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Ardha Shathadham Review: A Mindless Violence

Ardha Shathadham Review: A Mindless Violence

OTT Movie: Ardha Shathadham Cast: Karthik Rathnam, Krishna Priya, Naveen Chandra, Subhalekha Sudhakar, Sai Kumar, Amani, and others Producers: Chitti Kiran Ramoju, Telu Radha Krishna Music: Nawfal Raja Direction: Rawindra Pulle Streaming on: Aha Video Release Date: June 11, 2021

"Aha” video is continuing to offer exclusive movies amid lockdown. “Ardha Shatabdham” is the latest film that premieres on this OTT platform.

Let’s analyze. 

The theme of caste violence or honor killings has lately become a regular trend in Telugu cinema. Directed by newcomer Rawindra Pulle, “Ardha Sathabdham” delves into the caste system in Telangana.

Set in Siricilla in 2003, the film begins as a romantic tale. Krishna (Karthik Ratham) is in love with Pushpa (Krishna Priya), who is the daughter of former Maoist leader Ramanna (Sai Kumar). Krishna has been in love with her since their school days but she does not reciprocate the same. It is one-way love.

Krishna is from the weaving community but runs a tent house. The story takes a doomy turn when Krishna assumes that the village’s Sarpanch’s son gave her a flower from a plant that he has been planning to propose to her with. 

Krishna and his friends beat the Sarpanch's son. The already simmering heat between the Sarpanch and his rival Veeranna turns violent due to this incident, and caste violence ensues.

First and foremost, director Rawindra’s ideas are vague. Is the film really about the caste issue or laws or constitutional ideas? In the name of caste, two factions unleash massacre, killings happen in the daylight in the main streets, but an S.I and two constables wait outside the village waiting for orders from a higher police officer as to what action should be taken? Have the director and producers not given a thought to how unrealistic this looks? 

Amid carnage in the Sircilla village, a woman, unrelated to the caste violence incidents, kills her lover as he lusted her sister and drags him onto the roads. Not even a single creature notice or respond? How can we take such scenes seriously? Is Sircilla exist in (undivided) Andhra Pradesh, or Bihar, or Africa? 

Added to this, there are dialogues and swear words like “Mo***di” that are unwarranted. When the main lead pair’s love story itself is silly, why would the audience invest in the rest of the story?

Mentioning Sircilla, a textile town, as a ‘village’ is another blunder mistake. Even if we assume the story is taking place in a nearby village, villagers killing each other like factionists in 2003 is a far-fetched idea. 

Moreover, the caste conflict in the love story looks forced and seems to have been placed as an afterthought. The love story and the village politics are poles apart from each other. 

The characterization of Naveen Chandra as a trigger-happy police officer and his thread into the story is another proof of poor scriptwriting skills. All the hype around his introduction scene peters out in the end, with little relevance to the story. The bookish dialogues between Ajay and Subhalekha Sudhakar are further proof that the director has failed to translate whatever lofty ideas he has in mind onto the screen. 

Without a word, the execution is clumsy and the narration is utterly boring. 

There is no chemistry between the lead pair. The romantic track is shown mostly as dream songs. Karthik Ratnam of ‘C/o Kancherapalem’ as the young villager in love has done a neat job. Krishna Priya is okay. Sai Kumar and Aamani are worth mentioning among other actors. 

One song is lilting. That’s it. 

Overall, “Ardha Sathabdam” is another OTT film that is told clumsily with unformed ideas. It joins the list of recent boring movies that hit the OTT space. 

Bottom-line: Half-Baked

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‘Ardha Shathabdham’ movie review: Incoherent narration mars interesting ideas

Earnest performances aren’t enough to hold together the telugu film ‘ardha shathabdham’, where romance, caste strife and a discussion on the indian constitution don’t blend seamlessly.

Updated - June 11, 2021 03:58 pm IST

Published - June 11, 2021 03:30 pm IST

Sangeetha Devi Dundoo

Karthik Rathnam and Krishnapriya in the film

  • Ardha Shathabdham
  • Cast: Karthik Rathnam, Krishnapriya, Sai Kumar, Naveen Chandra
  • Direction: Rawindra Pulle
  • Streaming on: Aha

It’s a relevant premise. When divisive forces are at work, a seemingly random incident is enough to stoke deep-rooted hatred and spark violence, as shown in the film. Rawindra tries to ask why humanity cannot rise above caste divisions to uphold the tenets of the Indian Constitution.

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The film looks at the social fabric issues through its myriad characters — a former Naxal, a youngster in the throes of a romance and seeking job prospects in Dubai, a police officer who is frustrated at having to carry out encounter killings, a politician who doesn’t flinch before doing something unjust, and the villagers who are caught up in their own ideas of caste-based social norms.

All this might have seemed interesting on paper, but doesn’t translate to a cohesive and absorbing narrative.

The opening sequence gives a glimpse of the fissures in the village, with a chieftain declaring that people of a certain caste should continue the work they have been doing over generations, and cannot dream of soaring higher. Oblivious to all this is the love-struck Krishna (Karthik Rathnam) who has been holding a candle for his childhood sweetheart Pushpa (newcomer Krishnapriya).

The first hour or so belongs to Karthik and the music composer Nawfal Raja Asi. Karthik gives in to the naive innocence required to carry off his part and is effective. The dreamy one-sided romance is deliberately languid in its pacing and the Chennai-based music composer accentuates it with tunes that vary from the folksy to the filmi melodies; one song has an unmistakable resonance of A R Rahman’s ‘ Raasathi’ ( Thiruda Thiruda ; 1993) though this one isn’t completely A Cappella. Though the music, the picturisation, and the lead pair are enjoyable to watch, little else happens.

At once, newer and complex characters that are distraught with the ways of society or battling their inner demons, come to the fore. After an innocuous incident leads to mayhem in the village, the narrative begins to meander.

