

Never write a sentence consisting of  only  a quotation. This does not add insight into your argument, nor does it achieve good flow or readability.

Scrooge, ‘solitary as an oyster’, is illustrated as a person who is isolated in his own sphere.  (A Christmas Carol, Charles Dickens)

This example is better, however the sentence is still difficult to read. In order to blend quotations into your sentences, try adding in words that will help merge the quotation and your own words together:

Described as being as ‘solitary as an oyster’, Scrooge is illustrated as a person who is isolated in his own sphere.  (A Christmas Carol, Charles Dickens)

Scrooge is depicted as a person who is ‘solitary as an oyster’, illustrating that he is isolated in his own sphere.  (A Christmas Carol, Charles Dickens)

Tip: If you remove the quotation marks, the sentence should still make sense.

2. Square Brackets ([   ])

These are used when you need to modify the original writer’s words so that the quotation will blend into your essay. This is usually done to:

Change Tense

Authors sometimes write in past  (looked) , present  (look)  or future tense  (will look) . Depending on how you approach your essay, you may choose to write with one of the three tenses. Since your tense may not always match the author’s, you will need to alter particular words.

Original sentence: ‘…puts his arm around Lewis’ shoulder’ ( Cosi, Louis Nowra)

Upon seeing Lewis upset, Roy attempts to cheer him up by ‘put[ting] his arm around Lewis’ shoulder’. ( Cosi, Louis Nowra)

Change Narrative Perspective

The author may write in a first  (I, we) , second  (you)  or third person  (he, she, they)  narrative. Since you will usually write from an outsider’s point of view, you will refer to characters in third person. Thus, it is necessary to replace first and second person pronouns with third person pronouns. Alternatively, you can replace first and second person pronouns with the character’s name.

The original sentence: ‘Only now can I recognise the scene for what it was: a confessional, a privilege that I, through selfishness and sensual addiction, failed to accept…’  (Maestro, Peter Goldsworthy)

When Keller was finally ready to share his brutal past with Paul, the latter disregarded the maestro, as he was too immersed in his own adolescent interests. However, upon reflection, Paul realises that ‘only now can [he] recognise the scene for what it was: a confessional, a privilege that [he], through selfishness and sensual addiction, failed to accept’.  (Maestro, Peter Goldsworthy)

Insert Missing Words

Sometimes, it may be necessary to insert your own words in square brackets so that the quotation will be coherent when incorporated into your sentences.

The original sentence: ‘His heels glow.’ ( Ransom, David Malouf)

Achilles, like Priam, feels a sense of refreshment as highlighted by ‘his heels [which] glow.’ ( Ransom, David Malouf)

It is important to maintain proper grammar while weaving in quotations. The question is: does the punctuation go inside or outside the final quotation mark?

The rule is: If the quoted words end with a full stop (or comma), then the full stop goes inside the quotation marks. If the quoted words do not end with a full stop, then the full stop goes outside the quotation marks.

Original sentence: 'Sagitty’s old place plus another hundred acres that went from the head waters of Darkey Creek all the way down to the river.’ ( The Secret River, Kate Grenville)

Punctuation inside:

During the past decade, Thornhill became the wealthiest man in the area, owning ‘Sagitty’s old place plus another hundred acres that went from the head waters of Darkey Creek all the way down to the river.’ ( The Secret River, Kate Grenville)

Punctuation outside:

During the past decade, Thornhill became the wealthiest man in the area, owning ‘Sagitty’s old place plus another hundred acres’. ( The Secret River, Kate Grenville)

6. There Are Also Other Ways of Using Quotation Marks

Title of text.

When including the title of the text in an essay, use single quotation marks.

Directed by Elia Kazan, ‘On The Waterfront’ unveils the widespread corruption among longshoremen working at New Jersey docks. ( On The Waterfront, Elia Kazan)

Alternatively, you can underline the title of the text instead of using single quotation marks. Many teachers and examiners prefer this option.

Quotation Within a Quotation

When you quote the author who is quoting someone else, then you will need to switch between single and double quotation marks. You firstly need to enclose the author’s words in single quotation marks, and then enclose the words they quote in double quotation marks. If you're following the American standard, you'll need to do this the opposite way - that is, using double quotation marks for the author's words and and then single quotation marks for the quote. We recommend sticking to the preferred Australian style though, which is single and then double.

Original sentence: ‘…something bitter and stringy, too difficult to swallow. “It’s just that – I – um, I hate it…It’s too – it’s too Indian!”’ ( Sticks and Stones and Such-like, Sunil Badami in Growing Up Asian in Australia)

Sunil’s unusual name leads him to believe that it is ‘…something bitter and stringy, too difficult to swallow. “It’s just that – I – um, I hate it…It’s too – it’s too Indian!”’ ( Sticks and Stones and Such-like, Sunil Badami in Growing Up Asian in Australia)

As you can see, the student has quoted the author’s words in single quotation marks. The dialogue used by the author is surrounded by double quotation marks. This demonstrates that the dialogue used in the text still belongs to the author.

Using Quotations to Express Irony

When you wish to express irony, you use quotation marks to illustrate that the implied meaning of the actual word or phrase is different to the normal meaning.

As a young girl, Elaine is a victim of Mrs Smeath and her so called ‘friends’. Her father’s interest in insects and her mother’s lack of housework presents Elaine as an easy bullying target for other girls her age who are fit to fulfill Toronto’s social norms. ( Cat’s Eye,  Margaret Atwood)

In this case, ‘friends’ is written in inverted commas to indicate that Elaine’s peers are not truly her friends but are in fact, bullies.

7. Questions You Must Ask Yourself When Weaving Quotes into Sentences

1.  Does the quote blend into my sentence?

2.  Does my sentence still make sense?

3.  Is it too convoluted for my readers to understand?

4.  Did I use the correct grammar?

8. How To Find Good Quotes

Tip One: Do not go onto Google and type in 'Good quotes for X text', because this is not going to work. These type of quotes are generally the most famous and the most popular quotes because, yes they are good quotes, but does that necessarily mean that it's going to be a good quote in your essay? Probably not. But why? Well, it's because these quotes are the most likely to be overused by students - absolutely every single person who has studied this text before you, and probably every single person who will study this text after you. You want to be unique and original. So, how are you going to find those 'good quotes'? Recognise which quotes are constantly being used and blacklist them. Quotes are constantly used in study guides are generally the ones that will be overused by students. Once you eliminate these quotes, you can then go on to find potentially more subtle quotes that are just as good as the more popular or famous ones. Tip Two: Re-read the book. There is nothing wrong with you going ahead and finding your own quotes. You don't need to find quotes that already exist online or in study guides. Go and find whatever gels with you and whatever you feel like has a lot of meaning to it. I had a friend back in high school who was studying a book by Charles Dickens. I haven't read the book myself, but there was a character who couldn't pronounce the letter S, or he had a lisp of some sort. What my friend did was he found this one word where, throughout the entire book, the guy with the lisp only ever said the S one time and that was a massive thing. So, he used that. This is something that is really unique and original. So, go ahead and try to find your own quotes. Tip Three: Realise that good quotes do not necessarily have to come from the main character. Yes, the main character does often have good quotes associated with whatever they're saying, but just know that you do have minor characters who can say something really relevant and have a really good point too. Their quote is going to be just as strong in your essay as a main character's quote, which will probably be overused and overdone by so many other students. Tip Four: Develop a new interpretation of a famous or popular quote. Most of the time, the really popular quotes are analysed in very much the same way. But if you can offer a new insight into why it's being said or offer a different interpretation, then this is automatically going to create a really good quote that's going to offer a refreshing point of view. For example, if we look at The Great Gatsby , one of the most famous quotes that is constantly being used is, 'He found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass.' What most people will do is they will analyse the part about the 'grotesque thing a rose', because that's the most significant part of the quote that stands out. But what you could do instead, is focus on a section of that quote, for example the 'raw'. Why is the word raw being used? How does the word raw contribute extra meaning to this particular quote? This way you're honing in on a particular section of the quote and really trying to offer something new. This automatically allows you to investigate the quote in a new light. Tip Five: Just remember that the best quotes do not have to be one sentence long. Some of the best quotes tend to be really short phrases or even just one particular word. Teachers actually love it when you can get rid of the excess words that are unnecessary in the sentence, and just hone in on a particular phrase or a particular word to offer an analysis. And also, that way, when you spend so much time analysing and offering insight into such a short phrase or one sentence, it shows how knowledgeable you are about the text and that you don't need to rely on lots and lots of evidence in order to prove your point. Those are my five quick tips on how to find good quotes from your texts!

Need more help with quotes? Learn about 5 Ways You're Using Quotes Wrong .

Resources for texts mentioned/referenced in this blog post:

Comparing: Stasiland and 1984 Study Guide

A Killer Text Guide: Cosi (ebook)

Cosi By Louis Nowra Study Guide

Cosi Study Guide

Growing Up Asian in Australia Study Guide

A Killer Text Guide: On the Waterfront (ebook)

A Killer Text Guide: Ransom (ebook)

Ransom Study Guide

The Crucible by Arthur Miller Study Guide

A Killer Text Guide: The Crucible (ebook)

‍ The Crucible and Year of Wonders Prompts

Comparing: The Crucible and Year of Wonders Study Guide

The Great Gatsby Study Guide

‍ A Killer Text Guide: The Secret River (ebook)

The Secret River by Kate Grenville Study Guide

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Last updated 20/10/19

Planning is an essential part of any successful text response essay. It helps you ensure that you’re answering the prompt, utilising enough quotes and writing the most unique and perceptive analysis possible! The hard part of this is that you only have about FIVE MINUTES to plan each essay in the Year 12 English exam… (more info on the best way to tackle that challenge in this video !)

So, I developed the FIVE TYPES of essay prompts to help students streamline their planning process and maximise every minute of their SACs and exams.

By identifying the type of prompt you’re being challenged with immediately, a number of parameters or guidelines are already set in place. For a specific type of prompt, you have specific criteria to meet – for example, in a metalanguage-based prompt , you immediately know that any evidence you brainstorm in your planning stage should be based around the literary techniques used in your given text.

If you’d like the full picture on our best FREE advice on Text Response, check out our Ultimate Guide to VCE Text Response here .

1. Theme-Based Prompt

‘Ambition in the play Macbeth leads to success.’ Discuss. ( Macbeth )

When you’re presented with a theme-based prompt, you can automatically shift your brainstorming and planning towards the themes mentioned in the prompt along with any others that you can link to the core theme in some way.

In regard to this Macbeth prompt, for example, you could explore the different ways the theme of ambition is presented in the text. Additionally, the themes of guilt and power are intimately related to ambition in the text, so you can use those other ideas to aid your brainstorming and get you a step ahead of the rest of the state come exam day.

2. Character-Based Prompt

‘Frankenstein’s hubris is what punishes him.’ Discuss. ( Frankenstein )

These prompts are pretty easy to spot – if you see a character’s name in the prompt, there you have it; you have a character-based prompt on your hands.

Once you know this, you can assume that each example you brainstorm has to be relevant to the specific character named in the prompt in some way. Also, you can explore how the actions of characters don’t occur in isolation – they’re almost always interrelated. Remember, however, that the actions of characters are always connected to the themes and ideas the author is trying to convey.

This type of prompt also grants you some freedoms that other types don’t give. For example, unlike a Theme-based prompt, a character-based prompt means that it’s perfectly fine to write about characters in the topic sentences of your body paragraphs.

3. How-Based Prompt

‘How does Grenville showcase Rooke’s inner conflict in The Lieutenant ?’ ( The Lieutenant )

Unlike other prompts, the ‘How’ positions you to focus more on the author’s writing intentions. This can be achieved by discussing metalanguage – language that describes language (read my blog post about it here ). These prompts tell you immediately that you need to be thinking about the literary techniques explored in the text and explain how they affect the narrative.

Rather than using specific techniques to frame your specific arguments, it’s best to use them as evidence to support arguments that attack the main themes/ideas mentioned in the prompt.

4. Metalanguage or Film-Technique-Based Prompt

‘Hitchcock’s use of film techniques offers an unnerving viewing experience’. Discuss. ( Rear Window )

This type of prompt is very similar to How-based prompts, specifically in the fact that the discussion of literary techniques is essential.

For this type of prompt specifically, however, the actual techniques used can form more of a basis for your arguments, unlike in How-based prompts .

5. Quote-Based Prompt

“Out, damned spot!” How does Shakespeare explore the burden of a guilty conscience in Macbeth ? ( Macbeth )

Countless students ask me every year, “What do I do when there’s a quote in the prompt?!” My reply to these questions is actually fairly straightforward!

There are two main things that you should do when presented with this type of prompt. Firstly, contextualise the quote in your essay and try to use it in your analysis in some way. Secondly, interpret the themes and issues addressed in the quote and implement these into your discussion. The best place to do both of these is in a body paragraph – it weaves in seamlessly and allows for a good amount of analysis, among other reasons!

When faced with unknown prompts in a SAC or your exam, it's reassuring to have a formulaic breakdown of the prompt so that your brain immediately starts categorising the prompt - which of the 5 types of prompts does this one in front of me fall into? To learn more about brainstorming, planning, essay structures for Text Response, read our Ultimate Guide to VCE Text Response .

Authorial intent is without a doubt one of the most important parts of any analytical essay in VCE English because talking about it is what offers the deepest level of analysis and shows the examiners that you have thought deeply about the text at hand. If you can discuss authorial intent effectively, you’ll be able to show that you have a solid understanding of what you are talking about and that you’re not working exclusively with surface-level ideas.

What Is Authorial Intent?

When we talk about authorial intent, what is really being referenced is the author’s reason for writing their piece in the way that they have and what messages they are trying to convey. Essentially, it’s what your teacher wants you to think about when they ask you things like “why is the door red?”. More generally speaking, why has the author made a point of telling us as readers the weather at that time? Why has that character been given that particular line of dialogue? Why have they brought in that specific tone for this part of the text? These are all the kinds of questions that you should be asking yourself when you’re reading through material that you have to analyse.

You might also hear authorial intent talked about as the writer’s ‘views and values’ . If you’re unsure what views and values actually mean, you can kind of think of it as though the ‘views’ are how the author sees something and the ‘values’ are how the author thinks about something. Essentially, their opinions and perspectives are their views, whereas their morals and principles are their values. These two elements will often be central to the overall intention behind writing their text.  

Why Is Authorial Intent Important?

Authorial intent plays a major role in your interpretation of the text; if you can’t figure out what the intent is, you will often miss out on key points and messages throughout the text. If you are lucky, the author will make it really clear to you as a reader what their intent is; however, this often is not the case. That being said, whether their intent is stated or implied doesn’t matter - there will always be something there for you to talk about.

How To ‘Find’ Authorial Intent in the Text: Key Identifiers To Look Out For

If you come across a text that makes it a little bit more difficult to discern what the author is actually trying to say, a good place to start is to look at the context behind the piece of writing. 

The time period the novel/movie/play is set in is often a good indicator of what the author is saying. The author will often be using their text as a means by which they can comment on or critique one or more elements of that society, or perhaps as a metaphor for events that are occurring at the time the text is/was written. Alternatively, they may be portraying their view about the events that actually occurred during that time. For example, if you have a text that is set in the Georgian era, it is likely that the author’s message has something to do with colonialism or imperialist mindsets (zeitgeists) because this was a very dominant theme in that society. 

Some other reasons you might consider an author having could include: 

• to highlight the importance of something
• to criticise a behaviour or mindset
• to ridicule certain actions
• to warn against something
• to discourage people from doing something
• to convey certain political messages or controversial opinions

Realistically there is a broad range of things that the author could be saying, it's your job to pinpoint what that really is. 

