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- മൂന്ന് സ്ത്രീകള്, ഒരു ജീവിതം- മെമ്മറീസ് ഓഫ് ബേര്ണിംഗ് ബോഡി റിവ്യു
ഐഎഫ്എഫ്കെയുടെ മത്സര വിഭാഗത്തിൽ പ്രദർശിപ്പിക്കുന്ന ചിത്രം മെമ്മറീസ് ഓഫ് ബേർണിംഗ് ബോഡിയുടെ റിവ്യു.
- അടുമുടി പൊളിറ്റിക്കലാണ് ഈ കമിംഗ് ഓഫ് ഏജ് ഡ്രാമ; 'എല്ബോ' റിവ്യു
- പുതുകാലത്തില്, പുതുരീതി: 'വാട്ടുസീ സോംബി' - റിവ്യൂ
- ഫാത്തിമ 'ഫെമിനിച്ചി'യായത് ഇങ്ങനെ- റിവ്യൂ
- കെട്ടുകഥയിലൂടെ പറയുന്ന രാഷ്ട്രീയം; 'ഈസ്റ്റ് ഓഫ് നൂണ്' റിവ്യൂ
ഹൈപ്പർബോറിയൻസ്: രാഷ്ട്രീയം പറയുന്ന ഒരു ഭ്രാമാത്മക പരീക്ഷണം
മലയാള സിനിമയുടെ കരുത്ത്, ക്രാഫ്റ്റ്! കൃഷാന്ദിന്റെ സംഘർഷ ഘടന- റിവ്യൂ
മനുഷ്യനും മൃഗവും ഇല്ല, എല്ലാം ആത്മാവുള്ള ജീവികള് മാത്രം - ആനിമല് | ഹ്യൂമന് റിവ്യൂ
ഫോട്ടോഗ്രാഫുകളിലൂടെ ചരിത്രം തിരയുമ്പോള്; 'ആന് ഓസിലേറ്റിംഗ് ഷാഡോ' റിവ്യൂ
'നമ്മുടെ ധാരണകള് അവരുടെ ബാധ്യതകള് അല്ല': അണ്ടര്ഗ്രൌണ്ട് ഓറഞ്ച് റിവ്യൂ
'കുട്ടിക്കളിയില്' നിന്നും ഒരു 'പാന് ഇന്ത്യന് കഥ'യുണ്ടാകുന്നു - റിവ്യൂ
വിശ്വാസവും- അന്ധവിശ്വാസവും തമ്മിലെ നേർത്ത വര- 'അപ്പുറം' റിവ്യൂ
ശരീരം, മനുഷ്യന്, പാട്രിയാര്ക്കി; 'ബോഡി' റിവ്യൂ
'മുഖക്കണ്ണാടി'; ഒരു സ്വയം വിമര്ശനത്തിന്റെ കഥ, വേറിട്ട കാഴ്ചാനുഭവം- റിവ്യൂ
മോഹങ്ങളും അധികാരവും ബന്ധങ്ങളും കൂടിക്കലര്ന്ന ലിന്ഡ - റിവ്യൂ
കിരാത ഭരണകൂടങ്ങളുടെ മനുഷ്യ കശാപ്പുകൾ; ഞെട്ടിച്ച് ഐഎഫ്എഫ്കെ 2024 ഉദ്ഘാടന ചിത്രം അയാം സ്റ്റിൽ ഹിയർ- റിവ്യൂ
നിഗൂഢതയുടെ പിരിയന് ഗോവണി; 'കിഷ്കിന്ധാ കാണ്ഡം' റിവ്യു
രുധിരം: പ്രതികാരത്തിന്റെ ചോരപ്പാടുകൾ - റിവ്യൂ
ഇത്തവണ തീ അല്ല കാട്ടുതീ ; പുഷ്പയുടെ രണ്ടാം വരവ് - റിവ്യൂ
മങ്ങലേൽക്കാതെ 'മാധവനുണ്ണി', റി റിലീസിൽ പഞ്ച് കൂടുന്ന വല്ല്യേട്ടൻ- റിവ്യു
അസാധാരണ ത്രില്ലര്: 'സൂക്ഷ്മദര്ശിനി' റിവ്യൂ
നല്ല രസികൻ ഫാന്റസി ഹൊറർ- കോമഡി ത്രില്ലർ; ഹലോ മമ്മി റിവ്യു
കുറ്റാന്വേഷണത്തിന്റെ വേറിട്ട വഴിയെ 'ആനന്ദ് ശ്രീബാല'; റിവ്യു
കങ്കുവ: സൂര്യയുടെ വീരഗാഥ - റിവ്യൂ
ആക്ഷൻ, ഇമോഷൻ, റിവഞ്ച്- ചടുലതയോടെ ഒരു 'മുറ'- റിവ്യു
ഒരു അന്വേഷണത്തിന്റെ തുടക്കം: ത്രില്ലടിപ്പിക്കുന്ന പൊലീസ് കഥ - റിവ്യൂ
വേറിട്ട റൂട്ടില് നസ്ലെന്, ത്രില്ലടിപ്പിച്ച് 'ഐ ആം കാതലന്': റിവ്യൂ
ജോജുവിന്റെ ബ്രില്യന്റ് 'പണി'; റിവ്യൂ
വെറും തമാശയല്ല 'പൊറാട്ട് നാടകം', ചൂടേറിയ സാമൂഹ്യ വിഷയങ്ങളുമായി ഒരു ചിത്രം - റിവ്യൂ
ഞെട്ടിക്കുന്ന ജ്യോതിര്മയി, പിടിച്ചിരുത്തുന്ന അമല് നീരദ്; 'ബോഗയ്ന്വില്ല' റിവ്യൂ
പ്രതിസന്ധികളെ അതിജീവിക്കുമോ മഹീന്ദ്രന്?: രസകരമായ സീരിസ് ജയ് മഹേന്ദ്രന് -റിവ്യൂ