Some of the scenes showing the violence in the village look amateurish. And too much happens without synergy. Cop Ranjith’s (Naveen Chandra) rage is understandable and so is the inner conflict of former rebel Ramanna (Sai Kumar). The discussion between a top cop (Ajay) and the MLA (Sudhakar) on what the Indian Constitution stands for and whether the killing of innocents can be justified, could have been an interesting one. But it gets boring, like the rest of the film.

For the most part, the acting remains earnest and that’s the only saving grace. Krishnapriya is expressive and has a striking screen presence. Naveen Chandra holds attention whenever he’s in the frame, but one wishes his character had been better written. The same goes for Sai Kumar and Aamani, whose presence could have been used even better. A host of other actors, including Ajay and Raja Ravindra, are wasted.

What Ardha Shathabdham lacks is a narrative with a beating heart that could have made us root for the characters.

( Ardha Shathabdham streams on Aha)

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ardha shatabdham movie review and rating

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Ardha Shathabdham

Ardha Shathabdham (2021)

The story revolve around the life of krishna. The story revolve around the life of krishna. The story revolve around the life of krishna.

  • Rawindra Pulle
  • Karthik Rathnam
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Ardha shatabdham movie review.

ardha shatabdham movie review and rating

'Ardha Shatabdham' today started streaming on Aha. The direct OTT release features non-star faces. Is it worth a watch? Here we tell you.

Krishna (Karthik Rathnam) has been in love with Pushpa (Krishna Priya) from childhood. The girl's father Ramanna (Sai Kumar), a former Maoist, is a doting dad. While Pushpa doesn't have feelings for Krishna, by a quirk of fate, a misunderstanding develops.

A heavy drama involving Naveen Chandra (a sub-inspector) and a few other characters with a stake in the village's so-called honour unfolds. Can Krishna ever win his love?

Performances

Karthik Rathnam has repeatedly played the villager's role since 'C/O Kancharapalem'. In the film under review, he essays a full-fledged role, especially in the first half. He has whole songs dedicated to his familiar feelings. The actor manages to make some impact. Krishna Priya should have been a fitting pair.

Sai Kumar, for all the heavy-duty lines that he speaks, is somewhat jaded. Naveen Chandra, who plays a mercurial cop with a heart, fits the bill. Ajay and Subhalekha Sudhakar , who are engaged in a serious conversation, don't raise the bar. Raja Ravindra 's character gets a raw deal. Aamani and Pavithra Lokesh play typical and over-sentimental mothers. Suhas shines in a cameo.

Technical aspects

Nawfal Raja AIS's songs flow with the mood of the film. But the BGM fails to create a sombre mood in the second half. It had to be really earnest for a film like this. Ashker, Venkat R Shakamuri, and EJ Venu's cinematography is in keeping with the overall modest technical appeal of the movie.

Anji's action choreography should have given jump scares or at least a couple of edge-of-the-scene moments.

Half of the movie unfolds over the span of a day in a village ravaged by irreconcilable caste-based differences. This very nature of the story should have prompted the use of a number of inventive screenplay devices. Writer-director Rawindra Pulle, instead, stages the riots in the village in a very lazy manner.

After a point, the calamitous events in the village don't bother the audience. It's because the film doesn't weave an emotional core in the first half. It becomes obsessed with Krishna's romantic feelings for Pushpa, who is framed in a series of cliched scenes and a raft of songs.

The attempts to create humour between the male lead and his friends is a dampener. The drama around a rose flower that Krishna dreams of gifting to Pushpa works as an idea. In terms of execution, however, one feels it should have been way too earnest and not sudden.

A small incident, which is at best an irritant, leads to a major law and order calamity. Amidst all this, Naveen Chandra 's SI character, Ajay 's SP character and Subhaleka Sudhakar's politician character are mere bystanders for the most part.

The climax seems to have been staged with the intention of making BR Ambedkar's statue sob. The writer of the Constitution would indeed be grieving today at the sight of caste-based killings in rural India. But the film spoon-feeds everything and is too straightforward in conveying its message against casteism. The cinema audience in Ambedkar would have rather preferred subtle films such as 'Karnan' (Tamil) to the superficial 'Ardha Shatabdham'.

Closing Remarks

If you are in a mood to watch a half-jovial, half-serious village-based love-action drama that is given to a number of flaws, give this one a try. At less than two hours, it's not that huge waste of your time.

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Ardha Shathabdham: ‘అర్థ శతాబ్దం’మూవీ రివ్యూ

Published Fri, Jun 11 2021 11:20 AM | Last Updated on Sat, Jun 12 2021 12:08 PM

Ardha Shathabdham Review And Rating In Telugu - Sakshi

ardha shatabdham movie review and rating

మైనస్‌ పాయింట్స్‌ ఫస్టాప్‌ అగ్రనటీనటులను సరిగా ఉపయోగించుకోలేకపోవడం మోతాదు మించిన ర‌క్త‌పాతం, హింస బలమైన సన్నీవేశాలు లేకపోవడం -అంజి శెట్టె, సాక్షి వెబ్‌డెస్క్‌

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ardha shatabdham movie review and rating

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ardha shatabdham movie review and rating

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Ardha Shathabdam

2.5 /5 Filmibeat

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Ardha Shathabdam Story

Ardha shathabdam cast & crew.

Karthik Rathnam

Ardha Shathabdam Crew Info

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Cinematography NA
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Budget TBA
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OTT Platform Aha Video
OTT Release Date 2021-06-11

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Frequently Asked Questions (FAQs) About Ardha Shathabdam

In this Ardha Shathabdam film, Karthik Rathnam , Naveen Chandra played the primary leads.

The Ardha Shathabdam was released in theaters on 11 Jun 2021.

The Ardha Shathabdam was directed by Rawindra Pull

Movies like Prabhas Hanu , Mechanic Rocky , The Raja Saab and others in a similar vein had the same genre but quite different stories.

The soundtracks and background music were composed by Nawfal Raja AIS for the movie Ardha Shathabdam.

You can watch the Ardha Shathabdam movie on Aha Video,.

On 11 Jun 2021 Ardha Shathabdam was released on the Aha Video, platform.