Once you’ve determined what it is the author is generally talking about, you then need to start thinking about the way that this has been represented. This is where you start to bring in the characters, the events, the dialogue, the inner monologues. Basically, you start looking for the elements that the author has added, not necessarily for a story-telling purpose but, more so, to convey their views and values through the text. This isn’t always going to jump right out at you so there may be a bit of deeper thinking involved. 

Another good place to start is to try to identify the central themes of a text. This might be something like ‘Judgement’, ‘Redemption’, ‘Guilt’, etc. The author wouldn't have made these themes so relevant if they didn't have anything to say about them. Once again, this is where you look at the quotes, the setting, the characters and other features (as mentioned before) just with a more theme-focused approach. 

Useful Vocabulary & Sentence Examples 

When you come to actually putting together a paragraph, it is really important that you don’t forget to include authorial intent at some stage (at least once per paragraph). If you work with a TEEL structure (watch from 05:10) as the baseline, these kinds of comments about the author’s intent would usually be located within the ‘explanation’ section. A good way to double-check that you’ve incorporated authorial intent is to go back through your paragraph and make sure that the author’s name is in there somewhere. If you’ve talked about authorial intent you likely will have said something like:

‍ ‘In doing so, (Author) condones the (whatever it is they condone).’

Sentence Templates

Below are some sample sentence structures that you might think about using throughout your essays. Obviously, the particular vocabulary will vary depending on what your text is and which message you are talking about, but these are good as a guide.

• Through (example from text) AUTHOR (offers, provides, asserts) a (condemnation, evaluation…) of (idea, theme, concept, action…)

E.g. Through emphasising the internal struggle faced by Rooke during the floggings, Grenville offers a condemnation of the Empire’s heinous approach to loyalty, as the threat of ‘wirling at the end of the rope’ essentially forces individuals to value duty over conscience. (The Lieutenant)

• In doing so, AUTHOR (establishes, condemns, reveals…)

E.g. In doing so, Miller reveals the self-destructive nature of religious extremism in breeding instability and conflict. (The Crucible)

• (scene, event…) allows AUTHOR to (suggest, convey, assert,…) that 

E.g. Her sorrowful pleas that ‘she beg me to make charm’, fraught with grammatical errors, allow Miller to saliently illustrate the gulf that exists between the vulnerable outcasts such as Tituba and more privileged individuals within a community, in this case, Reverend Parris. (The Crucible)

• AUTHOR’s depiction of (character) as (courageous, morally conscious, selfish…) emphasises their belief that…

E.g. Ham’s depiction of Teddy as a morally conscious and genuine individual emphasises her belief that it is possible to transcend the social codes enforced by one’s community. (The Dressmaker)

• AUTHOR’s suggestion that… (serves as a reminder, highlights, emphasises the importance of…)

E.g. Euripides’ blatant suggestion that the fate of most of these women is in servitude and sexual slavery is a damning reminder that the victims of war are not just those killed during the conflict. (Women of Troy)

• (Hence, thus, as a result…) AUTHOR asserts that… 

E.g. Thus, Euripides asserts that victory in war ultimately proves futile as loss will inevitably be suffered somewhat equally by both sides. (Women of Troy)

• Evident through AUTHOR’s (characters’ actions/dialogue/section of text…) is the idea that…

E.g. Evident through Miller’s depiction of the struggles faced by Goody Osburn and Goody Good is the idea that where geographical isolation and strict moral codes render a community intolerant, the marginalisation and ostracisation of those who do not fit the societal mould is inevitable. (The Crucible)

• Through (action, quote, scene…) AUTHOR seeks to…

E.g. Through highlighting the harm which can result from individuals utilising their power to manipulate situations, Ham seeks to expose the damages caused by ignoring the truth, particularly when done so for personal benefit. (The Dressmaker)

If you’ve gotten to this point then hopefully that means that you are starting to get a better understanding of what authorial intent actually is, the thought processes that go into finding it and why it is such a useful and important element to analyse. Most importantly, I hope that you can at least start recognising the way that the author’s voice comes through in the particular texts that you are studying, and that you can start looking at including some of those observations and ideas when you're writing your responses.

Authorial Intent is an aspect that's going to be relevant to Text Response & Comparative for the most part, but it's also handy to understand for Language Analysis !

1. Summary 2. Historical Context 3. Character Analysis 4. Theme Analysis 5. Sample Essay Topics 6. Essay Topic Breakdown 

Year of Wonders is usually studied in the Australian curriculum Area of Study 1 - Reading and Comparing. For a detailed guide on Comparative, check out our Ultimate Guide to VCE Comparative .  

However, Year of Wonders may also be studied in Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response . 

Year of Wonders is set in the small English village of Eyam in 1665, as the town struggles through a deadly outbreak of the bubonic plague. While the characters and events are fictional, author Geraldine Brooks based the novel on the true story of Eyam, whose inhabitants, at the urging of their vicar, courageously decided to quarantine themselves to restrict the spread of the contagion and protect other rural townships. 

The experience of the plague provides Brooks fertile ground to develop characters that illustrate the extremes of human nature ; displaying the dignity or depravity, self-sacrifice or self-interest that people are capable of when faced with terror, pain and the unknown . She explores the consequences of a catastrophe on an isolated, insular and deeply religious community and we see characters exhibit tireless dedication and heroism, or succumb to depression, exploitation and sometimes murderous depravity. 

The novel illustrates that adversity can bring out the best and worst of people and that faith can be challenged and eroded. The novel explores how crises affect human behaviour, beliefs and values and reveal the real character of a community under pressure. Our job while studying this text is to consider how all the different responses to an external crisis contribute to an analysis of human nature . 

2. Historical Context

Year of Wonders belongs to the genre of historical fiction (meaning it is fictional but based on historical events) and aims to capture and present the historical context accurately. The context of Year of Wonders is important to understand as it informs a lot of the division and instability in Eyam during the isolation and crisis of the plague (we explain in more detail why context is so important in Context and Authorial Intent in VCE English ). 

In 1658, only 7 years before the novel opens, Puritan statesmen Oliver Cromwell (who defeated King Charles I in the English Civil War and ruled as Lord Protector of the British Isles from 1653) died and Charles II, heir to the throne, returned from exile to rule England as King. Charles II replaced Cromwell’s rigid puritanism with the more relaxed Anglicanism and his reign began the dynamic period known as the Restoration. During the civil war and Cromwell’s rule, all the past certainties – the monarchy and the Church – had been repeatedly challenged and overturned. This all happened during the lifetime of the Eyam villagers presented in the novel and the recent religious upheaval in Britain was beginning to influence the conservative and puritan congregation of Eyam as the old puritan rector was replaced with Anglican vicar Michael Mompellion. The tension between the puritans and Anglicans is evident early in the novel and is exacerbated by the arrival of the plague, causing further internal fission.  

The 17th century also marked the beginning of modern medicine and the Age of Enlightenment. During the Enlightenment, people began to privilege reason and sensory evidence from the material world over biblical orthodoxy as the primary sources of knowledge. The Enlightenment advanced ideals such as progress, liberty, tolerance, egalitarianism and the scientific method. These values are reflected in the liberal characters of Anna, Elinor, Mem and Anys Gowdie, and to an extent, Michael Mompellion. However, we also see the limited reaches of the Enlightenment in characters who succumb to superstition or self-flagellation when the plague arrives. This was a time when religious faith was frequently challenged and redefined . 

3. Character Analysis

The novel is narrated in the first person by protagonist Anna Frith . Anna, a young widow, mother and housemaid, becomes the town’s nurse and midwife during the plague alongside her employer and friend Elinor Mompellion. Anna is a compelling protagonist and narrator because she is part of the ordinary, working-class life of the village, but also has access to the gentry in her work for the Mompellions, meaning readers can see how the plague affected all social groups. 

At the beginning of the novel, Anna is in many ways very conventional. Aside from her intelligence and desire to learn, evidenced by her interest and quick proficiency in learning to read, Anna married young, is a dedicated mother, had an incomplete education and never thought to question the town’s orthodox religious beliefs. However, it is revealed early that she has progressive views on class and morality and as the novel progresses, the extraordinary circumstances of the plague evoke in her heroism and courage. Brooks notes, Anna 'shrugs off the social and religious mores that would keep a weaker woman in her place'. During the plague, Anna becomes the village’s voice of reason and an indispensable figure due to her expanding medical knowledge, tenacity, resourcefulness and tireless generosity. 

Michael Mompellion

Michael Mompellion is Eyam’s Anglican preacher, having been appointed three years earlier after Charles II returned to England and replaced Puritan clergies. Generally, Mompellion is altruistic and open-minded : softening strict class divisions, combatting superstition and embracing a scientific approach to the plague. When the plague arrives, the local gentry (the Bradfords) flee and due to his charisma and position in the Church, he becomes the town’s unofficial leader. Mompellion persuades the townspeople to go into self-imposed quarantine to prevent the spread of the plague. His personal charisma, powerful rhetoric and indefatigable dedication to his work mean he can motivate and inspire his parishioners.  

Mompellion’s unwavering commitment to his beliefs makes him a good leader, but we also see that his single-minded religious zeal can lead to harsh irrationality and hypocrisy. While progressive on issues such as class divisions, Mompellion is conservative – bordering on fanatic – when it comes to female sexuality . When his beloved wife Elinor dies, it is revealed that Mompellion denied her sexual intimacy for their entire marriage to punish her for the premarital affair and abortion she had as a teenager. Mompellion realises upon Elinor’s death that he extended forgiveness and understanding to all but his wife and, recognising his own hypocrisy and cruelty , he suffers a breakdown and loses much of his religious faith . Through Anna’s eyes, we see Mompellion shift from a character of moral infallibility, to a flawed and inconsistent man of a more ambiguous character . 

Elinor Mompellion

Elinor is Mompellion’s wife and Anna’s employer and teacher. By the end of the novel, Anna and Elinor are confidantes and friends and their friendship arguably forms one of the strongest emotional cores of the novel, sustaining both women through enormous strain and hardship. Elinor teaches Anna to read and seems not to notice or care about their different social strata, treating everyone equally . Elinor came from a very wealthy family and initially had little practical knowledge of the hardships and necessities of life. During the plague, she confronts pain, suffering and true sacrifice. Because of her beauty, fragility and generosity, the whole town – and especially Anna – view her as a paragon of virtue and the embodiment of innocence. However, Elinor reveals that as a teenager she had a premarital relationship that resulted in an illegitimate pregnancy which she ended through abortion. Elinor considers herself to be permanently marked by sin and is plagued by the guilt of her adolescent mistakes, but her commitment to atone through service and working to help others is admirable. 

Anys and Mem Gowdie

Anys and her aunt Mem are the town’s healers and midwives. Both women live on the margins of society , as their knowledge of herbal medicines and power to heal certain ailments causes fear and suspicion . Additionally, Anys further alienates the villagers by having conspicuous affairs with married village men. Anna admires Anys’ herbal knowledge and healing skill and her autonomy and unashamed sexuality , which were rare for women at the time. When the plague breaks out, Anys and Mem are murdered by a mob of hysterical townspeople , who believe they are witches responsible for the plague. This episode shows the power and acute danger of superstition and hysteria . 

Josiah and Aphra Bont

Josiah 'Joss' Bont is Anna’s estranged father and Aphra is Anna’s stepmother. Brooks depicts them as unsympathetic and unforgivable , if understandable, villains as they both seek to profit off the heavy misfortune of others. Joss abused Anna greatly throughout her childhood, and while she manages to forgive him due to the suffering of his own youth, when he cruelly exploits villagers in his position as gravedigger, Anna finds his actions irredeemable. As gravedigger, Joss charged exorbitant fees from desperate people to bury their dead, regularly stole from the beleaguered families and attempted to bury a wealthy plague sufferer alive to loot his home. 

Aphra is similarly amoral and greedy. Although her love for her children is shown to be strong, she capitalises on the fear and superstition of her neighbours by selling fake charms while pretending to be Anys Gowdie’s ghost. After the death of her husband and children, Aphra becomes completely deranged, dismembering and refusing to bury the rotting corpses of her children and eventually murdering Elinor. Aphra’s fate and actions show how prolonged catastrophe and suffering can totally erode an individual’s sanity . 

The Bradford Family

The Bradford family are arrogant and pretentious. When the plague arrived in Eyam they also proved themselves self-serving and opportunistic , exploiting their wealth and status as part of the gentry to flee Eyam instead of enduring the quarantine with the rest of the village. They provide a foil to the Mompellions , who are of similar status and are newcomers to Eyam with fewer historical ties and thus expectations of loyalty. The two upper-class families provide directly opposite responses to the crisis, with Brooks clearly condemning the cowardice and selfishness exhibited by the Bradfords.  

Social Convention and Human Nature in a Crisis

Perhaps the most significant theme or exploration of the novel is what happens to an individual’s character and community norms in a crisis . Year of Wonders depicts a small and isolated community that experiences intense adversity from the plague and, because of their self-imposed quarantine, are additionally isolated from the stabilising forces of broader society. These factors cause the people of Eyam to increasingly abandon their social conventions and descend into chaos and Brooks raises the question of whether people can live harmoniously without a strong social code. She suggests that societal cohesion is the result of social pressure rather than innate to our nature. The social norms and protocols of Eyam collapse under the pressure of the plague, allowing discerning observers like Anna to explore the validity and value of her society’s fundamental values . Eyam’s experience of the plague demonstrates that some norms, like the limited role of women and the strict class divisions , do not need to be so repressive, while other norms and social virtues, like the rule of law and justice , are proved even more essential for their absence as order and civility disintegrate. 

Brooks also explores the response of individuals to extreme and enduring adversity and questions whether crises reveal someone’s true nature or instead force them to act out of character . 

Anna and Elinor are examples of characters who respond to the crisis of the plague, amongst other real hardships, with a steadfast commitment to their principles. Their innate charity and work ethic are only strengthened and bolstered by the demands of the plague . However, not all residents of Eyam respond to the plague with courage and decency. Many descend into fear and hysteria, while others become malevolent and exploitative in their efforts to protect themselves. The Bonts and the Bradfords are examples of people who act with appalling selfishness, yet Brooks is careful to illustrate them as cruel and self-serving even before the plague . Thus, Brooks appears to argue that our actions under intense duress are intensifications of our true nature . 

Faith, Suffering and Science 

A major theme explored in the novel is the role of faith in people’s lives and throughout the novel faith, superstition and emerging science contend with each other . Before the plague, the townspeople believe whole-heartedly in God’s divine plan – that the good and bad things that happened to them were God’s rewards or punishments for their virtues or sins. However, the plague makes this worldview unsupportable as the unremitting suffering of plague victims, depicted through gory and vividly gruesome descriptions , demonstrates that their suffering is not commensurate with their sin and that no one can deserve this fate. In particular, it is the suffering of children that most intensely shakes Anna’s faith in a divine plan. Her two young sons are early victims of the plague and their youth and innocence mean it is impossible to justify their deaths as punishment for sin. The sheer tragedy of the plague causes Anna to realise that faith in God’s plan is inadequate to explain suffering and tragedy and she looks for another explanation. This leads her to use science and medicine to ameliorate pain. By focusing on discovering possible cures or pain relievers, Anna and Elinor are indirectly treating the plague as just a 'thing in nature', eschewing the prevailing religious view that the plague is the result of God’s wrath . Their emerging scientific worldview does not rely on God’s presence and intervention in the material world and Anna loses her religious faith. 

However, the scientific method and worldview were only in its very nascent form and most people held a firm belief in supernatural intervention, making the townspeople prone to superstition and, in their ignorance and fear, murderous mob hysteria . 