Movie Reviews (മൂവി അവലോകനങ്ങൾ): Get the Movie reviews of the latest blockbusters, in house movies and everything about the cinema in Malayalam. Read about the upcoming movies from Mollywood, Bollywood, Kollywood and Hollywood industry and watch the latest upcoming movie trailer. Know about the Critics Rating, വിമർശകരുടെ റേറ്റിംഗ്, Movie Critics സിനിമ വിമർശകർ, movie story, മൂവി സ്റ്റോറി, genre, സ്റ്റാർ കാസ്റ്റ് and star cast. Keeping track of all the movies releasing on friday to the movie reviews. Catch up with all the movie gossip, Music album, സംഗീത ആൽബം, Story line, cinema rating, Movie Rating, മൂവി റേറ്റിംഗ്, reviews from the critics, and much more online only at Asianet News.
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Malayalam Movie Reviews
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Sookshmadarshini
nazriya nazim , Basil Joseph , Deepak Parambol , Sidharth Bharathan
22 Nov 2024 | 2 hrs 22 mins
Hello Mummy
Sharafudheen , Aishwarya Lekshmi , Sunny Hinduja , Jagadish
21 Nov 2024 | 2 hrs 16 mins
All We Imagine As Light
Kani Kusruti , Divya Prabha , Chhaya Kadam , Hridhu Haroon , Azees Nedumangad
22 Nov 2024 | 1 hr 58 mins
I am Kathalan
Anishma Anilkumar , Dileesh Pothan , Lijo Mol Jose , Sajin Cherukayil , Vineeth Vasudevan , Vineeth Viswam , Naslen K Gafoor
07 Nov 2024 | 1 hr 51 mins
Anand Sreebala
Arjun Ashokan , Saiju Kurup , Aparna Das , Dhyan Sreenivasan , Aju Varghese
15 Nov 2024 | 2 hrs 14 mins
Suraj Venjaramoodu , Hridhu Haroon , Kani Kusruti
08 Nov 2024 | 2 hrs 9 mins
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Sonic the Hedgehog 3 - Official Trailer
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How To Train Your Dragon - Official Teaser
Barroz - Official Trailer
Pushpa 2: The Rule - Official Trailer
Daaku Maharaaj - Official Teaser
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Gladiator II - Official Trailer
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Fateh | Song - Hitman
Baby John | Song - Bandobast
Don By Diljit Dosanjh
Fateh Kar Fateh | Song - Fateh
Rooh By Yo Yo Honey Singh and Hritu Zee
Powerhouse By Amrit Mann and Bhupinder Babbal Ft. Sanjay Dut...