The movie Ardha Shathabdam belonged to the Action,Thriller, genre.

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Karthik 1177 Days Ago

Siddhanth 1178 days ago.

Started watching it with great curiousity but completely disappointed with this movie.no point where I felt good about this film..actual story starts after 40 minutes of the movie..few good actors in the movie but no use because of pointless story..

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ardha shatabdham movie review and rating

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ardha shatabdham movie review and rating

Ardha Satabdham Movie Review

Article by Satya B Published by GulteDesk --> Published on: 10:32 am, 11 June 2021 | Updated on 11:23 am, 17 February 2022

ardha shatabdham movie review and rating

Cast : Karthik Rathnam,Krishna Priya, Sai Kumar, Naveen Chandra Director : Rawindra Pull Music : Nawfal Raja AIS Banner : Rishitha Sree Creations, 24 Frames Celluloid Producer : Chitti Kiran Ramoju, Telu Radhakrishna Release Date : 11 Jun 2021 Streaming On : AHA

What Is It About?

In a story of the early 2000s, a lower-casted young man Krishna (Karthik Rathnam) falls in love with his childhood crush Pushpa (Krishna Priya), who is the daughter of an upper-caste Ex-Maoist Ramanna (Sai Kumar). Ramanna tries to enlighten the people through folklore performed by his daughter.

A small conflict triggered by Krishna and his friends due to the love affair, snowballs into a giant caste war in the village leading to many unexpected incidents, leaving many unanswered questions. When Ramanna is caught between the ideologies he believed all his life and the casteist inside himself, his decision and the consequences thereafter form the story.

Performances

Karthik Rathnam of C/o Kancharapalem suits the character and he performs fine. He is choosing offbeat characters mostly and he does justice to them. Debutante Krishna Priya as Pushpa is okay. Sai Kumar as Ramanna excels in his role. This is just a cakewalk for him.

Raja Ravindra, Pavithra Lokesh, Aamani, and Pithamagan Mahadevan are fine in their respective roles. Naveen Chandra did well with his character as an ethical but helpless police officer. He often gets sandwiched between political pressure and sensibility.

Ajay and Subhaleka Sudhakar appear as high-ranked police officer and politician respectively. The conversation between them is thought-provoking and engaging. They both did well in their respective roles. Late actor TNR appears in a brief role. Suhas did a blink-and-miss role.

Technicalities

Ardha Satabdham is a story with Telangana’s Siricilla backdrop sometime back in the early 2000s. The language, attires, and properties used were apt.

Though a song or two are melodious, they turn speed breakers as they were used to show the love story in Krishna’s daydreams.

Editing could have been better. Dialogues are good. Cinematography is fine. The movie appears a bit slowed down in the beginning before the actual plot unravels. The massacre scenes could have been shot a little better.

Cuss words were used liberally, but they don’t appear irrelevant with the narration and storyline.

Story/Concept Dialogues Sai Kumar Ajay – Subhaleka Sudhakar Conversation

Songs Lag in first half

Ardha Satabdham is a story based on deep-rooted castism that still prevails and throws up unanswerable questions even after five decades of independence. The director tells us a story of democratic violence where the oppressed and the oppressor get destroyed at the same time.

A lower-casted young man who thinks his childhood crush is loving him gets into a scuffle with an upper-casted man, which quickly escalates into a bloody caste massacre in the village. Things easily get upscaled with pre-existing discrimination in society.

The politician’s order to put down the girl and the boy is a classic example of political violence. The politician’s justification on why the people won’t change and how the constitution is being used is well written and performed.

The director points out that no one ever understood the true meaning of liberation and independence even after five decades we earned it. The crucial conversation between the SP and the politician emphasizes how the constitution is being used by many to keep the oppression alive. To underline modern Indian society’s discrimination, the politician brings up the Karamchedu massacre. Some powerful lines like ‘Caste is the constitution that is unwritten yet unerasable’ are well written.

Apart from the political angle that demands the encounter of the boy and the girl, the role of the girl’s father is neatly written. When heard about his daughter eloping with Krishna, Ramanna gets caught between his casteist himself and his ideology that does not believe in the caste system. The struggle within himself at that point and the bitterness when he is left helpless with the caste taking over everything he believed and loved, is very well shown.

The director shows how the system fails before the caste, even when the political violence takes a step back and when the casteist father realizes the fact.

Bottom line: A Failed Love Story

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Ardha Shathabdham Movie Review

విడుదల తేదీ : జూన్ 11, 2021

123telugu.com Rating : 2.25/5

నటీనటులు : కార్తీక్ ర‌త్నం, న‌వీన్ చంద్ర‌, సాయికుమార్‌, కృష్ణ ప్రియ‌, శుభ‌లేఖ సుధాక‌ర్

దర్శకత్వం : ర‌వీంద్ర పుల్లె

నిర్మాత‌ : : చిట్టి కిర‌ణ్ రామోజు

సంగీతం : నవ్‌ఫాల్ రాజా ఎఐఎస్

సినిమాటోగ్రఫీ : అష్కర్, వెంకట్ ఆర్ శాకమూరి, ఈజె వేణు

ఎడిటింగ్ : ప్రతాప్ కుమార్

ప్రస్తుతం కొనసాగుతున్న పలు ఓటిటి చిత్రాలు మరియు వెబ్ సిరీస్ ల రివ్యూల క్రమంలో మేము ఎంచుకున్న లేటెస్ట్ చిత్రం “అర్ధ శతాబ్ధం”. ఈ మూవీ నేడు ఆహాలో విడుదల అయ్యింది. మరి ఈ చిత్రం ప్రేక్షకులను ఎంత మేర ఆకట్టుకుందో సమీక్షలోకి వెళ్లి తెలుసుకుందాం రండి.