Women and Female Sexuality 

Women in Eyam had lived highly circumscribed and restricted lives until the crisis of the plague disrupted the social order. The behaviour and speech of women were heavily policed and punished . In a particularly horrifying episode, Joss puts his wife in a muzzle and parades her through the village after she publicly criticises him. While Joss is undeniably an all-round bad guy, his misogyny cannot be dismissed as singular to him. Even Mompellion, an altruistic and in some ways quite progressive man, takes a very harsh stance on female sexuality. Although he preached to adulterous male villagers such as Jakob Merrill that 'as God made us lustful so he understands and forgives', he denied Elinor forgiveness for her teenage sexual relationship and was unfathomably rageful when he discovers Jane Martin having sex outside of marriage. However, Brooks criticises the taboo on female sexuality and shows that sexual desire is an awakening and liberating force for Anna, twice helping her to come out of deep depressions and reminding her that life has joy and meaning.  

There are strong feminist undertones throughout the novel as each female character exhibits strengths that the male characters do not and challenges the limitations of her role, expressing desire for more personal autonomy and agency . From the beginning of the novel, Anna admires the sexual freedom of Anys Gowdie and the ability of Elinor to unreservedly pursue her intellectual interests. During the plague, Anna finds herself eschewing her old role and social position and assuming many challenging and indispensable responsibilities that would have been unthinkable for any woman – especially a young single working-class woman – before the plague. 

Leadership and Judgement in Times of Crisis

The text explores both the power of religious leaders to influence public opinion and the ability of strong and courageous individuals to rise to positions of respect and authority in a crisis. Mompellion’s natural leadership and rhetorical skill keep the community calm and bring out the spirit of self-sacrifice in them. His clear dedication to his work and parishioners inspires trust in the community, and although Mompellion comes to doubt his judgement, it is undeniable that his strong leadership and assumption of huge responsibility saved countless lives. Anna also emerges as an unofficial leader; she becomes an essential figure and the voice of reason in Eyam. The community’s newfound respect for Anna is evident in the way she is listened to and adhered to and her confidence in firmly and decisively addressing and directing men and those of a higher social class.  

We see examples of powerful leadership in the novel, but we also see how an overwhelming crisis can lead to a shortage of clear leadership and expose flaws in existing governing systems. Eyam relied on its gentry (Colonel Bradford) and vicar (Michael Mompellion) to adjudicate and administer justice. However, on the advent of the plague, the Bradfords fled from Eyam and Mompellion became overwhelmed by work, leaving the townspeople to frequently administer their own justice through group tribunals or vigilante action. Additionally, the extreme circumstances of the plague mean the town must deal with crimes it has never faced before and is unsure how to punish. Brooks explores what it means to achieve justice when the only means available are faulty. There are many examples of miscarriages of justice which forces readers to think about the necessity of a strong, fair and prompt judicial system and the weaknesses inherent in these institutions. 

5. Sample Essay Topics

• How does Year of Wonders explore the concept of social responsibility?
• ‘In stressful times, we often doubt what we most strongly believe.’ How is this idea explored in Year of Wonders ?
• ‘Year of Wonders suggests that, in a time of crisis, it is more important than ever to hold on to traditional values.’ Discuss. 
• ‘How little we know, I thought, of the people we live amongst.’ What does the text say about community and one’s understanding of reality?
• ‘Year of Wonders explores human failings in a time of crisis.’ Discuss

Now it’s your turn! Give these essay topics a go using the analysis you’ve learnt in this blog. 

6. Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Theme-Based Essay Prompt: ‘ Year of Wonders is a story of great courage in the face of extreme adversity.’ Discuss.

Not sure what we mean by ‘Theme-Based Essay Prompt’? Then, you’ll want to learn more about the 5 types of essay prompts here . 

Step 1: Analyse

The starting point of any theme-based prompt is the ideas, and while this prompt characterises the novel as one essentially about courage, it is more generally exploring the theme of how people responded to the various challenges of the plague. ‘Discuss’ questions give you scope to partially agree, disagree, or extend the prompt . It is okay to ultimately agree with the prompt but to also demonstrate the complexity and nuance of the author’s intentions, and I think that is the best approach for this essay! 

Step 2: Brainstorm

As we’ve already discussed, Year of Wonders depicts a community experiencing an acute crisis and Brooks presents the very worst and very best of human nature. There are characters who display enormous courage (Anna and Elinor), others who are cowardly (the Bradfords) and those who exploit others’ hardships for their own gain (Joss Bont). There is also an entire supporting cast of characters who individually display neither extreme courage nor cowardice but who muddle through a terrible situation with numb apathy . There is also the opportunity to define what courage means here – after all, the decision to isolate themselves within the boundaries of Eyam took immense courage from all the villagers, who knew full well that they would inevitably be exposed to the deadly contagion.  

Step 3: Create a Plan

Paragraph 1: [Agree] The novel is grounded in and revolves around the initial courageous decision of the villagers of Eyam to quarantine themselves and risk their own lives to protect others from the spread of the bubonic plague. 

• Focus on the initial act of courage and the knowing self-sacrifice that this decision required from every single person in Eyam. 
• As the event that forms the basis of this work of historical fiction , a logical argument can be made that this first act of courage in adversity forms the foundation of the novel and therefore affirms the idea that Year of Wonders is about great courage. 
• However, importantly, this decision was an act of community courage that anticipated future adversity but was taken before many of the villagers had actually experienced the acute hardship and suffering of the plague . This is why it is important to now discuss the courage shown by individuals in the midst of extreme adversity [link].

Paragraph 2: [Agree] The individuals who displayed courage, hope and conviction in the face of acute personal adversity demonstrate the enormous power of courage to steel us through a crisis . 

• Anna and the Mompellions concentrate on helping others and their service helped keep some degree of social order and provided comfort to victims of the plague. What they were able to achieve and provide for the community (and how much worse the situation would have been without their courageous assumption of responsibility) illustrates Brooks' high respect for courage and service.   
• To demonstrate additional analytical thinking, you might consider discussing the fact that these characters were not courageous solely out of charity , but that having an occupation and something to keep them busy and focused actually became a personal survival mechanism . This further highlights the absolutely pivotal role of courage in adversity and is only reinforced through the contrast with the ignoble behaviour of those characters who did not behave courageously and forthrightly [link].

Paragraph 3: [Partial disagree] However, Year of Wonders shows how adversity can provoke extremes of human behaviour and is thus also a story of human failings under immense pressure, with many characters motivated by cowardice and self-interested opportunism .  

• Here, you should discuss the dishonourable behaviour of the Bonts, the Bradfords and the hysterical mob that murdered the Gowdie women . Your aim should not only be to explain that they behaved without courage, but also to focus on the negative repercussions their behaviour had for them and the community This will help you build an analytical argument that Brooks’ core message is about the power and necessity of courage in the face of adversity . 
• Ultimately, while no character escapes from the pain and loss of the plague , Brooks provides illustrations of how different people responded to their shared suffering and it is clear that she believes that the best way to respond to adversity is with the courage and strength to face the challenge head on. 

If you found this essay breakdown helpful, let us know if you’d be interested in a complete LSG Year of Wonders Study Guide where we would cover 5 A+ fully written sample essays with EVERY essay annotated and broken down on HOW and WHY the essays achieved A+ so you can reach your English goals! 

The Erratics is usually studied in the Australian curriculum as a Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Within the intimate Albertan landscape of her memoir, The Erratics , author Vicki Laveau-Harvie guides her readers through the inhospitable terrain that marked her family environment. Laveau-Harvie’s memoir is complex, showcasing the complicated dynamics that arise within her dysfunctional family. Understanding the ideas and values that underpin these family tensions is crucial to scoring well in The Erratics , which is why this blog will break down the key themes and quotes to help you analyse the memoir. 

Family & Trauma

Truth & perspective, choice & agency.

Family lies at the heart of The Erratics . Both sisters spent their childhoods navigating the hostile familial setting fostered by their mother’s turbulent behaviour, resulting in a profound trauma that manifests itself in their present lives. The ways in which they manage this trauma, whilst reestablishing a connection with their family, is a core aspect of Laveau-Harvie’s memoir. 

‍ ‘We’ve been disowned and disinherited…When something bad happens to them, we’ll know soon enough and we’ll deal with it together. I don’t realise at the time, but when I say that, I imply care. I imply there may be something to salvage. I misspeak. But I’m flying there anyhow. So is my sister. Blood calls to blood. What can I tell you?’ (p. 17) 

From the outset, Laveau-Harvie asserts the underlying tension of her memoir. Having established her mother to be as ‘mad as a meat-axe’ in the first chapter, the reader may find Laveau-Harvie’s decision to return to Canada bizarre, to say the least. However, for Vicki the choice makes sense, having promised her sister that she will return to support her when ‘something bad happens’. 

Laveau-Harvie suggests that people cannot completely separate themselves from their blood relations, and that most importantly, a moral obligation to one’s family and self-preservation are not mutually exclusive. Rather, she suggests that there exists a ‘precarious balance’ between these commitments and that one’s family cannot be ignored in times of need, because, ultimately, ‘blood calls to blood’. 

‍ ‘...everybody knows a family Christmas will always go badly, that even the most extremely lowered family expectations will not be met. Magazines publish the same articles…year after year, on why we harbour these wildly unrealistic expectations of family unity.’ (p. 54)

Laveau-Harvie challenges the ‘wildly unrealistic expectations’ of familial culture depicted in countless generations of Canadian magazines. She uses the imagery of a ‘family Christmas…go[ing] badly’ to dismantle the idea of a traditionally wholesome festive season, suggesting that such compassion is inaccessible in the presence of her mother’s ‘mercurial’ personality.

Additionally, Laveau-Harvie’s insistence that ‘everybody knows a family Christmas will always go badly’ is immediately juxtaposed by the gracious dinner she shares with her friends. Laveau-Harvie appreciates how they ‘light up their properties in such joyous fashion’ relative to the ‘Hotel California’ her parents reside in. Thus, Laveau-Harvie invites her readers to reflect upon the value she places on this fulfilment of familial duty; how all it takes is an act of selfless humanity to restore (to some extent) the vision that ‘family unity’ is not ‘unrealistic’, but rather, completely possible. 

‍ '...the giant Douglas fir…It has prospered, cutting off the view of the Rockies…even though it should have never flourished…The tree is full of tiny birds, red-breasted nuthatches who live in it year-round…' (p. 42)

Laveau-Harvie uses the Douglas fir as a symbol of survival, emblematic of the extraordinary circumstances under which she was able to 'flourish'. Laveau-Harvie recounts her numerous travels throughout the memoir – Canada, Australia and Hong Kong – her decision to 'opt for geography' acting as a means of self-preservation, placing distance between herself and her family (in particular, her mother). It is made clear from the prologue that the Okotoks Erratic foothills, also called the Rockies, are a motif for the indomitable presence of the mother ( see here for more on setting in The Erratics ) from which Laveau-Harvie escapes.

Hence when the Douglas fir is described to have '[cut] off the view of the Rockies' it conveys Laveau-Harvie’s success in physically removing herself from the hostile family setting she was trapped in. However, note that Laveau-Harvie’s geographical location does not relieve her of her trauma – she openly explains how she 'walk[s] like an invalid through life'. Regardless of this, Laveau-Harvie 'prosper[s]…even though [she] should have never flourished', parenting kind and compassionate children ('tiny birds') of her own despite the immeasurable anguish she endured during her own childhood. Thus, Laveau-Harvie demonstrates the capacity to break a vicious cycle of trauma created by her mother, instead using her own 'principle of pre-emptive karma' to limit passing on her grief.

A reflection of a specific six-year period of her life, Laveau-Harvie uses her memoir to explore the multifaceted nature of truth, how a shared experience can give rise to varying perspectives and responses. An intimate piece of storytelling in its own right, The Erratics is a platform from which Laveau-Harvie urges the reader to discover their own truth, whilst cherishing a balanced view of reality 

‍ 'This is not untrue. My sister feels differently. She has her truth and I have mine but she isn’t the one doing the talking right now.' (p. 12)

Consistently throughout The Erratics , Laveau-Harvie emphasises the differences between the sisters, and the varying extents to which their past trauma has affected and damaged them. She suggests that despite a shared upbringing, with the same malignant presence of their mother, one’s perspective is unique to the individual. It also raises discussion about the truth the reader is presented in the memoir. As the author, Laveau-Harvie guides her readership through events as they pertain to her memory - the subjectivity of her memoir is something Laveau-Harvie openly admits to her readers. 

Regardless, there are clear distinctions between how the sisters respond to their trauma. The sister struggles to 'negate a past that haunts her', feeling 'the blows of the past continuously in her present'. Conversely, Laveau-Harvie’s past 'is not merely faded…it’s not there', with many of her memories repressed to help her survive her anguish. Thus, Laveau-Harvie affirms how one’s response to trauma is dependent on the individual, how one’s truth is often adapted to their needs in order to survive. 

‍ 'The aurora borealis are fading. Well, he says, show’s over. Gotta see a man about a dog. You should move on too. You’ll have more scope now, for the good stuff. He waves his arm. Wider view, he says. Farther reach. But only for the good stuff.' (p. 217)

Bookending her memoir with the geological construction and spiritual origins of the Okotoks Erratic foothills, Laveau-Harvie ultimately uses her memoir as a reflective process that helps her find 'closure' towards her mother’s legacy. Initially conveying her mother’s menace through the 'danger' of the Rockies, Laveau-Harvie’s connection with the Albertan landscape helps her see hope within the 'landscape of uncommon beauty'. Her mother’s life 'tainted' by mental illness, Laveau-Harvie comes to an understanding that her behaviour, much like the harshness of the Canadian winter, was 'nothing personal'. Thus, upon her mother’s death, Laveau-Harvie crafts an intimate interaction between her mother and Napi the Trickster, closing her memoir with the hopeful wish that her mother now lives a life with 'wider view…farther reach…but only for the good stuff'. Hence, in a final act of forgiveness, Laveau-Harvie honours the life of her mother, whose potential was tarnished by mental illness. 

‍ 'My sister says her suburb is working-class; she also tells me that she considers herself working-class…I try to make her see that we have sprung desperately from a violently aspirational upper-middle-class background, and that I see that as part of the greater malaise we live with.' (p. 186)

Laveau-Harvie continues to emphasise the differences between her and her sister, with one focus being how their values have developed in response to their trauma. There is a clear difference between the sisters when they discuss their definitions of ‘working-class’; the sister argues that she and her suburb are working-class, defined by 'having a job'. Contrastingly, Laveau-Harvie 'tr[ies] to make her see that [they] have sprung…from a violently aspirational upper-middle-class background', and expresses some concern towards her societal status being 'part of the greater malaise [they] live with'. 

The sister chooses to identify as 'working-class', thereby highlighting how her parent’s obsession with the accumulation of material wealth has influenced her perception of class and privilege. Amassing an 'impressive wall of properties', the sister parallels her father’s 'pride…at the sight of watching his wife spend big'. On the other hand, Laveau-Harvie openly acknowledges her family’s privilege but instead perceives it as a 'malaise' and chooses to separate herself from any degree of avarice. Thus, the reader is invited to reflect upon the differences between the sisters’ perspectives, how the sister may still be in thrall to her parent’s values, whereas Laveau-Harvie’s sense of self is inextricably linked to the natural landscape over material possessions. 

Many characters that feature in Laveau-Harvie’s memoir are elderly, and experience a unique set of challenges that only comes with the ageing process. The mother and the father, for example, both endure deteriorating health conditions that compromise their independence and autonomy. As such, Laveau-Harvie offers an interesting insight into what it’s like to observe and deal with ageing parents who struggle to accept the limits of their age. 