Baby John | Song - Pikley Pom
Aaye Haaye By Karan Aujla and Neha Kakkar Featuring Nora Fat...
Pushpa 2: The Rule | Hindi Song - Peelings (Lyrical)
Game Changer | Hindi Song - Jaana Hairaan Sa (Lyrical)
Baby John | Song - Nain Matakka
Pushpa 2: The Rule | Hindi Song - Kissik (Lyrical)
Payal By Yo Yo Honey Singh and Paradox
Morni By Badshah and Sharvi Yadav
Bhool Bhulaiyaa 3 | Song - Beiraada
I Want To Talk | Song - Dil Ghabraye
Bhool Bhulaiyaa 3 | Song - Ami Je Tomar 3.0
Jatt Mehkma Sung By Yo Yo Honey Singh
Singham Again | Song - Lady Singham
Oru Anweshanathinte Thudakkam
Shine Tom Chacko , Samuthirakani , Mukesh , Ashokan
08 Nov 2024 | 3 hrs 1 mins
Joju George , MG Abhinaya , Sagar Surya , Junaiz VP
24 Oct 2024 | 2 hrs 23 mins
Porattu Nadakam
Saiju Kurup , Dharmajan Bolgatty , Ramesh Pisharody , Chithra Nair , Sunil Sukhada
18 Oct 2024 | 2 hrs 4 mins
Pallotty 90s Kids
Arjun Ashokan , Balu Varghese , Saiju Kurup , Sudhi Koppa , Dinesh Prabhakar , Niranjana Anoop
2 hrs 2 mins
Bougainvillea
Kunchacko Boban , Jyothirmayi , Fahadh Faasil , Sharafudheen , Srinda Ashab
17 Oct 2024 | 2 hrs 18 mins
Jai Mahendran
Saiju Kurup , Suhasini Maniratnam , Rahul Riji Nair , Miya , Suresh Krishna , Vishnu Govind
11 Oct 2024
Thekku Vadakku
Suraj Venjaramoodu , Vinayakan , Vineeth Viswam , Ramesh Kottayam
04 Oct 2024 | 2 hrs 10 mins
Kishkindha Kaandam
Asif Ali , Aparna Balamurali , Jagadish , Shebin Benson , Vijayaraghavan
12 Sep 2024 | 2 hrs 5 mins
Ajayante Randam Moshanam
Tovino Thomas , Krithi Shetty
Bharathanatyam
Saiju Kurup , Sai Kumar , Sruthy Suresh , Sohan Seenulal , Kalaranjini
30 Aug 2024 | 2 hrs 1 mins
Palum Pazhavum
Meera Jasmine , Aswin Jose , Shanthi Krishna , Maniyanpilla Raju
23 Aug 2024 | 2 hrs 27 mins
Basil Joseph , Grace Antony , Swasika Vijay , Manoj K. Jayan , Baiju Santhosh , Saiju Kurup , Aju Varghese , Binu Pappu , Azees Nedumangad
15 Aug 2024 | 2 hrs 6 mins
Adios Amigo
Asif Ali , Suraj Venjaramoodu , Shine Tom Chacko , Anagha LK
02 Aug 2024 | 2 hrs 39 mins
Dhyan Sreenivasan , Aparna Das , Jacob Gregory , Ranjith Balakrishnan , Renji Panicker , Thalaivasal Vijay
26 Jul 2024 | 1 hr 59 mins
Level Cross
Asif Ali , Amala Paul , Sharafudheen
26 Jul 2024 | 1 hr 56 mins
Agathokakological
Maqbool Salmaan , Leona Lishoy , Prashanth Murali , Abdul Bassith
08 Mar 2024 | 1 hr 54 mins
Roshan Mathew , Darshana Rajendran , Shyam Fernando , Mahendra Perera
28 Jun 2024 | 1 hr 35 mins
Nadanna Sambavam
Biju Menon , Lijo Mol Jose , Suraj Venjaramoodu , Shruti Ramachandran , Johny Antony , Lalu Alex , Sudhi Koppa
Urvashi , Parvathy Thiruvothu , Arjun Radhakrishnan , Alencier Ley Lopez
21 Jun 2024 | 2 hrs 2 mins
Anagha LK , Kunchacko Boban , Suraj Venjaramoodu , Shruti Ramachandran , Rajesh Madhavan
Little Hearts
