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Art and the Italian Renaissance
How did the Italian Renaissance shape the history of art and artistic collections? And what can re-examination of this period teach us about art today?
This year marks the 500th anniversary of the death of Leonardo Da Vinci, one of the most prolific artists that ever lived and a leading light of the Renaissance period. To celebrate the life of this Italian polymath, we have created a collection exploring the art and artistic legacy of his cultural milieu: Renaissance Italy
The papers below cover a broad spectrum of Renaissance art scholarship, from Classical revivals, to the works of Leonardo, to his spirit of innovation in digital scholarship. The collection is free to read online until 31st December 2019.
Oxford Art Journal
Titian's Fire: Pyrotechnics and Representations in Sixteenth-Century Venice Paul Hills
Renaissance Faciality Maria H. Loh
Leonardo and Allegory Joost Keizer
(Check) Mating the Grand Masters: The Gendered, Sexualized Politics of Chess in Renaissance Italy Patricia Simons
Journal of Design History
Public Magnificence and Private Display: Giovanni Pontano's De splendore (1498) and the Domestic Arts Evelyn Welch
Holes and Loops: The Display and Collection of Medals in Renaissance Italy Luke Syson
By Sale, By Gift: Aspects of the Resale and Bequest of Goods in Late-Sixteenth-Century Venice Jack Hinton
Dreams of Machines: Futurism and l'Esprit Nouveau Tim Benton
Journal of the History of Collections
The Museum: Its Classical Etymology And Renaissance Genealogy Paula Findlen
Roman antiquities and the emergence of Renaissance civic collections William Stenhouse
‘Indian’ objects in Medici and Austrian-Habsburg inventories: A case-study of the sixteenth-century term Jessica Keating and Lia Markey
Collecting in the garden: Inventories of casini in late sixteenth- and early seventeenth-century Rome Lisa Neal Tice
British Journal of Aesthetics
Leonardo's Use Of Sfumato Helmut Ruhemann
The Leonardo Cartoon Peter Murray
Alberti's ‘Hidden’ Theory Of Visual Art David Kipp
Digital Scholarship in the Humanities
The Midas Touch? The Assets of Full-Text Retrieval Systems in Art History H. H. Mann
Bringing computing into the Middle Ages: the making of sybils!, a multimedia CD-ROM C. Garay and D. Walker
Beauty is truth: Multi-sensory input and the challenge of designing aesthetically pleasing digital resources Claire Warwick
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Dedicated to the study of Italian art and architecture from prehistory to the present
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Reminder – Applications for IAS Travel Grants due December 15th!
Italian Art Society Emerging Scholars Travel GrantThe Italian Art Society is currently offering two grants of $500 each year that […]
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Fall 2024 newsletter, reminder – applications due for ias positions on september 15, cfp: ias-sponsored sessions at icms 2025, what’s new in italian studies.
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November 21, although the presentation of the virgin , which is celebrated on november 21st, was not a common narrative scene in medieval art, monumental programs were dedicated to other major moments in the virgin’s life., november 21 is the feast of the presentation of the virgin ., orlando furioso 500 years in ferrara what did ludovico ariosto see when he closed his eyes.
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Allegories of Summer in Italian Art
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Employing the Imitation Theory of Art, this paper extends the inquiry on the legitimacy of Mkwawa’s skull to his portrait, created to complement the missing flesh on the skull.
How did the Italian Renaissance shape the history of art and artistic collections? And what can re-examination of this period teach us about art today?
Renaissance Studies is a multi-disciplinary journal which publishes articles and editions of documents on all aspects of Renaissance history and culture. The articles range over the history, art, architecture, religion, literature, and languages of Europe during the period.
research South American native culture. This paper examines how the Cohoba ritual of the Taíno was remembered in the accounts of Pigafetta and the imagery of Renaissance Italy, in comparison with modern ethnographic evidence.
The focus of the lecture was to evaluate some of the contributions of Piero della Francesca and his 15th-century contemporaries to the visual science, art and symbolism of his era, and its significance for the perception of depth structure from two-dimensional images.
What’s New in Italian Studies? Visit Member Publications to see recent titles on Italian Art and Architecture. Have a new publication to share? Current members should send information about recent books and articles for inclusion. More. Information. Submit a Publication. Emerging Scholars Committee.
THE ART OF THE ITALIAN RENAISSANCE.1. There are two periods in the history of the world's that are of supreme interest: the age of Pericles and Italian Renaissance. But they are widely different in character. The age of Pericles was the culmination of.
Alpers' contrast of the Northern "descriptive mode" to Italian painting consistently relies on 15th- and 16th-century sources for its definition of Italian painting and for Italian attitudes to Northern art.
View Italian art Research Papers on Academia.edu for free.
The article explores the imitation methods in Italian Renaissance and Baroque painting, which were widespread in the forms of copying, replication, compilation and imitation. Italian art inherited …