కథలోకి వెళ్లినట్టయితే తెలంగాణలోని సిరిసిల్ల పట్టణంలోని కృష్ణ(కార్తీక్ రత్నం) అనే వ్యక్తి పుష్ప(కృష్ణ ప్రియ) అనే అమ్మాయిని ప్రేమిస్తాడు. అయితే కృష్ణ తన ప్రేమను పుష్పకు చెప్పాలనుకున్న సమయంలో సృష్టించిన ఒక వెర్రి సంఘటన ఆ గ్రామమంతా అందులో కలగజేసుకునేలా మారింది. కుల సంబంధిత సమస్యలు బయటికి రావడంతో ఆ వివాదం మరింత పెద్దదిగా మారిపోతుంది. ఆ సమయంలో కృష్ణుడు ఏమి చేస్తాడు? ఆ సమస్యను అతను ఎలా ఎదుర్కొంటాడు? చివరకు ఆ గ్రామానికి ఏమవుతుంది? అనేదే అసలు కథాంశం.

ప్లస్ పాయింట్స్:

ఈ చిత్రంలో ప్రధాన పాత్ర పోషించిన కార్తీక్ రత్నం వన్ సైడ్ ప్రేమికుడిగా చాలా బాగా ఆకట్టుకున్నాడు. అన్ని ప్రేమ సన్నివేశాల్లో కార్తీక్ బాగా నటించాడు, ముఖ్యంగా సెకండాఫ్‌లో అతను చాలా బాగున్నాడు. నిస్సహాయ ప్రేమికుడిగా కనిపించడం కూడా చాలా బాగా అనిపించింది.

కృష్ణ ప్రియ ఓక్ విలేజ్ అమ్మాయిలా చక్కగా సెట్ అయ్యింది. ఆమె తన పాత్రకు ఏది అవసరమో అదే చేసింది. ఇక ఈ చిత్రం యొక్క క్లైమాక్స్ డీసెంట్‌గా అనిపించింది. అనిల్ గీలా ఫ్రెండ్స్ గ్యాంగ్ బాగుంది. గ్రామీణ వాతావరణం ఈ చిత్రంలో బాగా చూపించబడింది.

ఈ చిత్రం యొక్క రెండవ భాగంలో కొన్ని సీన్లు మరియు అది ముగిసిన విధానం బాగుంది. తక్కువ సమయంలో గ్రామంలోని చిన్న కులాల సమస్యలను కొన్ని సన్నివేశాల్లో చక్కగా చూపించగలిగారు. అజయ్ తన పోలీసు పాత్రలో చక్కగా ఉండగా, శుభలేఖ సుధాకర్ కూడా తన పాత్రకు న్యాయం చేశాడు.

మైనస్ పాయింట్స్:

మాజీ నక్సలైట్ పాత్రలో సాయి కుమార్ బాగానే కనిపించినా అతని పాత్రకు అంత స్పష్టత లేదు. అంతేకాదు కొన్ని సన్నివేశాలు మరియు చివరికి అతను ఏమనుకుంటున్నారనేదానిపై అంతగా స్పష్టత లేదు. నవీన్ చంద్ర ఒక అగ్రెసివ్ పోలీసుగా నటించినా అతని పాత్రకు ప్రాముఖ్యత కనిపించలేదు. ఇలాంటి పాత్రకు తను ఎందుకు ఒకే చెప్పాడో అర్థం చేసుకోవడం కష్టం.

అయితే దాదాపు ఫస్ట్ హాఫ్‌లో హీరో హీరోయిన్ చుట్టూ సైకిల్‌పై తిరుగుతూ మరియు ఆమెకు లవ్ ప్రపోజ్ చేయడమే ఎక్కువగా కనించడంతో ఇది బాగా నిరుత్సాహపరించింది. ఇక దీని తరువాత పాటలు ఒకే లవ్ యాంగిల్ సమయాన్ని మళ్లీ మళ్లీ ప్రదర్శిస్తాయి. ఇవన్నీ ఇప్పటికే చాలా సినిమాల్లో చూడడంతో కాస్త బోర్‌గా అనిపిస్తాయి.

ఇక అసలు కథ రెండవ భాగంలో మొదలవుతుంది. అందులో కులాల అంశం తెరపైకి వస్తుంది. చాలా కథలు మరియు పోరాటాలు ప్రధాన ఇతివృత్తానికి కూడా అనుసంధానించబడవు. సౌలభ్యం కోసమే, కుల-ఆధారిత పోరాటాలు హైలైట్ చేయబడతాయి. ఇలాంటి అసలు అవసరం లేదని చెప్పాలి.

సాంకేతిక విభాగం:

ఈ చిత్రం యొక్క నిర్మాణ విలువలు బాగున్నాయి మరియు బీజీఎం కూడా బాగుంది. పాటలు డీసెంట్‌గా ఉన్నా కాస్త భయంకరమైన రీతిలో ఉన్నాయి. ఇక విలేజ్ సెటప్‌ను బాగా చూపించిన కెమెరా పనితీరు చాలా బాగుంది. ప్రొడక్షన్ డిజైన్ మరియు ఆర్ట్ డిపార్ట్మెంట్ చక్కగా పని చేశారు. శుభలేఖ సుధాకర్ కోసం రాసిన డైలాగులు బాగా ఆకట్టుకున్నాయి.

దర్శకుడు రవీంద్ర పుల్లె విషయానికి వస్తే అతని కథ ఆలోచన బాగుంది కానీ అది అమలు చేసిన విధానం నిరాశపరిచింది. అతను ఫస్ట్ హాఫ్‌లో పాత సీన్ల మాదిరిగానే హీరో హీరోయిన్ వెంట పడే సన్నివేశాలను ఎక్కువగా చూపించాడు కానీ మిగిలిన వాటిపై దృష్టి పెట్టలేదు. ఇక హీరోయిన్ కోణం ద్వారా ప్రాథమిక మలుపును తెచ్చినప్పటికీ, కుల వ్యవస్థను హైలైట్ చేసే విధానం బాగా అనిపించలేదు. ఎలాంటి కారణం లేకుండానే ఒకరినొకరు చంపుకోవడం మరియు భావోద్వేగాలు ఉన్నా సినిమాకు ఓ ఎజెండా లేదనే చెప్పాలి.