Shane Nigam , Mahima Nambiar , Shine Tom Chacko , Maala Parvathy , Chemban Vinod Jose
Gaganachari
Anarkali Marikar , Gokul Suresh , Ganesh Kumar , Aju Varghese , John Kaippallil
CID Ramachandran Retd. SI
Kalabhavan Shajohn , Balaji Sharma , Geethi Sangeetha , Sudheer Karamana , Baiju Santhosh
17 May 2024 | 2 hrs 8 mins
Biju Menon , Asif Ali , Miya George , Anusree , Dileesh Pothan , Shankar Ramakrishnan , Kottayam Nazeer
24 May 2024 | 2 hrs 13 mins
Althaf_Salim , Anarkali Marikar , Ganapathy , Lal Jose
24 May 2024 | 2 hrs 7 mins
Mammootty , Anjana Jayaprakash , Raj B. Shetty , Bindu Panicker , Shabareesh Varma , Dileesh Pothan , Sunil , Johny Antony , Kabir Duhan Singh , Niranjana Anoop , Namo Narayanan , Amina Nijam
23 May 2024 | 2 hrs 35 mins
Sureshanteyum Sumalathayudeyum Hrudayahariyaya Pranayakadha
Rajesh Madhavan , Chithra Nair , Jinu Joseph , Sudheesh Kozhikode
16 May 2024 | 2 hrs 2 mins
Guruvayoorambala Nadayil
Prithviraj Sukumaran , Basil Joseph , Nikhila Vimal , Anaswara Rajan , Yogi Babu
16 May 2024 | 2 hrs 15 mins
Marivillin Gopurangal
Indrajith Sukumaran , Shruti Ramachandran , Sarjano Khalid , Vincy Aloshious
10 May 2024 | 2 hrs 20 mins
Sunny Wayne , Vinay Forrt , Vijilesh Karayad , Deepa Thomas
Tovino Thomas , Lal , Shine Tom Chacko , Bhavana , Dhyan Sreenivasan , Soubin Shahir , Indrans , Anoop Menon
03 May 2024 | 2 hrs 2 mins
Malayalee From India
Nivin Pauly , Dhyan Sreenivasan , Anaswara Rajan , Manju Pillai , Shine Tom Chacko , Salim Kumar
Pavi Caretaker
Dileep , Johny Antony , Radikaa Sarathkumar , Dharmajan
26 Apr 2024 | 2 hrs 2 mins
Unni Mukundan , Mahima Nambiar , Ravindra Vijay , Jomol , Hareesh Peradi , Ashokan
11 Apr 2024 | 2 hrs 2 mins
Fahadh Faasil , Mansoor Ali Khan , Ashish Vidyarthi , Sajin Gopu
Varshangalkku Shesham
Pranav Mohanlal , Kalyani Priyadarshan , Dhyan Sreenivasan , Aju Varghese , Basil Joseph , Nivin Pauly
The Goat Life
Prithviraj Sukumaran , Amala Paul , Jimmy Jean Louis , Shobha Mohan , Rik Aby , Talib Al Balushi
28 Mar 2024 | 2 hrs 53 mins
Jananam 1947 Pranayam Thudarunnu
Jayarajan Kozhikode , Leela Samson , Anu Sithara , Deepak Parambol , Noby Marcose , Irshad Ali , Pauly Valsan
15 Mar 2024 | 1 hr 46 mins
Dileep , Shine Tom Chacko , Siddique , John Vijay , Malavika Menon , Pranitha Subhash , Ajmal Ameer , Manoj K. Jayan
Manjummel Boys
Soubin Shahir , Sreenath Bhasi , Balu Varghese , Deepak Parambol , Jean Paul Lal , Khalid Rahman , Ganapathy
22 Feb 2024 | 2 hrs 15 mins
Biju Menon , Shine Tom Chacko , Unnimaya Prasad , Gokulan
16 Feb 2024 | 2 hrs 6 mins
Mammootty , Arjun Ashokan , Sidharth Bharathan , Amalda Liz
15 Feb 2024 | 2 hrs 19 mins
Anweshippin Kandethum
Tovino Thomas , Siddique , Indrans , Shammi Thilakan , Baburaj , Arthana Binu , Jaffer Idukki , Pramod Velliyanad
09 Feb 2024 | 2 hrs 25 mins