‍ 'My father is looking far away, back in a moment when life was excitement and danger and possibilities…’ (p. 91)

Laveau-Harvie’s father often finds himself reminiscing over his past, reflecting on war-time memories or the wealth he accumulated from his work in the oil industry. Although, Laveau-Harvie does suggest to her readers that these stories become more exaggerated each time they are told, highlighting the difficulty the father has in coping with his ageing body. Laveau-Harvie illustrates how the ageing process inevitably incurs a loss of independence and autonomy, and uses the characterisation of her father to emphasise the challenge of reconciling with this isolating experience. 

By 'looking far away, back in a moment when life was excitement and danger and possibilities', Vicki’s father uses his memories to retain the feeling that 'he’s twenty and bullet-proof'. Reminiscing over his act of heroism during the war, the father commends himself for the 'precise calculations' that enabled him and his copilot to perform a 'remarkable manoeuvre'. Thus Laveau-Harvue uses this hyperbolic description of her father’s story to reveal how elderly people must often depend upon their past memories to maintain a sense of autonomy in the present. 

Laveau-Harvie suggests that elderly individuals such as her father must 'confront the real' in accepting that the ageing process will physically hinder their independence, leaving them to feel rejected by their own bodies. Hence, Laveau-Harvie exposes her readers to how the ageing process can be an inherently challenging experience for elderly individuals to accept. 

‍ 'It happens, they say. With older people They come to, and a whole married life of disappointment and bitterness slips out, like an organ escaping an incision, like a balloon filled with acid. It bursts on impact, burning holes in their spouses’ clothing and leaving little round scars on their flesh that never heal completely.' (p. 19)

There are many marriages and long-term relationships mentioned throughout the memoir: the mother and the father, the aunt and the uncle and the sister and her partner. Even Laveau-Harvie herself is divorced from 'the father of [her] children'. Laveau-Harvie acknowledges the difficulty in maintaining these types of relationships; how they are often marked by histories that invariably include events that are never resolved or forgiven. Laveau-Harvie explores this notion through her use of metaphor, likening the 'bitterness' of unresolved conflict to 'a balloon filled with acid…burst[ing] on impact'. Here, she asserts the importance of forgiveness in a long-term relationship, affirming its capacity to maintain and restore compassion, love and empathy. 

Moreover, Laveau-Harvie suggests that in the absence of forgiveness, marital conflicts are left to foster 'disappointment and bitterness' that is released when people enter elderly life. Laveau-Harvie conveys how the 'burning holes' in a long-term relationship can compromise its stability, leaving 'little round scars…that never heal completely' - thereby reinforcing the feelings of isolation and despondency endured by The Erratic ’s elderly characters. Thus, Laveau-Harvie reinforces the value of forgiveness, how a willingness to empathise with a partner, especially early in a relationship, can minimise the 'bitterness' experienced when one ages. 

‍ 'We’re like the king and the queen, my uncle says, every time we see any of them, whenever they visit. Like the king and the queen. They smile at the fullness of their life: love and problems, success and loss, pride and a hefty measure of grief. A well-worn life fully lived, perspectives widening with each new baby, blossoming like one of those paper flower buds that unfold into unexpected beauty when you plunge them into water. ' (p. 86) 

With Laveau-Harvie’s parents at the forefront of the memoir, it seemingly appears that she depicts only a grim image of old age. Whilst she does offer these insights, Laveau-Harvie also portrays the emotionally rich and satisfying life lived by her ageing aunt and uncle. 'Smil[ing] at the fullness of their life', the aunt and the uncle 'peer endearingly' over their extended family. Their 'perspectives widening with each new baby', Laveau-Harvie also uses the virtuous imagery of her aunt and uncle to emphasise the value of an emotionally rich elderly life. 

Metaphorically referred to as 'the king and the queen', Laveau-Harvie uses the connotations of royalty imbued in this metaphor to emphasise the richness of a life spent in a nurturing family environment, where widening perspectives help ageing individuals find a 'fullness' in their life despite the 'hefty measure of grief' endured. Thus, Laveau-Harvie juxtaposes her aunt and uncle’s willingness to engage with family against her parent’s 'disown[ment] and disinherit[ment]' of their daughters. 

Throughout their lives, the sisters have suffered immeasurable trauma at the hands of their parent’s decisions. Yet, despite this, the two daughters demonstrate that they possess a strength of character capable of making the most difficult of decisions. Laveau-Harvie explores the significance of employing one’s agency in reconnecting with, and restoring, familial relationships. 

‍ 'It means always try to do the decent thing, the rational thing, the selfless thing, the boring thing, because then you won’t have to beat yourself up with guilt until your early stress-induced death…Do nothing you know you will live to regret.' (p. 80)

'Tattoo[ed]' 'on the corner of [her] soul', the philosophy to live without regret is permanently engrained as part of Laveau-Harvie’s character, a testament to the integrity she holds that allows her to make the difficult decision to return to Canada and reconcile with her trauma. Laveau-Harvie fully understands the challenges, and even dangers, she would be facing upon her return. Despite having been disinherited two decades prior, and entirely aware of her mother’s volatility, Laveau-Harvie ultimately chooses to use her agency and confront, reconcile and heal from her past.

Interestingly, Laveau-Harvie’s sister also exhibits similar behaviour. When her mother is hospitalised, the sister also returns to Alberta; she takes upon herself several responsibilities involving the cleaning and organising of her parent’s house (which ultimately risks her life as she triggers an angioedema attack). This therefore invites the reader to reflect upon the sister’s willingness to do 'the selfless thing[s]' necessary to help her family; and perhaps suggests that to live with no regrets is a philosophy shared by two sisters 'petrified by grief'. 

‍ 'I reminded her that Dad went along with my mother in disinheriting us, removing any right we had to help him in his old age; that, most hurtfully of all, he believed everything she told him about us, even though he now holds other views. It is as a result of his own inability to act that he now barely has a connection with us and has none whatsoever with his grandchildren.' (p. 187)

When the reader is first introduced to the father, they are met with the imagery of a frail old man suffering from a starvation diet enforced by his cruel and narcissistic wife. However, as the memoir progresses, Laveau-Harvie limits the reader’s sympathy towards her father, who she instead affirms is a victim of his own design. Laveau-Harvie holds her father accountable for the passiveness that perpetuated the mother’s unpredictable behaviour. Illustrating how her father 'went along with [the] mother in disinheriting' herself and her sister, Laveau-Harvie challenges the extent to which her father’s intervention could have mitigated the devastating 'swathe of misery' cast by the mother. Therefore, Laveau-Harvie asserts the power of one’s voice, suggesting that had her father employed his agency then perhaps the extent of his daughters’ trauma could have been minimised. 

‍ 'There are the dangers and difficulties you summon up the courage to deal with physically, every day, in the lab or the forest, and then there are the blows that fall from the air, unseen, unpredictable, but nonetheless brutal and crippling. Confronting the real makes you a person of substance; fending off the invisible light that always blindsides you makes you Chicken Little, hoping to absorb a little warmth from the lights on the tree.' (p. 65)

'Confronting the real', Laveau-Harvie demonstrates that to begin the healing process and reconcile with the past, one must make the difficult choice to 'summon up the courage to deal with…the blow that fall from the air'. Upon her return to Canada, Laveau-Harvie faces the 'unseen' and 'unpredictable' challenges her mother has imposed. She deals with the web of lies spun by her mother, the bureaucracy of the hospital workers and her starved father’s declining health. However, despite the overwhelming trauma of her past and the challenge of being reunited with her parents, Laveau-Harvie ultimately chooses to use her agency and 'confront the real', enduring the 'brutal and crippling' blows along the way. 

Want to dive deeper into this text? Check out our blog post on Understanding the Symbolic Nature of Setting in The Erratics. 

In your Language Analysis (or Analysing Argument) SAC, you will be required to analyse how language is used to persuade in three or more texts. While this may seem a bit daunting at first, it really isn’t much harder than a single text analysis once you know how to approach it. Of course, there are multiple ways to tackle this task, but here is just one possible method!

Introduction:

Begin with a sentence that briefly describes the incident that sparked the debate or the nature/context of the debate. Remember to use the background information already provided for you on the task book!

Next, introduce the texts one at a time, including the main aspects for each (eg. title, writer, source, form, tone, contention and target audience). You want to show the examiner that you are comparing the articles, rather than analysing them separately. To do this, use appropriate linking words as you move onto your outline of each new text.

Consider significant features for comparison, for example:

• Is the tone/style the same?
• Is there a different target audience?
• How do their key persuasive strategies differ?

You may choose to finish your introduction with a brief comment on any key difference or similarity.

Sample introduction: The recent return to vinyls and decline in CD sales has sparked discussion about the merits of the two forms of recorded sound. In his feature article, For the Record, published in the monthly magazine Audioworld in June 2015, Robert Tan contends that vinyls, as the more traditional form, are preferable to CDs. He utilises a disparaging tone within his article to criticise CDs as less functional than vinyls. In response to Tan’s article, reader Julie Parker uses a condescending and mocking tone to lampoon Tan for his point of view, in a letter published in the same magazine one month later.

Body paragraphs:

Block structure

Spend the first half of your essay focused on Article 1, then move into Article 2 for the second half of your essay (and, for those doing three articles, the later part of your essay based on Article 3). This structure is the most simple of all, and unfortunately does not offer you ample opportunity to delve into an insightful analysis. Hence, we would not recommend this structure for you. If possible, adopt the Bridge or Integrated structures discussed below.

Bridge structure

Analyse the first text, including any visuals that may accompany it. Students often spend too long on the first text and leave too little time to analyse the remaining texts in sufficient depth, so try to keep your analysis specific and concise! Remember to focus on the effects on the reader, rather than having a broad discussion of persuasive techniques.

Linking is essential in body paragraphs! Begin your analysis of each new text with a linking sentence to enable a smooth transition and to provide a specific point of contrast. Continue to link the texts throughout your analysis, for example, you could compare:

• The techniques of each writer and how these aim to position the reader in different ways.

Often your second and/or third texts will be a direct response to the first, so you could pick up on how the author rebuts or agrees with the arguments of the first text.

Integrated structure

In this type of structure, you will analyse both articles in each body paragraph.

For a detailed guide on Language Analysis including how to prepare for your SAC and exam, check out our Ultimate Guide to VCE Language Analysis .

If you'd like to see an in-depth explanation of these different essay structures with sample A+ annotated essays as examples, check out our How To Write A Killer Language Analysis ebook! This study guide includes heaps of other valuable content too, including the SIMPLICITY and SPECIFICITY strategy, which has helped hundreds of students achieve A+ in their assessments.

Conclusion:

In Lisa's videos above, she suggests a short and sweet summary in your conclusion by incorporating some quotes from the author's own conclusion. 

Alternatively, you could opt for a different approach. In your conclusion, aim to focus on how each text differs from the others in terms of the main techniques used by the author, and more importantly, the effect of these techniques on the reader or audience. You should summarise the main similarities and differences of each text without indicating any personal bias (ie. you should not state whether one text might be more or less persuasive than another). For example, a point of comparison could be the audience appeal - will any particular audience group be particularly engaged or offended? Why?

Finally, finish with a sentence suggesting a possible outlook for the issue.

Next Steps:

Watch our 'Language Analysis' playlist where Lisa analyses the VCAA 2016 exam over the span of 7 videos. From the first read all the way through to writing up the full essay, Lisa shows you step by step how you can improve your Language Analysis marks.

*This blog post was originally created by Christine Liu, with additions made by Lisa Tran to suit the new modifications in the English study design.

All the Light We Cannot See is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

Breaking Down an All the Light We Cannot See Essay Prompt

We've explored themes and symbols and provided a summary of the text over on our All the Light We Cannot See by Anthony Doerr blog post. If you need a quick refresher or you’re new to studying this text, I highly recommend checking it out!

Here, we’ll be breaking down an All the Light We Cannot See essay topic using LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. If you’re unfamiliar with this strategy, you can learn about it in our How To Write A Killer Text Response study guide.

Without further ado, let’s get into it!

‍ ‘In All the Light We Cannot See there is a fine line between civilised and uncivilised behaviour.’ Discuss.

Taking a look at this prompt, the first thing to note is that it is theme-based. Specifically asking about the line that separates civilised and uncivilised behaviour within the novel, this prompt focuses directly on the theme of human behaviours and how you ultimately interpret the fine line (i.e. seamless, difficult, changing, manipulative) between such ideas. Fundamentally, you have to discuss how this theoretical line drawn between the contrasting behaviours is explored within the novel in various ways throughout Doerr’s examination of humanity. 

The question tag of Discuss is the most flexible type of prompt/topic you will receive, providing you with a broad and open-ended route to pretty much discuss any ideas that you believe fit within the prompt’s theme of uncivilised and civilised behaviour. Although this may seem hard to know where to start, this is where Step 2: Brainstorm , comes into play. You can read through LSG’s Question Tags You Need To Know section (in How To Write A Killer Text Response ) to further familiarise yourself with various ways to tackle different prompt tags.

If you’re not sure what it is meant by ‘theme-based prompt,’ take a look at The 5 Types of Essay Prompts. 

A fundamental aspect of writing a solid Text Response essay is being able to use a diverse range of synonyms for the keywords outlined in the prompt. Our keywords are in bold. When you are brainstorming, if any words pop into your head, definitely list them so you can use them later. You may want to have a highlighter handy when unpacking prompts so you can do just this!!

‍ ‘In All the Light We Cannot See there is a fine line between civilised and uncivilised behaviour .’ Discuss.

• How people have grown up determines the civil and uncivilised behaviours shown by individuals of different backgrounds and childhoods - Bastian is symbolised as the eagle that circles the youth camp, which is an uncivilised /unwanted form of hawk-like behaviour . This compares to Fredrick's love of birds as a young boy which makes him a softer character. - Bernd had ‘no friends’ as a child - showing his isolated past - which could be described as the reason he leaves his father and goes off to join the Hilter Youth ‘just like the other boys.’ (find this analysis in the chapter ‘The Death of Walter Bernd’)
• There is a fine line that Doerr draws between the stereotypes of women and their ability to remain civilised despite being suppressed by uncivil livelihoods and experiences. - Jutta is characterised as a strong and independent woman instead of the traditional ‘pretty girl in a propaganda poster’. Society expects most women to stand on that side of human behaviour and representation however she defies this.
• The strength of women to cross/overcome the line of uncivilised behaviour is significant within the sexual abuse and misconduct driven by soldiers. Can remain true to oneself despite the horrific behaviours a woman faces. - The role of women on the homefront (i.e. Fredrick’s Mother) highlights the stark contrast between men fighting and thinking about the ‘men they killed’ and mothers who put on a ‘fake smile to appear brave’ (the line between barbaric behaviours of many soldiers and caring/loving behaviours of those on the homefront) - women and their sacrifices is an important topic here
• It is one’s ability to adapt to change that draws the line between civil and uncivilised behaviours . - Marie Laure’s ability to look past being a ‘blind girl’, and move on from this hardship. She adapts to the ‘changing times’ around her despite others who are suppressed in such an environment (e.g. Etienne and his ‘dread’).
• The game of flying couch is a symbol of escaping the uncivilised world around them (metaphorical line of the human imagination). - Werner is predominantly overwhelmed by the world around him, which reflects his inability to no longer ask questions as he did as a young boy. Instead, he succumbs to the uncivilised world of death and destruction as he is unable to change. 
• Symbolic use of Werner’s ‘soft covered notebook’ in epilogue - symbolises his loss of perspective and wonder of the world,
• Ultimately it is this line that makes the human existence so unique

After having brainstormed all the ideas that came to mind, I’ll be approaching the essay prompt with the following contention. 

In a world where society is grounded by behaviours both civil and uncivil, there is a clear distinction between humanity's response and representation of these behaviours.