ఇక మొత్తంగా చూసుకున్నట్టయితే అర్ధ శతాబ్ధం మంచి కథను కలిగి ఉన్నా కొన్ని రొటిన్ మరియు వేగవంతమైన కథనం ద్వారా అది కాస్త చెడిపోయింది. మొదటి సగం బోరింగ్, రొటీన్ మరియు పెద్దగా విలువలు కనిపించలేదు. కానీ విరామ సమయం నుంచి కాస్త విషయాలు అర్ధవంతం అవుతాయి. కీ ట్విస్ట్ వెల్లడైన తర్వాత, కుల వ్యవస్థ సమస్యలు వంటి అంశాలు బాగున్నా పెద్దగా ఎమోషన్‌గా అయితే కనెక్ట్ కాలేరు. ఏదేమైనా ఈ వారాంతంలో ఈ సినిమా ఓ యావరేజ్ చిత్రంగా నిలిచే అవకాశం ఉంది

Reviewed by 123telugu Team

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సంబంధిత సమాచారం

వైరల్: కూతురు సితార తో సూపర్ స్టార్ స్టైలిష్ లుక్, 50 ఏళ్లు పూర్తి చేసుకున్న యాక్షన్ కింగ్ బాలయ్య కి అభినందనలు – రజినీకాంత్, రిలీజ్ కి ముందే 4 కోట్లతో “గబ్బర్ సింగ్”, “దేవర” థర్డ్ సింగిల్ పై ఇంట్రెస్టింగ్ అప్డేట్ ఇచ్చిన అనిరుధ్, విజయ్ “ది గోట్” అడ్వాన్స్ బుకింగ్స్ ఓపెన్, మండే మేమంతా వెళ్తాం గబ్బర్ సింగ్ కి – నాని.

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ఫస్టాఫ్ ఎలా ఉందంటే...

ఫస్టాఫ్ ఎలా ఉందంటే...

అర్ధశతాబ్దం కథలో కృష్ణ, పుష్ప పాత్రలను హైలెట్‌గా డిజైన్ చేయడంలో దర్శకుడు తన ప్రతిభను చాటుకొన్నాడు. అయితుే కృష్ణ, పుష్ప ప్రేమను ఎంటర్‌టైనింగ్, ఫీల్‌గుడ్‌ నోట్‌లో ప్రారంభమైనప్పటికీ.. అసలు సమస్యను చెప్పడానికి లవ్ ట్రాక్‌ను సాగదీశాడనే ఫీలింగ్ కలుగుతుంది. అయితే కథలో బలమైన పాయింట్‌గా మారిన కుల వివక్షను వివరంగా, బలంగా చెప్పడంలో దర్శకుడు ట్రాక్ మిస్ అయ్యాడనిపిస్తుంది. అనేక రకాల పాత్రలను కథలో బలంగా ఎస్టాబ్లిష్ చేయలేకపోయాడనిపిస్తుంది.

సెకండాఫ్‌ గురించి

సెకండాఫ్‌ గురించి

కాకపోతే సెకండాఫ్‌లో సమాజంలో ఎన్నో ప్రశ్నలను లేవనెత్తే పాయింట్‌ను ఎలాంటి వివాదానికి తావివ్వకుండా చెప్పడంలో దర్శకుడు రవీంద్ర పుల్లె సఫలమయ్యాడనిపిస్తుంది. అంతేకాకుండా కర్ర విరగకుండా పాము చావకుండా.. కొంత డిఫెన్సివ్ మోడ్‌లో కథ చెప్పడానికి ప్రయత్నించారనే ఫీలింగ్ కూడా కలుగుతుంది. తొలి భాగంలో సన్నివేశాలు పేలవంగా ఉంటే.. సెకండాఫ్‌లో కొన్ని సీన్లు చాలా ఎమోషనల్‌గా అనిపిస్తాయి.

కార్తీక్ రత్నం, కృష్ణ ప్రియ యాక్టింగ్ గురించి

కార్తీక్ రత్నం, కృష్ణ ప్రియ యాక్టింగ్ గురించి

కృష్ణగా కార్తీక్ రత్నం, పుష్పగా కృష్ణ ప్రియ పాత్రలో వారు ఒదిగిపోవడమే కాకుండా.. కథకు ప్రాణంగా నిలిచారు. కార్తీక్ పాత్ర ఫస్టాఫ్‌లో లవర్ బాయ్‌గా జోష్‌గా కనిపిస్తే.. సెకండాఫ్‌లో భావోద్వేగమైన నటనను ప్రదర్శించాడు. కృష్ణ ప్రియ విషయానికి వస్తే.. మొదటి సీన్ నుంచి చివరి సీన్ వరకు తన టాలెంట్‌తో ఆకట్టుకొన్నారు. కృష్ణ ప్రియ చిన్నప్పటి క్యారెక్టర్ వేసిన చిన్నారి కూడా బాగా ఆకట్టుకొన్నారు.

మిగితా పాత్రల పెర్ఫార్మెన్స్

మిగితా పాత్రల పెర్ఫార్మెన్స్

మిగితా పాత్రల్లో రామన్నగా సాయి కుమార్ తన పాత్రకు పూర్తిస్థాయిలో న్యాయం చేస్తూ కథకు వెన్నముకగా మారారు. ఇక శుభలేఖ సుధాకర్ రాజకీయ వేత్త పాత్రతో సినిమాకు కేంద్ర బిందువుగా గతంలో ఎన్నడూ లేని విధంగా ఉత్తమ నటనను ప్రదర్శించాడు. ఆమని కూడా తన పాత్ర పరిధి మేరకు ఫర్వాలేదనిపించారు. పవిత్ర లోకేష్ పాత్ర నిడివి తక్కువే అయినప్పటికీ.. గుర్తుండిపోయే నటనను ప్రదర్శించారు. ఈ పాత్రలన్నీ ఇంకా బలంగా చెప్పడానికి అవకాశం ఉన్నప్పటికీ.. ఆ దిశగా ప్రయత్నం చేయలేరనే ఫీలింగ్ కలుగుతుంది. మిగితా పాత్రల్లో నటులు ఓకే అనిపించారు.