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Appuram Movie Review: A poignant tale that dismantles superstition
Appuram (the other side) ( 3.5 / 5).
Indu Lakshmi’s Appuram ( The Other Side ) is a tender yet unflinching portrayal of familial bonds tested by psychological fragility and societal oppression. Selected for the International Competition section at the 29th International Film Festival of Kerala (IFFK), this evocative film weaves an intense drama with a sharp critique of regressive traditions that still persist. Set against the backdrop of a middle-class family, Appuram unfolds through the eyes of Janaki (Anagha Ravi), a teenage girl caught in the crosscurrents of love, fear and societal constraints. The opening scene, in which Janaki’s mother Chithra makes yet another suicide attempt, sets the tone for the emotionally intense narrative. This harrowing moment introduces a poignant exploration of Janaki’s life, shaped by the constant fear of losing her mother. Through this lens, Appuram delves into the fragile dynamics of a family grappling with mental health challenges, societal expectations, and the oppressive weight of superstition.
Director: Indu Lekshmi Cast: Jagadish, Mini I G, Anagha Ravi
Chithra’s character is an unsettling study of a woman unraveling under the weight of unfulfilled aspirations and societal strictures. Once a vibrant and ambitious student, her life was stifled when her father denied her the opportunity to pursue higher education. Mini IG delivers a measured performance, portraying Chithra’s anguish and unpredictable nature with depth. In one particularly heart-rending scene, her refusal to take prescribed medication escalates into a physical confrontation with Janaki, culminating in a vulnerable moment where her husband, Venu (Jagadish), pleads with her not to abandon him and their daughter. Jagadish’s portrayal of Venu is nothing short of exceptional. His restrained yet deeply emotional performance anchors the narrative, especially in scenes where he attempts to mediate between Chithra’s emotional volatility and Janaki’s growing despair. As an affectionate man grappling with the helplessness of watching the senselessness of what unfolds in Chithra's ancestral home, his performance is a study in quiet strength. Jagadish’s ability to convey so much with so little is what makes his portrayal of Venu stand out. At the heart of the film is Janaki, caught between her mother’s stubbornness and her own fears. Anagha Ravi delivers a deeply affecting performance, capturing the intricate layers of a teenager burdened with responsibilities far beyond her years. Janaki’s constant vigilance—checking if her mother is still breathing whenever she sees her asleep—speaks volumes about the psychological toll of living under the shadow of loss.