Coming up with a clear contention allows you to put together a cohesive and strong essay that answers all aspects of the prompt question. 

Now, onto developing our topic sentences for each paragraph!

P1: Embedded within Doerr’s nonlinear narrative*, the environment in which individuals have grown up consequently influences their behaviours later in life.

*A nonlinear narrative is a storytelling technique Doerr uses to portray events out of chronological order. 

P2: Encompassing the social paradigms that pervade a woman’s existence, the strength and civilisation of females allow them to traverse a line of unjust behaviours that suppress them.

P3: In essence, it is the human response to change that divides individuals from ultimately displaying civil or uncivil acts in the world.

The art of recognising the ephemera of the human existence is painted by Anthony Doerr’s All the Light We Cannot See as a fine line between behaviours of civilisation and extreme brutality (1) . In the inordinate scheme of history, Doerr fosters the dichotomy between those who remain socially aware and others who are marred by desolation as a reflection on one's past. Further subverting the traditional depiction of women in a ‘war story’, the strength of women is established as a key turning point for individuals to escape barbaric behaviours and cross the line to civilisation. Fundamentally, however, it is the overall response to change that crafts human behaviours that Doerr underpins within society (2) .

Annotations ‍ ‍ (1) it is important to include synonym variation in your opening sentence to ensure that it does not look like you have just copied the prompt and placed it on your page. This idea should be carried out throughout your essay - vary your words and try not to repeat anything, this will ensure you are clear and concise!

(2) In order to improve the flow of your writing, the final topic sentence of your introduction can be a concluding statement on why/how the topic is OVERALL expressed within the novel. When you formulate your contention, it is not enough just to state it, you must also provide reasoning as to why you are writing from this point of view or how you came to this conclusion. For example, my final topic sentence here is a concluding sentence about how I believe a fine line between uncivilised and civil behaviour has an influence throughout the entire novel and Doerr’s intention, one’s response to change. As you read on, you’ll also see that this sentence relates to my final paragraph, thus linking together ideas throughout my essay.

Embedded within Doerr’s nonlinear narrative, the environment in which individuals have grown up consequently influences their behaviours later in life. The initial illustration of the ‘smokestacks hume’ and the ‘black and dangerous’ imagery (3) of the war paints a clear picture of the destruction and trauma that individuals have lived amongst, thus why people were ‘desperate to leave’. Empathising with an ‘old woman who cuddles her toddler’ on the streets, Doerr laments how young individuals who end up ‘surg[ing] towards one cause,’ which this toddler may similarly grow up to do in the Hitler Youth, directly reflects the ‘intense malice’ of their childhood. This idea that one’s past affects the future behaviours of a generation is further captured within the chapter ‘The Death of Walter Bernd’ (4) , which outlines how Bernd’s upbringing with ‘no friends’ promotes him to ‘just leave’, in order to experience something new, despite knowing this something new would bring unjust decisions into his life. Becoming ‘just like the other boys’, Doerr suggests that the line between civil and uncivil behaviours is so thin (5) that a mere need to escape one’s past is enough to create feelings of negativity and at worst death. Encapsulating the darkness that prevails over such individuals, the symbolism of Bastian’s ‘sharp eyes’ (6) poetically describes the eagle that circles the youth camp where Doerr seeks to paint a metaphorical cruel depiction of Bastian as a harmful hawk. Underpinning the fine line between human behaviour, Fredrick’s ‘love of birds’ is ‘so beautiful[ly]’ representative of his respectful nature and approach to life while Bastian’s immersion in ‘the self interest of the world’ ultimately explains how his fallacious behaviour towards others is embodied by his environment within the war. Overall, the behaviours displayed by humanity are a reflection of past experiences and how they shape the individual.

Annotations (3) Imagery is a key aspect of All the Light We Cannot See and goes hand in hand with the vast symbolism Doerr uses within his novel. When including imagery, it is great to include a few related quotes; however, you must then ensure you analyse and delve into how this technique (imagery) demonstrates the idea you are writing about. In this case, the imagery of the chimneys and foggy/dirty air illustrates the desolate environment individuals lived in during the war.

(4) This chapter is something not many students analyse or touch on so if you’re looking to add some spice to your writing I would definitely take a look and see what you can extract from some of those more unique and nuanced chapters!

(5) Referencing the ‘fine line’ continually throughout your essay ensures that you are staying on track and not talking about topics away from the prompt. 

(6) Symbolism is very important in All the Light We Cannot See . The use of the quote ‘sharp eyes’, really shows that you have considered not only how Doerr simply explores the behaviour of each character but also the physical interpretations of how individuals may demonstrate a certain persona within the novel. This focus on character description on top of dialogue adds extra layers to your writing. 

Encompassing the social paradigms that pervade a woman’s existence, the strength and civilisation of females allow them to traverse a line of unjust behaviours that suppress them. Instead of characterising Jutta as a ‘pretty girl in a propaganda poster’, whom the soldier will ‘fight and die for’, Doerr proffers the unconventional humanisation of women on the home front to pay tribute to the power of staying true to oneself (7) . Despite facing the barbaric reality of ‘sex crazed torturers’, Doerr illuminates Jutta’s capacity to ‘look them in the eye’ rather than shy away from them as a meditation on her own morals of (8) ‘what is right’. The tragic nature (9) of such abuse is specifically chronicled by Doerr to concatenate (10) the continual brave behaviours Jutta portrays even when succumbing to the line that attempts to draw women away from strength and independence. Further referencing her desire to ‘lock away memories’ of the past in her life after the war, the novel posits the importance of women during a period of inordinate history as a powerful force that remained civil even in times of ‘absolute blackness’. From the perspective of Fredrick’s mother, Doerr seeks to display how her ‘fake smile to appear brave’ outlines how many mothers and women had to remain strong for their children, such as Fredrick with brain damage, even though they were so close to falling into a world of sorrow and isolation. A clear segregation between soldiers who thought about ‘the men they killed’ and women who were made to ‘feel complicit in an unspeakable crime’ (11) they did not commit overall affirms the sacrifices women made during the war and without such sacrifices and strength the thin line between behavioural acts would be broken.

Annotations (7) Here I have included an analysis of Doerr’s message - what he is trying to say or show within his novel. Ultimately an author has a message they seek to share with the world. Providing your own interpretation of certain messages the author may be attempting to send to his readers adds real depth to your writing, showing that you are not only considering the novel itself but the purpose of the author and how this novel came to explore the fundamental ideas of the essay prompt.

(8) This quote directly relates to the keyword: civilised behaviour. Finding quotes that are also specific to your prompt is crucial to producing an essay that flows and has meaning. 

(9) The use of adjectives within the essay paints the picture of whether an act is civil or uncivil which is ultimately what we are attempting to discuss from the prompt. Here the phrase ‘tragic nature’, underpins the essence of unjust behaviours shown by the soldiers.

(10) Concatenate - link/connect ideas together

(11) Comparing aspects within the novel is a great way to show your understanding and how the same theme or idea can be shown in many different ways. 

In essence, it is the human response to change that divides individuals from ultimately displaying civil or uncivil acts in the world. Established by Marie Laure’s characterisation as a ‘blind girl’ who can ‘project anything onto the black screen of her imagination’, Doerr illuminates her ability to adapt to the ‘changing times’ around her. She is seen to be ‘carried away by reveries’ rather than a plethora of voices who ‘forgo all comforts’ and ‘eat and breathe nation’. Through the chapter and make-believe game ‘flying couch’ (12) , Marie’s nature to ‘surrender firearms’ with Etienne in their imagination is a symbolic adoption to escape the world around them, hence the uncivilised society they are learning to live in. Doerr’s congruent imagery of Etienne’s changing voice of ‘dread’ to ‘velvety’ as he becomes intertwined within ‘Marie’s bravery’ underpins the ability for individuals to seamlessly cross the line from a lack of cultured behaviour to a world of hope and prosperity. Contrasting this, however, Werner, an individual who was initially curious about ‘how the world works’, is so ‘overwhelmed by how quickly things are changing around [him]’ that his ‘interest in peace’ is stripped away and no longer exists due to his inability to change with a changing world. Doerr, therefore, laments the transmogrification of his character as a reflection of his uncivil thoughts and ideals as a soldier, ultimately resulting in his loss of ability to ask questions. This idea places emphasis on Volkheimer receiving Werner’s ‘soft covered notebook’ in the epilogue (13) where the translation of the book’s title ‘Fragen’ - to ‘ask’ in English - is symbolic of the moment Werner decided to ‘work, join, confess, die’ he immediately lost the open mind and curiosity he once had. Ultimately, the dichotomy between these two lives and their opposing character transformations resembles the line between remaining calm or acting out of haste when subject to change.

Annotations (12) Analysing not only the game but the whole meaning behind chapters and why Doerr has given them certain names is an interesting avenue to take. Here ‘flying couch’ not only underpins the imagination of Marie Laure but also symbolises freedom and bravery within just the name itself.

(13) The analysis and evidence used from the epilogue is a crucial part of this paragraph and is significant to Doerr’s novel. Unpacking All the Light We Cannot See , there is a lot of evidence and juicy ideas you can draw from the beginning and end of the novel. Here I have almost analysed the meaning of Werner’s ‘soft covered notebook’ to the bone; however, this adds a lot of depth to your writing as I’m sure your ultimate goal is to make your essays as unique as possible?!

As a project of humanism, Doerr seeks to portray a fine segregation in people's behaviours as the microcosm (14) of what makes the human existence so unique. Following the journeys of individuals who even ‘see a century turn’’ the novel displays how one’s past has an immense influence on how their future values, actions and behaviours grow and develop. Further subverting the stereotypical representation of women living in a war, Doerr establishes an acknowledgment of their roles and strength in the face of cruel situations. Ostensibly, it is the human capacity to adapt to change that marks the difference between what is just and unjust in a society that weighs both on a very unstable scale. 

Annotations ‍ ‍ (14)   Microcosm - a community, place or situation regarded as encapsulating in miniature the characteristics of something much larger.

If you find this essay breakdown helpful, then you might want to check out our All the Light We Cannot See Prompts blog post. You can have a go at those essay prompts and feel free to refer back to this essay breakdown whenever you need. Good luck!

Fact: The VCE is a competition.

Fact: There are so many brilliant minds out there with vocabularies that can   wow   the pants off examiners in seconds.

Fact: We have all felt intimidated at some stage of this race by these kids, but here’s the craziest fact of them all….

Fact: You can be one of them.

Do you really believe that the top VCE students, you know, those 99.95 geniuses out there, study religiously for 6-8 hours a day and feel totally motivated to work 24/7?

I used to think that these kiddos were on auto pilot - robots that never had difficulty remembering a quote, never struggled to find their next point in an analytical essay, could always find the energy to write another piece for their teacher to correct. It was as though these students weren’t real, but now that I have had a personal experience at tackling the VCE, I think that anyone can appear to be this ‘amazing’ in English, simply by following one piece of advice: changing your attitude towards studying.

There are no magic tricks, no gimmicks, and no simpler way to put this. If you want to see real results, you need a new perspective on not just English, but all subjects - start “wanting” to study. Today.

So how does this epic VCE competition - full of thousands of students - set apart the very top end students as opposed to the, well, only great students? I’m a firm believer in that your attitude towards your studies will always be indicative of how well you will perform in this race. So don’t start changing what, when or how much you study, make changes to how you study!

Easier said than done, right? Try me. Start by immersing yourself in English (or any subject for that matter) so that you can start to enjoy learning about it. For instance, go to a book club for context, debate the pros and cons of a character’s personality as if they are actually real, and watch the movie adaptation of the book you are studying etc.

Try to find as many avenues as possible that will allow you to enjoy writing an essay, even by taking baby steps. Why not start playing around with an imaginative story about your favourite TV show just to get the hang of creative writing before you hand in an imaginative essay tailored to your study requirements? Once you change that attitude from  “I ‘need’ to write this”  to  “I ‘want’ to and ‘would like to’ improve on this”  you will see an enormous shift in results, self-satisfaction and confidence! Don’t be daunted by a difficult topic in the text response section – view it as a way of “showing off” to the examiners; take your time planning about how much depth you can put into your response and make it a challenge to rise beyond expectations as opposed to meeting the bare minimum and providing a mediocre response.

So c’mon! Dive right into the deep end and throw yourself into your studies. You don’t need to take out a mortgage, nor a fancy exercise book with fluffy pink pens. You only need to pack your positive attitude.

If you are a VCE student, chances are you’ve heard phrases like “Too bad English can’t be bottom two” or “It’s just English, you can just bullshit it” all too often. These phrases, though seemingly innocuous, are like an undetectable poison to the hopeful VCE high achiever. The more you hear them, the more likely you are to believe them.  And before you know it results come out, and you’re scratching your head, wondering where it all went wrong.  

That’s where I can help.

There are two main misconceptions about English that you must never be tempted into believing.

• “English is easy, you don’t need to spend that much time on it!”.  This mentality stems from the fact that English is incredibly subjective, and as such students think that the subject requires no concrete studying to triumph in.
• “Studying gets you nowhere in English, some people are good at English and some aren’t”.  Once again, the lack of structure in VCE English causes students to be frustrated that their (often ineffective) attempts at studying are not met with the A+ they were hoping for. In this predicament, they are led to believe that English ability is innate, and cannot be improved with study!

It’s an easy trap to fall into; how can you possibly study for a subject if you don’t know what to study? Though be warned, subscribing to misguided and complacent ways of thinking could seriously limit your potential in English.

English can definitely be studied for. In fact, studying for English is necessary to thrive in the subject. What many students fail to recognise is that studying for VCE English is a vastly different experience to studying for any other subjects. With a subject like Chemistry, it is easy to split up a large topic into its constituent sub-topics and study them all in one sitting. Studying for English is different in every way. Instead of making concepts smaller while studying, I’ve found that it is advantageous to club smaller subtopics into larger concepts and conduct your study thematically. For example, in Language Analysis it is always more powerful to analyse persuasive techniques in relation to the writer’s larger agenda, than analysing them alone.

Again, in stark contrast to other subjects where one topic can be studied for over a set period of time (e.g. A day, week etc.). I’ve come to learn that VCE English study must become a part of your everyday life. Essential VCE English study tactics such as reading the newspaper daily and analysing its articles, can become a part of your life, as I made it a part of mine.  In this way, not only does studying for English become possible, it becomes accessible and easy to do too. Weaving English study into your everyday life will also cause you to feel accomplished and satisfied. These feelings, unfortunately, are rarely felt in a hectic, fast paced VCE environment and therefore act as an incentive to maintain VCE English study throughout the year.

Failing to adapt your study patterns (or failing to study at all for that matter) leads to a negative spiral of disillusionment and disappointment, causing the once enthusiastic English student to disregard the subject completely. Since the VCE system ensures that a high English score directly correlates to a high ATAR, abandoning English can prove fatal. These are just some of the many lessons I’ve learnt as both a VCE English student and tutor.

So…you’ve just begun the school year and you’re feeling pretty excited about English. You’re determined to put aside all distractions this year and to only focus on studying, studying and studying. But…the minute you sit down at your desk, you find that your mind goes completely blank and that you are left only with one dreadful question: What now?

If this sounds all too familiar to you, you are definitely not alone. English can often make you feel like you don’t even know where to start. So, here is a quick guide that can help you to plan out your year, to break free from procrastination and to find some sparks of motivation when you feel like there is simply no road ahead.

‍ Step 1: Read Your Text !

This may seem like the most obvious step, but it can make all the difference when done thoughtfully and thoroughly. One thing that VCAA English examiners always look for when reading text responses is in-depth knowledge and understanding of the text, and the best way to develop and gain this knowledge is to read, read, and read again! Try to treat your text like a blank map, full of unexplored territories and winding roads that are there for you to uncover each time you read the text.