టెక్నికల్ విభాగాల పనితీరు

టెక్నికల్ విభాగాల పనితీరు

సాంకేతిక విభాగం నిపుణుల విషయానికి వస్తే.. సినిమాటోగ్రఫి విభాగంలో అష్కర్, వేణు ఈజే, వెంకట్ ఆర్ శాఖమూరి పనితనం బాగుంది. పాటల, బతుకమ్మ సీన్లలో లైటింగ్, సీన్ల ఎలివేషన్ బాగుంది. నవాఫల్ రాజా అసి మ్యూజిక్ స్పెషల్ ఎట్రాక్షన్. ప్రతాప్ కుమార్ ఎడిటింగ్ కూడా బాగుంది. చాలా చోట్ల డైలాగ్స్ ఆలోచింపజేసే విధంగా ఉన్నాయి. రాధా కృష్ణ, చిట్టి కిరణ్ రామోజు నిర్మాణ విలువలు బాగున్నాయి. కథ, కథనాలు, పాత్రల డిజైన్‌పై మరింత దృష్టిపెట్టాల్సి ఉంటే బాగుండేదేమోననిపిస్తుంది.

ఫైనల్‌గా

అగ్ర కులాలు, అణగారిన కులాలు వివక్షను మరోసారి ఎత్తి చూసే ప్రయత్నం చేసే చిత్రం అర్ధ శతాబ్దం రూపొందింది. నిద్ర మత్తులో ఉన్న సమాజాన్ని తట్టిలేపే బలమైన కథ ఉన్నప్పటికీ.. పూర్తిస్థాయిలో తన అస్త్రాన్ని ఉపయోగించలేదనే లోపం కొట్టొచ్చినట్టు కనిపిస్తుంది. నక్సలైట్ల ఉద్యమం, విధి నిర్వాహణలో పోలీసుల వైఫల్యం, గ్రామీణ రాజకీయాలు, నిరుద్యోగం, చేతి వృత్తుల ఇలా అనేక అంశాలను టచ్ చేసేందుకు చేసిన ప్రయత్నం అభినందనీయం. సామాజిక చైతన్యం నేపథ్యంగా వచ్చే సినిమాలను ఆదరించే వారికి అర్ధ శతాబ్దం తప్పకుండా నచ్చుతుంది. ఫ్యామిలీతో కలిసి చూడటానికి సినిమాలో ఉపయోగించిన బూతులు కొంత ఇబ్బందికరంగానే మారే అవకాశం ఉంది.

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ardha shatabdham movie review and rating

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Ardha Shathabdham

Ardha Shathabdham

Ardha Shathabdham: Release Date, Trailer, Songs, Cast

  • Release Date 11 June 2021
  • Language Telugu
  • Genre Action, Drama, Romance
  • Duration 1h 56min
  • Cast Karthik Rathnam, Naveen Chandra, Krishna Priya, Suhas, P. Sai Kumar, Subhalekha Sudhakar, Aamani, Pavitra Lokesh, Raja Ravindra, Ajay, Ramaraju, Anil Geela, Thummala Narsimha Reddy, Gautam Raju, Rajsekhar Aningi, Saranya Pradeep, Dayanand Reddy, Roja Bharati
  • Director Rawindra Pulle
  • Writer Rawindra Pulle
  • Cinematography Ashker, Venkat R. Shakamuri, EJ Venu
  • Music Nawfal Raja AIS
  • Producer Chitti Kiran Ramoju
  • Production Rishitha Sree Creations
  • Certificate 13+

About Ardha Shathabdham Movie (2021)

Krishna (Karthik Rathnam) lives in the small town of Siricialla, Telangana. He falls in love with Pushpa (Krishna Priya). But it is one-sided love for Krishna, and when he decides to reveal his love, a crazy incident created by Krishna gets the entire village involved. This in turn makes things worse, as caste-related issues come into the fray. How will he deal with such an issue?

Ardha Shathabdham Movie Cast, Release Date, Trailer, Songs and Ratings

Ardha Shathabdham Movie Cast, Release Date, Trailer, Songs and Ratings

Rating

Ardha Shathabdham Movie Trailer

Ardha shathabdham movie songs.

# TITLE ARTIST DURATION LISTEN
1. Ye Kannulu Chudani Chitrame Sid Sriram 4:49
2. Errani Sooreede Mohana Bhogaraju 2:52
3. Nee Premaney Anthony Daasan 1:40
4. Arey Meriseyle Meriseyle Shankar Mahadevan 5:05
5. Raye Vennalamma Raye Sakthi Loganathan 2:45
6. Kalam Adigey Manishante Evaru Anurag Kulkarni 4:39

Listen Songs on Amazon Music

Ardha Shathabdham Photos

Ardha Shathabdham - 1

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ardha shatabdham movie review and rating

Ardha Shathabdam

  • Karthik Rathnam (Hero)
  • Krishnapriya (Heroine)
  • Rawindra Pulle (Director)
  • Nawfal Raja AIS (Music Director)
  • Chitti Kiran Ramoju (producer)

Watch Trailer

The 2021 action drama film Ardha Shathabdam is written and directed by Rawindra Pulle, a debutante from India. It is set in Telugu. The film, which was produced by Chitti Kiran Ramoju & Radhakrishna Telu, features notable performances by Karthik Rathnam, Naveen Chandra, Krishna Priya, and Suhas. On June 11, 2021, the movie debuted on Aha. The 2003 setting of the movie is based on India’s caste system.

The movie’s principal photography started in 2019. Shot in the majority of the scenes in Nirmal, Telangana.