Appuram also examines the fine line between faith and superstition, particularly as it relates to gender. Janaki’s predicaments in Chithra's ancestral home are steeped in regressive practices, from menstruation taboos to rituals aimed at exorcising supposed evils. Indu critiques these practices with incisive subtlety, presenting them as both a source of oppression and a reflection of society’s collective anxieties. One striking scene, set in Janaki’s ancestral home, encapsulates this critique. Amidst a discussion about menstruation, an elderly woman claims that if a woman on her period goes near a basil plant, it will wither automatically. A younger woman counters this superstition, pointing out that no basil plant in her house has ever withered because of her presence. She then questions the relevance of such outdated beliefs in an era when women are breaking barriers, even reaching for the moon. This leads to the dismissive retort: “Women haven’t been to the moon yet.” While technically accurate, it ignores the progress represented by Christina Koch’s upcoming Artemis II mission, which, if successful in 2025, will make her the first woman to travel beyond low Earth orbit. The scene captures how archaic superstitions persist stubbornly, even as society inches closer to remarkable milestones. The film also welcomingly refrains from entirely vilifying faith, instead presenting it as a double-edged sword—offering solace to some while shackling others. This balanced approach adds depth to the narrative, inviting viewers to grapple with the complex interplay of tradition, fear and agency.
Indu, who made a promising directorial debut with Nila , solidifies her reputation as a sensitive filmmaker once again with Appuram . Her storytelling is marked by restraint and empathy, avoiding melodrama in favour of quiet, contemplative moments. The film’s portrayal of Chithra’s mental illness is particularly commendable, capturing her mood swings and depressive episodes with authenticity, steering clear of both romanticisation and stigma. Bijibal’s evocative score underlines the film’s emotional beats without overwhelming them, while Rakesh Dharan’s cinematography tenderly captures the intimate spaces of the family’s life. Appu N Bhattathiri’s editing ensures a seamless flow, balancing the film’s focus on individual struggles and broader societal critiques at the same time. Appuram inevitably invites comparisons to Indu Lakshmi’s previous work as a scriptwriter, Prasanth Vijay's Daayam , which also centred on a bereaved teenage girl. While Daayam explores grief through the lens of sincerity in mourning, Appuram focuses on Janaki’s promise to her mother, which pushes her into a confrontation with societal taboos. Where Daayam featured a father who vehemently opposed regressive practices, Appuram presents a quieter, more nuanced form of resistance, allowing the emotional stakes and social commentary to unfold with greater subtlety and assurance.
The film follows a relatively simplistic narrative within a proven template, especially with its crowd-pleasing and emotionally rewarding payoff. Still, this film is a mirror held up to a society grappling with the remnants of its patriarchal past, highlighting how gender discrimination and superstition continue to shape lives, often under the guise of care. It lingers long after the credits roll, its questions and emotions resonating. Overall, in its exploration of love, loss, and liberation, Appuram emerges as a profound human story, beautifully crafted and powerfully acted.
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2018 Movie Review: A Collective Grieving Experience For Kerala
The Malayalam movie 2018 adapts the story of Kerala’s survival during an unexpected disaster, the first of its kind after the infamous 1924 flood (known as the great flood of Malayalam year ’99) that hit the state. When one of the leads played by Tovino Thomas , Kerala’s homegrown superhero, is introduced to the audience as someone who fled from his Indian army posting out of fear and is being taunted by his villagers, even someone who does not know the real-life context will understand that we are signing up to witness a different kind of heroism.
I watched 2018 at an early morning show in a packed theatre in Bengaluru. The urban Malayali crowd had sacrificed their much-coveted extra sleeping in time on a weekend for a ticket to this movie- and this, at a time when we have become increasingly used to just waiting for movies to release on a streaming platform. Speaking of the movie’s success, the director Jude Antony Joseph had shared on his social media that his job was only to respectfully adapt the screenplay collectively written by the people of Kerala. This explains why there were a myriad of intense emotions across the spectrum floating inside the cinema hall. There were many collective sighs and tears that we did not feel the need to suppress or hide. Everyone patiently sat through the entire rolling down of end-credits alongside real-life visuals from the flood. There was a deep sense of community as we walked out red-eyed.