When you read your text for the first time, look out for the major roads and landmarks; the setting and premise, the plot, the characters, the broad ideas, the authorial voice and style etc. Once you’ve gotten a good grasp of the major elements of your text, read it again, and focus on adding more detail to your map; fleshing out characters, understanding their motives, understanding the author’s purpose, and underlining key quotations and particular passages that encompass a broader idea. If you’re a forgetful person like me, you might find it helpful to note down some key observations as you go and to create a summary you can always refer back to throughout the year.

Step 2: Read Around Your Text  

While reading and rereading your text will definitely help you to know your text in and out, in order to fully tick the box of knowledge and understanding, it is also important to read around the text; to understand the context of when and why the text was written, for whom it was written, and the impact the text has had on both its original audience and its audience today. Especially for texts that are rooted in history, like The Women of Troy or Rear Window , understanding context and background information is essential in understanding the text itself. After all, Rear Window just wouldn’t be Rear Window if it weren’t for the McCarthyistic attitudes that were so prevalent at the time, and The Women of Troy would have been a far more different play had it not been written during wartime. Each text is a product of both its creator and its time, so make the effort to research the writer, playwright or filmmaker , and the historical, cultural, social and political context of your text.

When doing your research, it can be helpful to use a set of questions like the one below as a guideline, to ensure that the information you’re finding is always relevant.

• Who is the writer/playwright/filmmaker?  
• Who is the audience?
• When/where was your text written?
• When/where is your text set?
• Why was your text written?
• What is the style/genre of your text?

Step 3: Study Your Text

Here’s where it gets a bit more difficult. Now that you’ve drawn out your map, and dotted it with various landmarks, rivers and roads, it is time to actually use your map to go somewhere; to make use of all the knowledge and background information you have gathered so that you can begin to analyse and dissect your text in greater detail. Studying a subject with as large of a cohort as VCE English can oftentimes mean that ideas are recycled and exams are repetitive, so in order to distinguish yourself from the pack, try to look for ways to craft your own original path ; a view of the text that is distinctly your own, instead of following others. The best way to do this is to do a bit of thinking at home; to create your own original set of notes and observations and to spend time analysing each section of your text in greater detail than you may have done in class.

Constructing a notes table like the one below can help you greatly in sorting and fleshing out your ideas, and, when done consistently throughout the year, can save a lot of time and effort when it comes to studying for the exam!

The Women of Troy Notes Table:

Step 4: Target Your Study to Your SAC  

So...you’ve made it all the way to your SAC. You may be feeling nervous at this point, even a little burnt out, but there is no need to worry. Studying for your SAC simply requires a bit of adjusting to your normal studying routine; changing it up so that instead of simply brainstorming ideas, you’re actually using these ideas in topic sentences, and instead of collating a list of quotes, you’re embedding these quotes into a practice paragraph. These are all examples of targeted study: taking all the information you’ve gathered on your text, all the notes you’ve made, and all the work you’ve done in class, and putting it into practice. 

Targeted study could be done in the form of an essay plan, or unpacking an essay question  

As an example, I've unpacked an essay prompt below using LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Step 1: A nalyse Step 2: B rainstorm Step 3: C reate a Plan

The Prompt:

‘I ask you not to hate me. With the greatest reluctance / I must tell you the news…’ Euripides softens the brutality of the Greeks’ behaviour through his characterisation of Talthybius.

Step 1: Analyse 

• This is an example of a quote-based prompt ( learn about the 5 different prompt types here )
• Bold keywords from the prompt: ‘I ask you not to hate me . With the greatest reluctance / I must tell you the news…’ Euripides softens the brutality of the Greeks’ behaviour through his characterisation of Talthybius.
• ‍ To what extent do you agree? This part is asking me to adopt a specific viewpoint, whether you agree, disagree or are somewhere in between. 

Step 2: Brainstorm 

Unpack the keywords in the topic: 

• 'not to hate me' , 'greatest reluctance' – Talthybius’ desire to be liked, his understanding of the actions of Greeks
• Softens the brutality – Talthybius serves as the opposing force to the Greeks’ brutal behaviour, makes the Greeks more sympathetic
• Characterisation – Talthybius’ personality, behaviour, actions, language

Step 3: Create a Plan 

Contention: While Talthybius is used by Euripides to evoke some sympathy for the Greeks, ultimately, he serves to exacerbate the cruelty of the Greeks’ actions and the devastating consequences of their fall from a civilised, sacred people to a bestial, impulse-driven group of men.

Paragraph 1: Certainly, amongst his peers which are excoriated by Euripides for their cruel, unfeeling behaviour, Talthybius is depicted to be the most humane of the Greeks due to his conflicted nature, evoking sympathy amongst the audience, and reinstating some humanity to the Greeks’ otherwise sullied reputation.

Targeted study could also be done in the form of unpacking quotes, and analysing their significance

‍ We can also use the ABC steps here. For example:

  'Like the mother bird to her plundered nest, my song has become a scream'

Demonstrates the dehumanisation of the Trojan women, and the heinous, beastly actions of the Greek men, who, like their 'war machine' description, have subverted all that is natural to become violent, and all that is beautiful to become grotesque 

• 'Mother bird' - animal imagery, maternalistic
• 'My song has become a scream' - demonstrates devastation, contrast between melody to dissonance 

Embed the quote into a sentence, e.g.:

Euripides’ description of Hecuba as a 'mother bird' at her 'plundered nest' demonstrates the innately maternal nature of her character through animal imagery, while also emphasising the vulnerability of the Trojan women, who have been reduced to defenceless prey as a result of the Greeks’ predatory and beastly behaviour. 

Planning essays and breaking down prompts/quotes are extremely time-efficient ways to approach your texts and SACs. Rather than slaving away for hours and hours writing full essays, these simpler forms of targeted study can and will save you the burnout and will get you feeling confident faster.

Only move on to writing a full practice essay or some practice paragraphs once you feel you have a good in-depth understanding of how to plan an essay and once you have already naturally memorised some important quotes that you can use in your essay ( learn how to embed your quotes like a boss here ). Remember, quality over quantity, so spend your time before your SAC revising thoughtfully and carefully, targeting your revision, and taking things slowly, rather than robotically churning out essay after essay.

Step 5: Embrace the Exam!

The end of every VCE English journey is the highly anticipated, dreaded and feared English exam. Now, while you may be reading those words with a horror movie soundtrack playing in your mind, the English exam, despite being a gruelling 3 hours of essay-writing, really isn’t as horrific as it sounds. Preparing for it is also much less intense than you might think it to be, because essentially, from the very first time you read your text, you will have already begun preparing for the exam. All that is left to do before the English exam is to polish up on some of your weaknesses identified in your SACs, to look over all the notes and information you have gathered throughout the year, to freshen up on essay writing and essay planning , and to do a couple of practices, so that you can feel as ready as you can for the real thing.

In particular, I found that in the leadup to my English exam, studying with my friends and peers was not only a welcome stress reliever, but a really good way to expand my own knowledge by helping others and being helped myself. Having your peers review your essays and helping to give feedback on theirs is always an excellent way to improve your own essay-writing skills, and, a great way to provide good constructive criticism is to follow the GIQ rule (I’m not sure if this is a real rule…but it works!)

• What was GOOD about the piece? e.g. Your sentences flow really well, and you embed quotes into sentences phenomenally!
• ‍ What could be IMPROVED? e.g. Perhaps adding a couple of sentences elaborating on this idea could make your essay even better!
• ‍ What QUESTIONS do you have about the piece? e.g. I don’t really understand this sentence, what were you trying to say here?

Hopefully, these tips will be able to help you out throughout the year in staying motivated and feeling okay about English! Remember, this is just here as a guide to help you, and not a strict regimen to follow, because everyone studies differently, and has different goals in English.

However, now that you have a clearer pathway and plan for learning your texts in-depth, what’s next? Well, it’s pretty important that you learn about the different areas of study so that you understand how you’ll actually apply all of your new-found text knowledge to each of your SACs and the exam. Our Ultimate Guide to Text Response and Ultimate Guide to Comparative give you a full rundown of what is required in these two areas of study (where you will have to learn specific texts) so I would highly recommend having a read! 

Written expression is often overlooked in our essays. Often, if we are made aware of clunky or awkward expression, we are also not quite sure how to go about improving it. Although sophisticated and pertinent ideas serve as the foundation of a successful essay, how we construct our sentences and express these ideas may be what distinguishes a good essay from a great essay.

These differences can be rather subtle, but the small things can and do matter.

1) USE YOUR VOCAL CHORDS  

(to read out loud, not sing… unless you really want to)

Take your essay and read it out loud. Let your own conscience guide you in terms of whether a particular sentence flows well, is complete and makes sense. Keep your eye out for these small errors in particular: Grammar: Does your sentence actually make sense? Let’s have a look at an example: Although Funder suggests that the act of telling one’s story, especially one of victimisation, can catalyse the internal confrontation and healing required to move on.

(This is not grammatically correct! This is because this example only contains a subordinate clause and is lacking a main clause.)

But wait… what is this ‘subordinate clause’ and ‘main clause’?

A clause includes a subject and a verb .

Melissa ate an apple.After Wendy ate an apple.

What is the difference between the two clauses above?

‘Melissa ate an apple’ makes grammatical sense on its own. This is what we call a main clause (or an independent clause). On the other hand, ‘ After Wendy ate an apple’ is an incomplete sentence as it does not make sense. What happened after Wendy ate her apple? This is the information that is missing from the latter clause, making this a subordinate clause (or a dependent clause).

So now let’s try again…

Although Funder suggests that the act of telling one’s story, especially one of victimisation, can catalyse the internal confrontation and healing required to move on, ultimately, these individuals can never be truly free from the past that has irrevocably defined them.  

(Hooray! This is a complete sentence now.)

Spelling : Are the title of the text, the author or director’s name, characters’ names, publisher’s name, etc. all spelt correctly (and capitalised, underlined, and italicised appropriately)?

Did you use the correct there, their and they’re? How about it’s and its? (and so on).

Sentence length: Did that sentence just go on for 5 lines on a page and you are out of breath now? You can most probably split that overloaded sentence into two or more sentences that make much more sense. Check whether you have a clear subject in your sentence. If you have three different ideas in one sentence, give each idea its own opportunity (ie. sentence) to shine. The opposite also applies: if it is for a very short sentence, did that sentence pack enough content or analysis?

One spelling error or half-finished sentence in an essay will not severely affect your mark, but they can easily add up if they occur often enough. Consequently, this will distract the reader from engaging with your ideas fully and thus disrupt the flow of your essay.

By being aware of these aspects, you are now able to easily fix them and boost your writing.

2) BE SUBTLE

Try not to be casual or overt in your writing as it can be quite jarring to read and unfortunately give readers a potentially negative impression of your piece.

Try not to use phrases such as:

- In my opinion… (You do not need it as your entire essay should be your implicit opinion!)

- This quote shows that… (Embed the quote and link to its implication instead)

- This technique is designed to… (Identify the technique and be specific, especially in Language Analysis)

- I think that…, I believe… (Avoid using first person in a formal essay. Use of first person in creative writing is fine though if required)

They are redundant and do not add much to your ideas and analysis. Try omitting them and see whether that helps your sentence flow better and seem more formal.

3) LINK ‘EM UP

Sentences that seem disjointed or a clear connection can make it difficult for your teacher or the assessor to join the dots between an idea and an implication or consequence. Use linking words as they are fantastic for explicitly showing the reader how your ideas are related and thus allow your writing to proceed smoothly.

Therefore, hence, thus, thereby, consequently, subsequently, in addition, additionally, furthermore, moreover, on the other hand, on the contrary, however, henceforth, and so on… The list is endless!

4) ADD OOMPH (through vocabulary)

In general, having a wide vocabulary will allow you to express your ideas and analysis more accurately as you are likely to have access to a precise word that can capture the essence of your idea. Make a vocabulary list for a particular text or for Language Analysis (such as tone words) and aim to use varied language to convey yourself well.

If you’d like to see a list of sentence starters and essay phrases to help you get a headstart on expanding your vocabulary, check out this blog .

Focus on verbs and expanding your list of synonyms for words such as shows, demonstrates, highlights, emphasises, suggests and so on. An individual, character, author or director may not only be conveying but also denigrating or remonstrating or bolstering or glorifying or insinuating . Adding precision to your writing through careful vocabulary choice will distinguish your writing and also add complexity.

BEWARE! There is a fine line to tread with sophisticated vocabulary - do not overload your writing as you can risk writing convoluted sentences that hinder the reader’s ability to understand your piece. Also make sure that you understand the nuances of each synonym and that they are used in the correct context! (They are synonyms after all - not the same word!)

If you are debating whether to use a word, ask yourself: do you know what it means? 

If yes: Go for it!

If no: Do not use it until you know what it means.

Reading sample essays, The Age Text Talks, reviews and more of the texts you are currently studying will expose you to not only a multitude of interpretations of your text, but also to different sentence structures, writing styles or vocabulary that you could incorporate into your own writing.

I would also highly recommend that you read outside of the texts you are studying if you have time, whether that may be novels by the same author or even newspapers. Your written expression will only benefit from this exposure as the ways you can express yourself through writing continue to increase upon seeing others’ eloquence.

6) GET WRITING

If you do not write, you will never be able to improve your written expression. Put pen to paper (or hands to keyboard) and start constructing that essay. You can only fix your writing once you have writing to fix.

How many times have you told yourself, "I'm going to start doing this, "once I graduate from high school."

For me, I had a long list of things I wanted to start doing once I finished year 12.

We've all been there, because our priority in year 12 is doing assessments and exams. We have this romanticized version of what reality will look like after high school. All those things that you had put off, all those things that you'd promise yourself that you would do, the time has come. Whether that be catching up with long lost friends, whether that be joining the gym and getting fit again, or starting to read books again, especially for pleasure now that you don't have to read for school. Except boo, I won't get to read Lisa's amazing blog's and study guides. I'll start picking up my hobby of dancing again, I'll start doing this, I'll start doing that, but then usually, this happens. Once I marathon "Terrace House", then I'll look at gym memberships.

The main message I want you to take away is, you're always going to find excuses for the things that you really want to do. It took me an additional six years until I started reading again after high school.

As soon as I started uni, I started making up excuses, "Ah, I've got uni, I'm busy making friends, "I'm busy going to uni parties." It wasn't until I actually finished uni that I started picking up my hobby of reading. Same thing with dancing, I stopped dancing before I went into VCE, before my final years of high school, so that I could focus on my exams, but I wanted to get back into it. But it took me another three years until I got back into that.

So my question to you is, how long is it going to take you before you commit to doing that thing that you really want to do, and becoming the person that you want to be? This is something that we have to battle with throughout our entire lives. It's the same case for me with this particular YouTube channel. It's taken me almost two years to figure out what I want to do with this channel, how to break away from just English, so I can focus on more millennial based topics, like this video, offering advice about the things that I've learned throughout my 20's and impart them onto you.

So if you're in year 12, I'd absolutely love it if you stuck around to watch the next few videos that will be coming out. I'll be basing topics on things like university experiences, how to land your first job outside of high school, what else, productivity hacks, and all the things that will help prepare you for the world that's out there, and be the best version of yourself. Congratulations to you because you're nearing the end of the year and you're so close to sitting your exams. I hope that everything that I've done this year has been able to help you, and nourish you, and nurture you to become a better student who is ready to kick some ass.

Since it's not time to say bye yet, I'll say see you soon.

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30 Best Quotes for Essay Writing

December 10, 2023 by Sandeep

The essay is an independent, educational, and scientific student research. In writing this paper, students master the methods and gain the ability to conduct research. In addition, essay writing helps form the student’s creative thinking, test the skills of collecting, analyzing, and interpreting literature, and formulate conclusions and suggestions.