More Details

Director
Story
Screenplay
Dialogues
Cinematography
Editor
Music
Producer
Cast
Release Type Theatre
Language Telugu
Production Rishitha Sree Creations & 24 Frames Celluloid
OTT Platform Prime Video
OTT Release Date December 15, 2022

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Ardhashathabdam

Ardhashathabdam (2021)

  • Cast & Crew
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Ravindra Pulle

Joss Whedon, Stan Lee

Karthik Rathnam , Sai Kumar , Naveen Chandra

Action / Thriller

Release Date:

11 Jun 2021

Ardhashathabdam Review

  • GreatAndhra 2/5 There is no chemistry between the lead pair. The romantic track is shown mostly as dream songs. Karthik Ratnam of ‘C/o Kancherapalem’ as the young villager in love has done a neat job. Krishna Priya is okay. Sai Kumar and Aamani are worth mentioning among other actors. Overall, “Ardha Sathabdam” is another OTT film that is told clumsily with unformed ideas. It joins the list of recent boring movies that hit the OTT space. More text -->
  • Pinkvilla 2/5 The characters look frozen and the moral dilemmas are not properly fleshed out. Tribal loyalties trump humanity, but everything plays out in a blind fashion. On the one hand, we have acclaimed movies like 'Karnan' (Tamil), which too dealt with the subject of caste violence. On the other hand, we have an 'Ardha Shatabdham', where a sociological catastrophe pans out like in a regular film. More text -->
  • Mirchi9 2/5 Overall, Ardha Shatabdham is an honest attempt that wastes a lot of time to get to the point. However, once it does, it manages to engage moderately, in parts, despite the hackneyed plot involving caste angle. Give it a try, but with zero expectations as you have the forward option. More text -->

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Sircilla has been a municipality since the 1980s but it becomes a village for the story setting of new director Rawindra Pulle’s ‘Ardha Shathabdham’. Set in 2003, ‘Ardha Shathabdham’ (half-century) addresses the issue of class and caste discrimination even after 50 years of Independence and the existence of the constitution of India. That the marginalized classes were still not getting equal treatment in society is the point the film tries to convey. And this message is hyperlinked to a love story.

Thus the story begins in Sircilla village in 2003, with the local boy Krishna (Karthika Rathnam) is trying to propose to Pushpa (Krishna Priya). While she doesn’t love him, he imagines her as his girlfriend, and he even indulges in dream songs of marrying her. After many months, realization strikes him that he has a nurtured dream that is one-sided and he read the signals wrongly. 

His wrongdoing leads to a chain of actions in the village leading to the crescendo of caste violence. Police officer Ranjith (Naveen Chandra) steps into the village to bring peace. On the other hand, Pushpa’s father Ramanna (Sai Kumar), a former moist leader who shuns caste, faces a conflict as well. The love story and the village politics take a violent turn.

Director Rawindra Pulle sure does have lofty ideas but his intention is appreciable but his narrative is half-baked, lacks engagement. 

The one-sided love story occupies nearly 50 minutes of the 2-hour runtime, and the romantic tracks are not at all compelling at any point. 

The interval bang is even more passive. 

The caste conflict and the violence look superficial, and out of place for the Telangana region. Plus, an entire village is taking swords and fighting with each other in the style of faction feuds in Telangana is unimaginable, even though the honor killings have lately been recorded.

‘Bathukamma’ festivals, Praja Natya Mandali meetings, the Maoist angle, etc are captured well to depict the rural Telangana’s culture and lifestyle. However, when it comes to telling the story convincingly and engagingly, it falters big time. 

Primarily, the romance between the young couple is not mutual. It is a one-sided love. So, by adding a caste angle to this love story, every sequence in the film looks artificial, nothing is organic. 

C/O Kancharapalem-fame Karthik Rathnam has played the main lead role. He fits well in the role of a lover boy from a lower-middle-class. Malayali girl Krishna Priya also suits well to her role. But there is nothing to rave about any of the performances here. Naveen Chandra’s character is clumsily written and the actor plays it nonchalantly. This character is a perfect example that how half-baked ideas are thrown into the film. 

Music and cinematography are good. 

Bottom-line:  ‘Ardha Sathabdham’ has lofty intentions, but it falters in the narrative. Weak direction and vague ideas have marred the film. The ideas are lost in translation. 

OTT Movie: Ardha Shathabdham Cast:  Karthik Rathnam, Krishna Priya, Naveen Chandra, Sai Kumar, Aamani Cinematography:  Ashkar, Venkat R Shakamuri, EJ Venu Music:  Nawfal Raja Editor:  J Pratap Kumar Producers:  Chitti Kiran Ramoju, Telu Radha Krishna Written and Directed by:  Rawindra Pulle Streaming on:  Aha Video Release Date:  June 11, 2021

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Ardha Shathabdham

Ardha Shathabdham (2021)

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After five decades of Independence, India's rural landscape still throws up unanswerable questions. Can a love story bring a revolution? Witness this earthy love story set in the early 2000s.

Rawindra Pulle

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Karthik Rathnam

Karthik Rathnam

Naveen Chandra

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Subhalekha Sudhakar

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Ardha Shathabdham

Original Title అర్థ శతాబ్దం

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Original Language Telugu

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Ardha Shathabdham Movie Review: Amateur making casts a shadow over this well-intentioned misfire

Rating: ( 1.5 / 5).

Opening scenes can often be deceiving. They can delude us into believing we are in for a great film only to leave us betrayed at the end of it all. Set in 2003, Rawindra Pulle’s  Ardha Shathabdam , opens with a caste-fueled conflict. One of the villagers of Sircilla is persecuted by the members of the village panchayat for opening a barbershop, an occupation that must be ‘rightfully’ practiced only by people of a particular caste. The scene segues to an opening montage number illustrating the lifestyle of the village dwellers, and the sequence is specifically designed to emphasise the different occupations people adapt for a living. We see farmers, weavers, lumberjacks, sculptors, tailors, barbers, butchers, metalsmiths, pot-makers, and more. 

Director: Rawindra Pulle

Cast: Karthik Rathnam, Navin Chandra, Sai Kumar, Krishna Priya, Subhaleka Sudhakar, Amani

Streaming on: Aha

What could be a better way to start a film about caste conflict than representing the various occupations, which, for generations, have been interlaced with caste? As we see some of them looking straight at the lens sporting broad smiles,  Ardha Shathabdam,  for a few moments, becomes a documentary, and is elicits a lovely response. But... this feeling soon fades away.  