After the horror of 2018 floods, the state of Kerala had moved on to fight the Covid-19 trauma with the rest of the world along with a follow- up flood visiting us almost every year from then on, leaving no time or space for us to process the mammoth horror we had just experienced. The film brought in the whole deal- there was a re-experiencing of anxiety, helplessness, fear, anger, joy and pride. For every life saved, there was a life lost and the collective viewing experience became a container for all of those fleeting memories.
I found it interesting that on one side, suspension of disbelief was not much of a challenge here. One - for the obvious reason that this is a lived experience for every Malayali. Two - because we have seen the same star faces that we see on the big screen actively engaging in flood-relief work with commoners, putting their privilege and social-media influence to good use. If the film failed to technically impress, it would have invited a lot of flak for the very same reasons. There was indeed risk taken to put together a movie of this scale within a limited budget, and the movie delivered with responsibility.
The buttons pushed with expository dialogues and uplifting background score seemed a little unnecessary at a few places - simply because this story already had all the drama it needed. The film does a touch-an-go on certain sensitive issues like the impact of climate change, politics over water between Tamil Nadu and Kerala and the possible mis-calculations from the government machinery while managing the crisis – but the film does not explore these threads in depth and largely follows the uni-dimensional narrative of celebrating the collective spirit. Even as a lover of nuanced story-telling, I was able to embrace the direction it stuck to, as this was the first time the state was dealing with a disaster of this magnitude and what indeed did help us get to the other side of this crisis was compassion and empathy over blame-game. In the polarized times we live in and with propaganda films with no nuance whatsoever coming up every election season, we can sure do with a solid reminder of the power of togetherness.
The movie reminds us of a time when we shared our personal numbers with strangers while coordinating inter-state relief materials, when our politicians made SOS calls to newsrooms turned control rooms, when glamorous movie stars became one among the umpteen citizen volunteers and ordinary fishermen worked along with the army to heroically save the day. The situation had broken down all power dynamics, which is why we were able to rise above any dividing forces. However, jarring inequalities resurface soon after equalizing disasters and this story is a gentle reminder to hold on to what makes us strong. The film came with the tagline “everyone is a hero”, and the Malayali audience has coined another on their own in the context of a controversial movie that recently released, calling 2018 “the real Kerala Story ”.
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2018 Movie Review: Critics Rating: 4.0 stars, click to give your rating/review,2018: Everyone is a Hero is set in the backdrop of Kerala Floods × Thanks For Rating
Get all the latest Malayalam movie reviews. Read what the movie critics say, give your own rating and write your take on the story, music and cast of your favourite Mollywood movies.
Indu Lakshmi's Appuram (The Other Side) is a tender yet unflinching portrayal of familial bonds tested by psychological fragility and societal oppression.Selected for the International Competition section at the 29th International Film Festival of Kerala (IFFK), this evocative film weaves an intense drama with a sharp critique of regressive traditions that still persist.
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Their kinship is one for the ages and undoubtedly one of the best examples of good associations leading to better cinema, especially in a period when the Malayalam film industry enjoyed a stupendous elevation in the quality of its content, thanks to the much-revered friendships of technicians like Padmarajan, Barathan, K.G George, I.V Sasi ...
The Malayalam movie 2018 adapts the story of Kerala's survival during an unexpected disaster, the first of its kind after the infamous 1924 flood (known as the great flood of Malayalam year '99) that hit the state. When one of the leads played by Tovino Thomas, Kerala's homegrown superhero, is introduced to the audience as someone who fled from his Indian army posting out of fear and is ...
(This happened w/ a fairly well-known Malayalam movie reviewer for Kappela, where they doubled down on their initial review even after comments saying that they missed certain things in the movie) ... I would personally like to see a movie essay series. However, i think video reviews attract more eyeballs nowadays. ... I feel its not fair to ...
Discover the Latest Malayalam Movie Reviews and Critic Ratings in Mollywood. Latest Movie Reviews in Malayalam for In-Depth Insights. Open Popup. Times Now; TN Navbharat; Zoom; ET Now; ET Now Swadesh; ... That Christmas Movie Review: Richard Curtis's Overstuffed Animated Family Film Can't Recreate Love Actually's Charm.