Successful essay writing depends on strict adherence to the basic requirements. These requirements relate primarily to the scientific level of the work, its content, structure, form of presentation of the material, and design. The teacher may not accept works in violation of state standards and established requirements. Inconsistencies in the design can significantly affect the final evaluation of the work. The student’s compliance with all the requirements for writing and design of the essay instills certain skills in conducting research, which will be useful in creating other types of papers.

All of the above points are important to gain the ability to complete an essay. However, this is not an as simple type of student paper as it may seem at first glance. Students often have difficulty in both essay writing and designing. Fortunately, today everyone can find someone to write a paper online. It is only necessary to pay the set price. The best writers work for an online company DoMyEssay. To get their help, you should visit the site and request, “Please, do an essay for me.” The high quality and reliability of writing services are guaranteed for everyone.

Requirements for Quotes & References in Essay Writing

A compulsory component of any scientific work is a scientific citation. It is essential to cite the source from which the materials or individual results are borrowed or the ideas and conclusions based on which the problems, tasks, issues to which the work is devoted are developed. Such links make it possible to find relevant sources, check the accuracy of citations, obtain the necessary information about these sources.

The use of references in essays is mandatory and is used in the following cases:

• When quoting fragments of text, formulas, tables, illustrations;
• When paraphrasing, non-verbal reproduction of a fragment of another’s text;
• When analyzing the content of other publications in the text;
• When referring to other publications where the material to be discussed is more complete.

The absence of a link is a copyright infringement, and an incorrect link is considered a serious error. All sources cited in the list of references must be indicated in the text of the paper.

Importance of Correct Citation in Student Papers

The importance of citation is in the need to demonstrate the breadth of research and interest in the publications of other authors, to confirm own arguments with statements from other sources. Text borrowed from other sources is used for this purpose.

Here are three main functions that quotes perform in essay writing :

• Places your work in context, creates dialogue;
• Pay tribute to the previous work that formed the basis of your research;
• Maintains the authenticity and accuracy of scientific literature.

List of Helpful Quotes You Can Use in Your Essay Writing

Below is a list of 30 quotes you can use in your essay writing:

• The simplest example is more convincing than the most eloquent sermon (Lucius Annec Seneca);
• It is not people who need rules, but rules need people (S. Dube);
• The one who is no longer able to serve as anything serves as a good example (Andre Siegfried);
• Take an example from your elders, while they behave approximately (Jerzy Leszczynski);
• The need to set a good example for your children robs middle-aged people of all pleasure (William Feder);
• Remember: sooner or later, your son will follow your example and not your advice (Pierre Corneille);
• An example is stronger than a threat (Pierre Corneille);
• Bad examples are stronger than good rules (Joey Locke);
• You only have one life. You have to live it as fully as possible (Jojo Moyes);
• When life is good, there is no need to argue about it (Ray Bradbury);
• There are moments in life that change us once and for all (Jeffrey Deaver);
• The reader lives a thousand lives before he dies. The person who never reads experiences only one (George Martin);
• On our path in life, we will meet everyone who is destined to meet us (Charles Dickens);
• What is the sense of life? Serve others and do good (Aristotle);
• Those who illuminate the lives of others will not be left without light themselves (James Matthew Barry);
• In general, I live without hesitation, so I always have fun (Francis Scott Fitzgerald);
• An example is always more powerful than a sermon (Samuel Johnson);
• When it comes to budget, everyone wants to go to heaven, but no one wants to die (Jean Chrétien);
• Violating our duty, thereby we violate our rights (Jean-Jacques Rousseau);
• You cannot talk about the budget without knowing approximately the figures of its income and expenses (Theodor Herzl);
• Civilization road paved with tax receipts (Andrew McKenzie);
• If you know how to spend less than you get, then you have the Philosopher’s Stone (Benjamin Franklin);
• Only two incentives make people work: the thirst for wages and the fear of losing them (Henry Ford);
• There is no perfection in the world (Antoine de Saint-Exupery);
• You are forever responsible for the one you tamed (Antoine de Saint-Exupery);
• It’s good where we are not (Antoine de Saint-Exupery);
• All adults were children at first, only a few of them remember this (Antoine de Saint-Exupery);
• Live and learn (Lucius Annec Seneca);
• The end justifies the means (Ignatius de Loyola);
• Truth is in wine (Pliny the Elder).

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A detailed guide to quoting

Jessica Malnik

Quotations have the power to elevate your written work when used correctly. But in order to use a quote properly, you must give full credit to the original source.

Before you can learn how to properly include quoted material, you need to have a firm understanding of what a quotation is, the purpose for using one, and the difference between quoting and paraphrasing.

What is a quotation in writing?

Quotations serve multiple purposes in writing. Students and professionals alike can benefit from using quotations in their work. Whether you’re writing a research paper or a blog article, you’ll likely find yourself needing to use them at some point. Quoting can add perspective, validation, and evidence to your piece.

What do you mean by quoting?

Quoting is a technique that allows you to include an original passage from a source in your work as a direct quote. You do this by framing or surrounding the quote in quotation marks like this, “This is an example of a sentence framed by quotation marks.” 

However, you can’t just add quotation marks and call it a day. You also need proper attribution for your source. 

Keep in mind that there is a difference between direct quoting and indirect quoting. With direct quoting, you include the source’s exact words framed within quotation marks. 

With indirect quoting, you can paraphrase what the person or text said in your own words instead of copying it verbatim. Indirect quoting, also known as indirect speech or discourse, is mostly used to summarize what someone said in a talk or interview. Indirect quotations are never placed within quotation marks.

How do you properly quote? 

To properly quote someone, you’ll need to follow some general quoting rules along with properly citing your source using your preferred MLA, APA, or Chicago style guide. 

For example, many people incorrectly use punctuation with quotation marks. Do you know whether or not to include punctuation inside the quotation marks?

Here’s how to handle punctuation marks with quotes, as well as a few more rules to consider when including quotations in your work:

Punctuation

As a good rule of thumb, periods and commas should go inside quotation marks. On the other hand, colons, semicolons, and dashes go outside of the quotation marks. 

However, exclamation points and question marks aren’t set in stone. While these tend to go on the inside of quotation marks, in some instances, you might place them outside of the marks. 

Here are a few examples to illustrate how this would work in practice:

“ You should keep commas inside the quotation marks, ” he explained.

She wanted to help, so she said, “ I’m happy to explain it ” ; they needed a thorough explanation, and she loved to teach her students.

It gets a little trickier with exclamation marks and question marks when quoting. These can be either inside the quotation marks or outside of them, depending on the situation. Keep question and exclamation marks inside the quotations if they apply to the quoted passage. If they apply to your sentence instead of the quote, you’ll want to keep them outside. Here’s an example:

He asked the students, “ Do you know how to use quotation marks? ”

Did the students hear the teacher when he said, “ I will show you how to use quotation marks ”?

Closing quotations

Once you start using a quotation mark, you have to close it. This means that you can’t leave a quote open like the example below because the reader wouldn’t know when the quote is over.

Capitalization

The rule of capitalization changes depending on the context. 

For example, if you quote a complete sentence, then you should capitalize the first word in the sentence. However, if you are quoting a piece of a sentence or phrase, then you wouldn’t need to start with capitalization, like this:

She said, “ Here’s an example of a sentence that should start with a capital letter. ”

He said it was “ a good example of a sentence where capitalization isn’t necessary. ”

Sometimes, you’ll want to split a quote. You don’t need to capitalize the second half of the quote that’s divided by a parenthetical. Here’s an example to show you what that would look like:

“ Here is an example of a quote, ” she told her students, “ that doesn’t need capitalization in the second part . ”

What is the purpose of quoting? 

As stated above, quotations can serve multiple purposes in a written piece. Quotes can signify direct passages or titles of works. Here are a few of the reasons to include a quote within your written work:

These intentions can apply whether you’ve interviewed your source or are taking a quote from an existing, published piece. 

However, before you use a quote, you’ll want to understand how it can strengthen your work and when you should use one. We’ll discuss when you should use quotes and how to properly cite them using different style guides in the next section.

When you should use quotes

Quotations should be used strategically, no matter what type of writing you’re doing. For instance, if you’re a professional copywriter crafting a white paper or a student writing a research paper, you’ll likely want to include as much proof as possible in your work. However, stuffing your paper with a ton of quotations can do more harm than good because the piece needs to represent your ideas and interpretations of the source, not just good quotes.

That being said, quoting reputable sources in your work is an excellent way to prove your points and add credibility to the piece. Use quotations in your work when you want to share accurate ideas and passages from source materials.

You should also use quotes when you want to add emphasis to a source on the topic you’re covering. 

For example, if you’re writing a research paper, then it would be beneficial to add quotes from a professor involved in the study you’re referring to in your piece.

How to cite a quote in MLA, APA, and Chicago 

MLA, APA, and Chicago are three of the most common citation styles. It’s a standardized way of crediting the sources that you quote. Depending on your assignment, you may need to use a specific one when citing your sources.

This section shares how to cite your quotes in these three popular citation styles, along with several examples of each.

Modern Language Association (MLA) is most often associated with academics in English or philosophic fields. With this style of citation, you’ll need to include quotes word-for-word. It’s fine to use only phrases or pieces from a specific quote, but you’ll need to keep the spelling and punctuation the same.

Here are some other criteria to keep in mind when citing using MLA style:

• If the quote goes longer than four lines, you must use a blockquote. Do not indent at the start of the quote block.

• Start quotes on the next line, ½ inch from the left margin of the paper.

• Quotes must be double spaced like the rest of the paper.

• Only use quotations when quotation marks are a part of the source.

• Include in-text citations next to the blockquote.

• If a blockquote is longer than a paragraph, you must start the next paragraph with the same indent.

• Don’t include a number in the parenthetical quotation if the source doesn’t use page numbers.

Here’s an example of a short, direct quote with MLA using a website resource without page numbers:

She always wanted to be a writer. “ I knew from a young age that I wanted to write a novel . ” (Smith)

And an example of a blockquote from page 2 of the source:

John Doe shares his experience getting his book published in the prologue:

I never expected so many people to be willing to help me publish this book. I had a lot of support along the way. My friends and colleagues always encouraged me to keep going. Some helped me edit, and others reminded me why I started in the first place. One of my good friends even brought me dinner when she knew I was going to be working late. (2)

With MLA, the reader can reference the full sources at the end in the Work Cited section. For this example, it could look like this:

Works Cited

Smith, J. (2021). Example Blog Post. Retrieved 2021, from www.example.com

Doe, J. (2021). Book Title One (1st ed., Vol. 1). Example, TX: Example Publishing.

See this article for more information on MLA style citations.

American Psychological Association (APA) is used often in psychology, education, and criminal justice fields. It often requires a cover page and abstract.

Here are a few points to consider when using APA style to cite your sources:

• Citation pages should be double spaced.

• All citations in a paper must have a full reference in the reference list.

• All references must have a hanging indent.

• Sources must be listed in alphabetical order, typically by the last name.

Using the same source examples as we did with MLA above, here is how they would be cited in APA:

Doe, Jane. Example Blog Post . 2021, www.example.com. 

Doe, John. Book Title One . 1st ed., vol. 1, Example Publishing, 2021. 

See this article for more information on APA style citations.

Chicago Manual of Style (CMS) is commonly used in history and humanities fields. It was created to help researchers. Here are a few points to keep in mind for Chicago Style:

• There are 2 types of referencing styles:

    → Notes and Bibliography

    → Author-Date

• The list of bibliography must be single-spaced.

• The text should be double spaced, except for block quotations, tables, notes, and bibliographies.

• The second line should be indented for sources.

•Author last names must be arranged alphabetically.

Here’s how the same example sources used above would be cited using Chicago style:

Doe, Jane. “Example Blog Post,” 2021. www.example.com. 

Doe, John. Book Title One . 1. 1st ed. Vol. 1. Example, TX: Example Publishing, 2021.

See this article for more information on Chicago style citations.

Types of quotes and examples

There are two main types of quotes: direct and indirect.

Whenever you want to use someone’s statement word-for-word in your text, you’ll need to include properly cited, direct quotations. However, if you want to paraphrase someone’s words then indirect quotes could be more appropriate.

For example, say that you’re writing a press release for a company. You could interview different people within the company’s staff and paraphrase their quotes. This is particularly useful if the direct quote wouldn’t work well within your piece. For instance, you could change this direct quote example into an indirect quote that would more succinctly represent the speech:

Direct quote:

Indirect quote:

Keep in mind when using quotations that you should aim for using as few words as necessary. You don’t want to quote an entire paragraph when only one sentence contains the key information you want to share. If you need to add context, do so in your words. It’ll make for a much more interesting piece if you’re using quotes to support your stance alongside your interpretation instead of just repeating what’s already been said.

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• How to Quote | Citing Quotes in APA, MLA & Chicago

How to Quote | Citing Quotes in APA, MLA & Chicago

Published on April 15, 2022 by Shona McCombes and Jack Caulfield. Revised on May 31, 2023.

Quoting means copying a passage of someone else’s words and crediting the source. To quote a source, you must ensure:

• The quoted text is enclosed in quotation marks or formatted as a block quote
• The original author is correctly cited
• The text is identical to the original

The exact format of a quote depends on its length and on which citation style you are using. Quoting and citing correctly is essential to avoid plagiarism which is easy to detect with a good plagiarism checker .

Table of contents

How to cite a quote in apa, mla and chicago, introducing quotes, quotes within quotes, shortening or altering a quote, block quotes, when should i use quotes, other interesting articles, frequently asked questions about quoting sources.

Every time you quote, you must cite the source correctly . This looks slightly different depending on the citation style you’re using. Three of the most common styles are APA , MLA , and Chicago .

Citing a quote in APA Style

To cite a direct quote in APA , you must include the author’s last name, the year, and a page number, all separated by commas . If the quote appears on a single page, use “p.”; if it spans a page range, use “pp.”

An APA in-text citation can be parenthetical or narrative. In a parenthetical citation , you place all the information in parentheses after the quote. In a narrative citation , you name the author in your sentence (followed by the year), and place the page number after the quote.

Punctuation marks such as periods and commas are placed after the citation, not within the quotation marks .

• Evolution is a gradual process that “can act only by very short and slow steps” (Darwin, 1859, p. 510) .
• Darwin (1859) explains that evolution “can act only by very short and slow steps” (p. 510) .

Complete guide to APA

Citing a quote in mla style.

An MLA in-text citation includes only the author’s last name and a page number. As in APA, it can be parenthetical or narrative, and a period (or other punctuation mark) appears after the citation.

• Evolution is a gradual process that “can act only by very short and slow steps” (Darwin 510) .
• Darwin explains that evolution “can act only by very short and slow steps” (510) .

Complete guide to MLA

Citing a quote in chicago style.

Chicago style uses Chicago footnotes to cite sources. A note, indicated by a superscript number placed directly after the quote, specifies the author, title, and page number—or sometimes fuller information .

Unlike with parenthetical citations, in this style, the period or other punctuation mark should appear within the quotation marks, followed by the footnote number.

Complete guide to Chicago style

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Make sure you integrate quotes properly into your text by introducing them in your own words, showing the reader why you’re including the quote and providing any context necessary to understand it.  Don’t  present quotations as stand-alone sentences.

There are three main strategies you can use to introduce quotes in a grammatically correct way:

• Add an introductory sentence
• Use an introductory signal phrase
• Integrate the quote into your own sentence

The following examples use APA Style citations, but these strategies can be used in all styles.

Introductory sentence

Introduce the quote with a full sentence ending in a colon . Don’t use a colon if the text before the quote isn’t a full sentence.