The authenticity of the opening stretch wears down as cinematic cliches start eroding the screenplay just minutes later. The writers palaver for over 45 minutes on the feeble and the often exasperating love story between Krishna (Karthik Rathnam, trying his best to salvage an underdeveloped script) and Pushpa (Krishna Priya, who simply exists in the frame). The film breaks into musical montages or songs every time the two come face-to-face, making  Uppena  look like a masterclass in song placement. Although the screenplay reels us back in time to their school days to set up their love story, we barely care for them. Even an emotional callback to this school during the final moments of the film hardly left an impression. Perhaps, the filmmaker felt the need to properly develop the love angle because it doubles up as the ‘incitement factor’ later in the screenplay. However, by the time this plot point arrives, I was restless.  

Pushpa is the daughter of Ramanna (Sai Kumar in a character he can pull off in slumber), a former Naxalite who has forged his identity by standing up against caste inequality. However, he wastes no time in standing up for the inequality when he hears an inane dialogue from his nemesis. The crude line goes, “ mana pakkana unna vaadu mana kulam kaakapoina parledhu, kaani mana bidda pakkalo undetodu mana vaadu ayyundali  (It’s fine if the man beside us belongs to a different caste but it’s unacceptable for a guy from that caste to share the bed with our daughters).” Deterrents like the wavering politics of a character or how emotional frailties indoctrinate a person are fascinating issues to argue about, and I would have loved it for the film to give us nuanced arguments to ponder on. However, the incoherent narrative puts you off on a fundamental level, and how! 

The entire second half of the film is centered on caste-related riots enkindled by Krishna’s foolish act and an equally trifling screenplay. Blood-thirsty people prowl across streets, massacring anyone and everyone. Even then we barely feel the lurking threat, and at certain points, the badly choreographed and terribly enacted scenes besmirch the scant emotional resonance that the writing tries to accomplish. 

The villagers are slashed and killed, but they remain faceless extras, never to make a humanistic impression. The deaths and heinous hate crimes too leave us indifferent to the pain and sadness as we hardly know the people being butchered; the film’s devoid of the sense of belonging and kinship. When the filmmaker can spend 40 minutes on a juvenile love story, why not spend a couple of extra minutes to instill a sense of affinity towards these villagers? At one point, a low-caste man is hacked to death after having his genitals cleaved for stealing mangoes from the garden belonging to a higher caste person. We later see the perpetrators make sly remarks about his widow, who is now a cobbler. A scene as such should ideally leave our blood boiling, but it’s the tragic violin score that nudged me to feel sorry for the helpless woman. That’s the issue... the film fails to organically provoke you with its story-telling.

We also have a police officer (Ajay) in a conversation with a skewed politician (Subhalekha Sudhakar). Interestingly, they double up for right and wrong. The politician spouts allegories and analogies while the policeman is practical. Their discourse reflects the film’s idea—the disparity between the theoretical and pragmatic reading of the caste system and its consequences. The exchange—the clash of ideologies—is well-intentioned but inefficacious, and at times, frustrating, just like the film.

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    Ardha Shathabdham movie is directed by Rawindra Pulle. Produced by Chitti Kiran Ramoju. Karthik Rathnam, Krishna Priya, Naveen Chandra, Sai Kumar, Aamani, Dayanand Reddy, TNR in lead roles. This film Hit the AHA OTT on June 11th.

  18. Ardha Shathabdham Movie (2021)

    About Ardha Shathabdham Movie (2021) Krishna (Karthik Rathnam) lives in the small town of Siricialla, Telangana. He falls in love with Pushpa (Krishna Priya). But it is one-sided love for Krishna, and when he decides to reveal his love, a crazy incident created by Krishna gets the entire village involved.

  19. Ardha Shathabdam : Cast, Crew, Movie Review, Release Date, Teaser

    Story: The 2021 action drama film Ardha Shathabdam is written and directed by Rawindra Pulle, a debutante from India. It is set in Telugu. The film, which was produced by Chitti Kiran Ramoju & Radhakrishna Telu, features notable performances by Karthik Rathnam, Naveen Chandra, Krishna Priya, and Suhas. On June 11, 2021, the movie debuted on Aha.

  20. Ardhashathabdam movie Review

    Tribal loyalties trump humanity, but everything plays out in a blind fashion. On the one hand, we have acclaimed movies like 'Karnan' (Tamil), which too dealt with the subject of caste violence. On the other hand, we have an 'Ardha Shatabdham', where a sociological catastrophe pans out like in a regular film.

  21. Ardha Shathabdham Review : Laudable idea let down by weak script

    Sravan Vanaparthy, TNN, Updated: Jun 11, 2021, 03.48 PM IST Critic's Rating: 2.5/5. Story: When Krishna falls for Pushpa, the daughter of an ex-naxalite, little does he know that their love will ...

  22. Ardha Shathabdham Review: Lofty idea, weak drive

    Sircilla has been a municipality since the 1980s but it becomes a village for the story setting of new director Rawindra Pulle's 'Ardha Shathabdham'. Set in 2003, 'Ardha Shathabdham' (half-century) addresses the issue of class and caste discrimination even after 50 years of Independence and the existence of the constitution of India.

  23. Ardha Shathabdham (2021)

    Director. After five decades of Independence, India's rural landscape still throws up unanswerable questions. Can a love story bring a revolution? Witness this earthy love story set in the early 2000s.

  24. Ardha Shathabdham Movie Review: Amateur making casts a shadow over this

    Opening scenes can often be deceiving. They can delude us into believing we are in for a great film only to leave us betrayed at the end of it all. Set in 2003, Rawindra Pulle's Ardha Shathabdam, opens with a caste-fueled conflict. One of the villagers of Sircilla is persecuted by the members of the village panchayat for opening a barbershop ...