If you name the author in your sentence, you may use present-tense verbs , such as “states,” “argues,” “explains,” “writes,” or “reports,” to describe the content of the quote.

• In Denmark, a recent poll shows that: “A membership referendum held today would be backed by 55 percent of Danish voters” (Levring, 2018, p. 3).
• In Denmark, a recent poll shows that support for the EU has grown since the Brexit vote: “A membership referendum held today would be backed by 55 percent of Danish voters” (Levring, 2018, p. 3).
• Levring (2018) reports that support for the EU has grown since the Brexit vote: “A membership referendum held today would be backed by 55 percent of Danish voters” (p. 3).

Introductory signal phrase

You can also use a signal phrase that mentions the author or source, but doesn’t form a full sentence. In this case, you follow the phrase with a comma instead of a colon.

• According to a recent poll, “A membership referendum held today would be backed by 55 percent of Danish voters” (Levring, 2018, p. 3).
• As Levring (2018) explains, “A membership referendum held today would be backed by 55 percent of Danish voters” (p. 3).

Integrated into your own sentence

To quote a phrase that doesn’t form a full sentence, you can also integrate it as part of your sentence, without any extra punctuation .

• A recent poll suggests that EU membership “would be backed by 55 percent of Danish voters” in a referendum (Levring, 2018, p. 3).
• Levring (2018) reports that EU membership “would be backed by 55 percent of Danish voters” in a referendum (p. 3).

When you quote text that itself contains another quote, this is called a nested quotation or a quote within a quote. It may occur, for example, when quoting dialogue from a novel.

To distinguish this quote from the surrounding quote, you enclose it in single (instead of double) quotation marks (even if this involves changing the punctuation from the original text). Make sure to close both sets of quotation marks at the appropriate moments.

Note that if you only quote the nested quotation itself, and not the surrounding text, you can just use double quotation marks.

• Carraway introduces his narrative by quoting his father: “ “ Whenever you feel like criticizing anyone, ” he told me, “ just remember that all the people in this world haven’t had the advantages that you’ve had ” ” (Fitzgerald 1).
• Carraway introduces his narrative by quoting his father: “‘Whenever you feel like criticizing anyone,’ he told me, ‘just remember that all the people in this world haven’t had the advantages that you’ve had ” (Fitzgerald 1).
• Carraway introduces his narrative by quoting his father: “‘Whenever you feel like criticizing anyone,’ he told me, ‘just remember that all the people in this world haven’t had the advantages that you’ve had’” (Fitzgerald 1).
• Carraway begins by quoting his father’s invocation to “remember that all the people in this world haven’t had the advantages that you’ve had” (Fitzgerald 1).

Note:  When the quoted text in the source comes from another source, it’s best to just find that original source in order to quote it directly. If you can’t find the original source, you can instead cite it indirectly .

Often, incorporating a quote smoothly into your text requires you to make some changes to the original text. It’s fine to do this, as long as you clearly mark the changes you’ve made to the quote.

Shortening a quote

If some parts of a passage are redundant or irrelevant, you can shorten the quote by removing words, phrases, or sentences and replacing them with an ellipsis (…). Put a space before and after the ellipsis.

Be careful that removing the words doesn’t change the meaning. The ellipsis indicates that some text has been removed, but the shortened quote should still accurately represent the author’s point.

Altering a quote

You can add or replace words in a quote when necessary. This might be because the original text doesn’t fit grammatically with your sentence (e.g., it’s in a different verb tense), or because extra information is needed to clarify the quote’s meaning.

Use brackets to distinguish words that you have added from words that were present in the original text.

The Latin term “ sic ” is used to indicate a (factual or grammatical) mistake in a quotation. It shows the reader that the mistake is from the quoted material, not a typo of your own.

In some cases, it can be useful to italicize part of a quotation to add emphasis, showing the reader that this is the key part to pay attention to. Use the phrase “emphasis added” to show that the italics were not part of the original text.

You usually don’t need to use brackets to indicate minor changes to punctuation or capitalization made to ensure the quote fits the style of your text.

If you quote more than a few lines from a source, you must format it as a block quote . Instead of using quotation marks, you set the quote on a new line and indent it so that it forms a separate block of text.

Block quotes are cited just like regular quotes, except that if the quote ends with a period, the citation appears after the period.

To the end of his days Bilbo could never remember how he found himself outside, without a hat, a walking-stick or any money, or anything that he usually took when he went out; leaving his second breakfast half-finished and quite unwashed-up, pushing his keys into Gandalf’s hands, and running as fast as his furry feet could carry him down the lane, past the great Mill, across The Water, and then on for a mile or more. (16)

Avoid relying too heavily on quotes in academic writing . To integrate a source , it’s often best to paraphrase , which means putting the passage in your own words. This helps you integrate information smoothly and keeps your own voice dominant.

However, there are some situations in which quoting is more appropriate.

When focusing on language

If you want to comment on how the author uses language (for example, in literary analysis ), it’s necessary to quote so that the reader can see the exact passage you are referring to.

When giving evidence

To convince the reader of your argument, interpretation or position on a topic, it’s often helpful to include quotes that support your point. Quotes from primary sources (for example, interview transcripts or historical documents) are especially credible as evidence.

When presenting an author’s position or definition

When you’re referring to secondary sources such as scholarly books and journal articles, try to put others’ ideas in your own words when possible.

But if a passage does a great job at expressing, explaining, or defining something, and it would be very difficult to paraphrase without changing the meaning or losing the weakening the idea’s impact, it’s worth quoting directly.

If you want to know more about ChatGPT, AI tools , citation , and plagiarism , make sure to check out some of our other articles with explanations and examples.

• ChatGPT vs human editor
• ChatGPT citations
• Is ChatGPT trustworthy?
• Using ChatGPT for your studies
• What is ChatGPT?
• Chicago style
• Paraphrasing
• Critical thinking

 Plagiarism

• Types of plagiarism
• Self-plagiarism
• Avoiding plagiarism
• Academic integrity
• Consequences of plagiarism
• Common knowledge

A quote is an exact copy of someone else’s words, usually enclosed in quotation marks and credited to the original author or speaker.

In academic writing , there are three main situations where quoting is the best choice:

• To analyze the author’s language (e.g., in a literary analysis essay )
• To give evidence from primary sources
• To accurately present a precise definition or argument

Don’t overuse quotes; your own voice should be dominant. If you just want to provide information from a source, it’s usually better to paraphrase or summarize .

Every time you quote a source , you must include a correctly formatted in-text citation . This looks slightly different depending on the citation style .

For example, a direct quote in APA is cited like this: “This is a quote” (Streefkerk, 2020, p. 5).

Every in-text citation should also correspond to a full reference at the end of your paper.

A block quote is a long quote formatted as a separate “block” of text. Instead of using quotation marks , you place the quote on a new line, and indent the entire quote to mark it apart from your own words.

The rules for when to apply block quote formatting depend on the citation style:

• APA block quotes are 40 words or longer.
• MLA block quotes are more than 4 lines of prose or 3 lines of poetry.
• Chicago block quotes are longer than 100 words.

If you’re quoting from a text that paraphrases or summarizes other sources and cites them in parentheses , APA and Chicago both recommend retaining the citations as part of the quote. However, MLA recommends omitting citations within a quote:

• APA: Smith states that “the literature on this topic (Jones, 2015; Sill, 2019; Paulson, 2020) shows no clear consensus” (Smith, 2019, p. 4).
• MLA: Smith states that “the literature on this topic shows no clear consensus” (Smith, 2019, p. 4).

Footnote or endnote numbers that appear within quoted text should be omitted in all styles.

If you want to cite an indirect source (one you’ve only seen quoted in another source), either locate the original source or use the phrase “as cited in” in your citation.

In scientific subjects, the information itself is more important than how it was expressed, so quoting should generally be kept to a minimum. In the arts and humanities, however, well-chosen quotes are often essential to a good paper.

In social sciences, it varies. If your research is mainly quantitative , you won’t include many quotes, but if it’s more qualitative , you may need to quote from the data you collected .

As a general guideline, quotes should take up no more than 5–10% of your paper. If in doubt, check with your instructor or supervisor how much quoting is appropriate in your field.

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

McCombes, S. & Caulfield, J. (2023, May 31). How to Quote | Citing Quotes in APA, MLA & Chicago. Scribbr. Retrieved September 3, 2024, from https://www.scribbr.com/working-with-sources/how-to-quote/

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Good Morning Quotes

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• 30 Inspiring Education Quotes to Kickstart the New School Year

September 1, 2024 By Good Morning Quote Team Leave a Comment

As summer comes to a close and the air turns cooler, September signals the start of a new school year. This transition brings a routine that many students, parents, and educators experience annually—a time for learning, growth, and exploration. In light of this back-to-school season, we’ve compiled 30 quotes about education that highlight the significance of knowledge and curiosity in our lives. Feel free to share these quotes on social media to inspire and motivate every student as they embark on this new academic year, and let us know your favorite quote in the comments below

1. “The roots of education are bitter, but the fruit is sweet.” —Aristotle

2. “Education is what survives when what has been learned has been forgotten.” —B. F. Skinner

3. “To educate a man in mind and not in morals is to educate a menace to society.” —Theodore Roosevelt

4. “He who opens a school door, closes a prison.” —Victor Hugo

5. “Education is the most powerful weapon which you can use to change the world.” —Nelson Mandela

6. “To know what you know and what you do not know, that is true knowledge.” —Confucius

7. “We are all born ignorant, but one must work hard to remain stupid.”

8. “A people without the knowledge of their past history, origin and culture is like a tree without roots.” —Marcus Garvey

9. “Without knowledge action is useless and knowledge without action is futile.” —Abu Bakr

10. “Education is the key to unlock the golden door of freedom.” —George Washington Carver

11. “The beautiful thing about learning is nobody can take it away from you.” —B. B. King

12. “It is impossible for a man to learn what he thinks he already knows.” —Epictetus

13. “The man who asks a question is a fool for a minute, the man who does not ask is a fool for life.” —Confucius

14. “If you have knowledge, let others light their candles in it.” —Margaret Fuller

15. “Education’s purpose is to replace an empty mind with an open one.” —Malcolm Forbes

16. “Those who have knowledge, don’t predict. Those who predict, don’t have knowledge.” —Lao Tzu

17. “Knowledge is of no value unless you put it into practice.” —Anton Chekhov

18. “An investment in knowledge pays the best interest.” —Benjamin Franklin

19. “Human behavior flows from three main sources: desire, emotion, and knowledge.” —Plato

20. “Knowing is not enough; we must apply. Willing is not enough; we must do. “ —Johann Wolfgang von Goethe

21. “A single conversation across the table with a wise man is better than ten years mere study of books.” —Henry Wadsworth Longfellow

22. “Knowledge is the eye of desire and can become the pilot of the soul.” —Will Durant

23. “Humility and knowledge in poor clothes excel pride and ignorance in costly attire.” —William Penn

24. “Real knowledge is to know the extent of one’s ignorance.” —Confucius

25. “Knowledge rests not upon truth alone, but upon error also.” —Carl Jun

26. “It is always in season for old men to learn.” —Aeschylus

27. “The aim of education is the knowledge, not of facts, but of values.” —William Inge

28. “The larger the island of knowledge, the longer the shoreline of wonder.” —Ralph W. Sockman

29. “In vain have you acquired knowledge if you have not imparted it to others.” —Deuteronomy Rabbah

30. “Everybody is smarter than anybody.” —Carl Sandburg

We hope these 30 education quotes serve as a reminder of the value of education and the endless possibilities it brings. Whether you find motivation in the words of renowned thinkers or simply seek a moment of reflection, let these insights guide you on your journey. Share your favorite quotes and continue to inspire those around you as we all navigate the path of learning together.

If you enjoyed these quotes about education, be sure to check out P owerful Productivity Quotes to Boost Your Efficiency and Motivational and Inspirational Quotes for Teens

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Trump tells Fox News he had ‘every right’ to interfere in presidential election

Trump also called harris a ‘nasty person’ and claimed ‘the way she treated mike pence was horrible’, article bookmarked.

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Donald Trump has claimed that he had “every right” to interfere with the 2020 presidential election in a new interview with Fox News.

During his latest sit-down with media ally Mark Levin, the former president appeared to “confess”, legal experts said, to allegedly committing a crime by trying to overturn the results of the election – while also claiming that Kamala Harris is “a nasty person” who was “horrible” to Mike Pence.

Trump was talking about how it was “crazy” his “poll numbers went up” after he was indicted on charges over his alleged efforts to overturn the results of the election .

“Who ever heard you get indicted for interfering with a presidential election, where you have every right to do it,” he told Levin casually, who did not challenge Trump.

“You get indicted and your poll numbers go up... when people get indicted your poll numbers go down.”

Before he made the comment, Levin told the former president how special counsel Jack Smith’s superseding indictment of Trump in the federal election interference case “intended to breathe life back into the case” following the Supreme Court’s ruling that former presidents have immunity for official acts undertaken while president.

Legal commentators were quick to react on social media.

Former federal prosecutor Joyce Vance said on X: “There’s no right to ‘interfere’ with a presidential election. This is the banality of evil right here – Trump asserting he can override the will of the voters to claim victory in an election he lost. And, he will do it again. We must vote against him in overwhelming numbers.”

Katie Phang, legal analyst and MSNBC host, also chimed in: “Criming and then confessing to the criming. That’s a Trump specialty.”

Another attorney Taylor E Darcy said: “No one has the right to interfere with an election. Either 1) Trump believes his lies, or 2) Trump is old and delusional. Either way, he is unfit to be president.”

Many others simply tagged the Department of Justice X account to direct it to a clip of the interview, saying they hoped Smith’s office was “taking notes”.

In a court filing last week, lawyers for Trump revealed their intentions to urge a judge to dismiss the federal election subversion case against the former president after the Supreme Court ruling narrowed the scope of the landmark prosecution,

The defense team, in a joint filing late Friday with prosecutors that lays out dueling proposals for the next steps, foreshadowed a series of anticipated challenges that would draw the case out into next year.

Trump also used the interview as an opportunity to unleash another personal attack on Harris, calling her “a nasty person”.

“She’s a nasty person. The way she treated Mike Pence was horrible. The way she treats people is horrible,” he said.

Trump was likely referring to the 2020 vice presidential debate between the now-Democratic presidential nominee and Trump’s then-vice president Pence, where Harris scolded the Republican for interrupting her. “Mr Vice President, I’m speaking. I’m speaking,” she said. At the time, Trump called Harris a “monster” and said she was “totally unlikeable”.

But Trump was quickly called out on social media given his treatment of Pence in the aftermath of the 2020 election.

Following his loss to President Joe Biden, Trump falsely claimed that Pence could stop the certification of the results in the Democrat’s favor. When Pence refused, thousands of Trump’s supporters stormed the US Capitol on January 6 2021 – many of them chanting “hang Mike Pence .”

At the time, Trump told his advisors that his vice president “deserves it,” according to Liz Cheney, the Republican vice-chair of the January 6 select committee.

“You will hear that president Trump was yelling. He was really angry at advisers that told him he needed to be doing something more,” she said in 2022.

“And aware of the rioter’s chants to hang Mike Pence, the president responded with this sentiment: ‘Maybe our supporters have the right idea. Mike Pence deserves it.’”

Several social media users reminded Trump of this on Sunday night.

“I would argue the way HE treated Mike Pence was worse. Kamala didn’t have gallows waiting for his VP...Trump’s lies did,” one person said on X.

Another wrote: “Did he forget about the crowd he unleashed on Pence?”

“Kamala Harris famously sent a mob of Trump supporters to the Capitol after Mike Pence,” someone else joked.

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